語系:
繁體中文
English
說明(常見問題)
回圖書館首頁
手機版館藏查詢
登入
回首頁
到查詢結果
[ subject:"Media Culture." ]
切換:
標籤
|
MARC模式
|
ISBD
Participatory sound art = technologi...
~
Keylin, Vadim.
FindBook
Google Book
Amazon
博客來
Participatory sound art = technologies, aesthetics, politics /
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Participatory sound art/ by Vadim Keylin.
其他題名:
technologies, aesthetics, politics /
作者:
Keylin, Vadim.
出版者:
Singapore :Springer Nature Singapore : : 2023.,
面頁冊數:
xi, 155 p. :illustrations, digital ;24 cm.
內容註:
Chapter 1: Introduction -- Chapter 2. Histories -- Chapter 3. Discourses -- Chapter 4. Affordances -- Chapter 5. Perspectives -- Chapter 6. Gestures -- Chapter 7. Conclusion.
Contained By:
Springer Nature eBook
標題:
Sound art. -
電子資源:
https://doi.org/10.1007/978-981-99-6357-7
ISBN:
9789819963577
Participatory sound art = technologies, aesthetics, politics /
Keylin, Vadim.
Participatory sound art
technologies, aesthetics, politics /[electronic resource] :by Vadim Keylin. - Singapore :Springer Nature Singapore :2023. - xi, 155 p. :illustrations, digital ;24 cm. - Palgrave studies in sound,2633-5883. - Palgrave studies in sound..
Chapter 1: Introduction -- Chapter 2. Histories -- Chapter 3. Discourses -- Chapter 4. Affordances -- Chapter 5. Perspectives -- Chapter 6. Gestures -- Chapter 7. Conclusion.
"How exactly can listeners participate in sound art? Vadim Keylin explores this issue within contemporary aesthetics through an impressive series of analyses, through fieldwork, conceptual critique as well as through reflections on epistemologies, art history and media history. He proposes to conceptualize participatory sound art through a sonic pragmatism that suggests a stimulating interpretation and application of the notion of affordances in the field of sound studies. With Keylin's approach, works of sound art become consistently recognizable as scenarios for and of encounters." -Holger Schulze, Professor of Musicology, Copenhagen University, Denmark "It is always good to read how young, promising scholars contribute new insights to the prevailing sound studies discourse. Vadim Keylin's Participatory Sound Art opens a field, a niche, within sound studies that so far hasn't been explored systematically, namely the relationship between sound art and participatory art, thereby emphasizing sound art as a participatory art. Reflecting on many interesting sound artworks and bringing them into contact with theories grounded in pragmatism, Keylin has managed to enrich the already impressive theories on sound art with new concepts, new perceptions, and new approaches." -Marcel Cobussen, Professor of Auditory Culture, Leiden University, The Netherlands This book addresses a major gap in sound art scholarship: the role of audience participation. It offers a survey of participatory sound art from its origins in the historical avant-gardes to the non-institutionalized forms of sonic creativity in contemporary digital culture. In doing so, it proposes an innovative theoretical framework for analysing such phenomena, rooted in Pragmatist aesthetics, affordance theory and postcritique. Combining artwork analyses with qualitative studies, this book contributes to the growing fields of sound studies and participation studies, as well as to curatorial practice regarding sound art and participatory art. Vadim Keylin holds a PhD in Aesthetics and Culture from Aarhus University and is currently a research associate in the ERC project "Poetry in the Digital Age" (University of Hamburg) He has published peer-reviewed articles and book chapters on experimental musical instruments, interactive sound art and sound in participatory culture.
ISBN: 9789819963577
Standard No.: 10.1007/978-981-99-6357-7doiSubjects--Topical Terms:
3669623
Sound art.
LC Class. No.: NX650.S68
Dewey Class. No.: 709.04074
Participatory sound art = technologies, aesthetics, politics /
LDR
:03569nmm a2200337 a 4500
001
2336492
003
DE-He213
005
20231120110348.0
006
m d
007
cr nn 008maaau
008
240402s2023 si s 0 eng d
020
$a
9789819963577
$q
(electronic bk.)
020
$a
9789819963560
$q
(paper)
024
7
$a
10.1007/978-981-99-6357-7
$2
doi
035
$a
978-981-99-6357-7
040
$a
GP
$c
GP
041
0
$a
eng
050
4
$a
NX650.S68
072
7
$a
JF
$2
bicssc
072
7
$a
SOC026000
$2
bisacsh
072
7
$a
JB
$2
thema
082
0 4
$a
709.04074
$2
23
090
$a
NX650.S68
$b
K44 2023
100
1
$a
Keylin, Vadim.
$3
3669622
245
1 0
$a
Participatory sound art
$h
[electronic resource] :
$b
technologies, aesthetics, politics /
$c
by Vadim Keylin.
260
$a
Singapore :
$b
Springer Nature Singapore :
$b
Imprint: Palgrave Macmillan,
$c
2023.
300
$a
xi, 155 p. :
$b
illustrations, digital ;
$c
24 cm.
490
1
$a
Palgrave studies in sound,
$x
2633-5883
505
0
$a
Chapter 1: Introduction -- Chapter 2. Histories -- Chapter 3. Discourses -- Chapter 4. Affordances -- Chapter 5. Perspectives -- Chapter 6. Gestures -- Chapter 7. Conclusion.
520
$a
"How exactly can listeners participate in sound art? Vadim Keylin explores this issue within contemporary aesthetics through an impressive series of analyses, through fieldwork, conceptual critique as well as through reflections on epistemologies, art history and media history. He proposes to conceptualize participatory sound art through a sonic pragmatism that suggests a stimulating interpretation and application of the notion of affordances in the field of sound studies. With Keylin's approach, works of sound art become consistently recognizable as scenarios for and of encounters." -Holger Schulze, Professor of Musicology, Copenhagen University, Denmark "It is always good to read how young, promising scholars contribute new insights to the prevailing sound studies discourse. Vadim Keylin's Participatory Sound Art opens a field, a niche, within sound studies that so far hasn't been explored systematically, namely the relationship between sound art and participatory art, thereby emphasizing sound art as a participatory art. Reflecting on many interesting sound artworks and bringing them into contact with theories grounded in pragmatism, Keylin has managed to enrich the already impressive theories on sound art with new concepts, new perceptions, and new approaches." -Marcel Cobussen, Professor of Auditory Culture, Leiden University, The Netherlands This book addresses a major gap in sound art scholarship: the role of audience participation. It offers a survey of participatory sound art from its origins in the historical avant-gardes to the non-institutionalized forms of sonic creativity in contemporary digital culture. In doing so, it proposes an innovative theoretical framework for analysing such phenomena, rooted in Pragmatist aesthetics, affordance theory and postcritique. Combining artwork analyses with qualitative studies, this book contributes to the growing fields of sound studies and participation studies, as well as to curatorial practice regarding sound art and participatory art. Vadim Keylin holds a PhD in Aesthetics and Culture from Aarhus University and is currently a research associate in the ERC project "Poetry in the Digital Age" (University of Hamburg) He has published peer-reviewed articles and book chapters on experimental musical instruments, interactive sound art and sound in participatory culture.
650
0
$a
Sound art.
$3
3669623
650
1 4
$a
Sound Studies.
$3
3601270
650
2 4
$a
Media Culture.
$3
3593320
650
2 4
$a
Music.
$3
516178
650
2 4
$a
Science and Technology Studies.
$3
3221020
710
2
$a
SpringerLink (Online service)
$3
836513
773
0
$t
Springer Nature eBook
830
0
$a
Palgrave studies in sound.
$3
3251329
856
4 0
$u
https://doi.org/10.1007/978-981-99-6357-7
950
$a
Social Sciences (SpringerNature-41176)
筆 0 讀者評論
館藏地:
全部
電子資源
出版年:
卷號:
館藏
1 筆 • 頁數 1 •
1
條碼號
典藏地名稱
館藏流通類別
資料類型
索書號
使用類型
借閱狀態
預約狀態
備註欄
附件
W9462697
電子資源
11.線上閱覽_V
電子書
EB NX650.S68
一般使用(Normal)
在架
0
1 筆 • 頁數 1 •
1
多媒體
評論
新增評論
分享你的心得
Export
取書館
處理中
...
變更密碼
登入