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[ subject:"Masculinity in literature" ]
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Bachelor Japanists : = Japanese Aest...
~
Reed, Christopher
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Bachelor Japanists : = Japanese Aesthetics and Western Masculinities /
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Bachelor Japanists :/ Christopher Reed
其他題名:
Japanese Aesthetics and Western Masculinities /
作者:
Reed, Christopher
面頁冊數:
1 online resource (439 pages)
標題:
Aesthetics,Japanese -
電子資源:
http://portal.igpublish.com/iglibrary/search/COLB0002413.html
ISBN:
9780231542760
Bachelor Japanists : = Japanese Aesthetics and Western Masculinities /
Reed, Christopher
Bachelor Japanists :
Japanese Aesthetics and Western Masculinities /Christopher Reed - 1 online resource (439 pages) - Modernist Latitudes.
Frontmatter --
Challenging clichés of Japanism as a feminine taste, Bachelor Japanists argues that Japanese aesthetics were central to contests over the meanings of masculinity in the West. Christopher Reed draws attention to the queerness of Japanist communities of writers, collectors, curators, and artists in the tumultuous century between the 1860s and the 1960s.Reed combines extensive archival research; analysis of art, architecture, and literature; the insights of queer theory; and an appreciation of irony to explore the East-West encounter through three revealing artistic milieus: the Goncourt brothers and other japonistes of late-nineteenth-century Paris; collectors and curators in turn-of -the-century Boston; and the mid-twentieth-century circles of artists associated with Seattle's Mark Tobey
In English
ISBN: 9780231542760Subjects--Topical Terms:
3313917
Aesthetics,Japanese
Index Terms--Genre/Form:
959526
Electronic books
Dewey Class. No.: 111/.8509
Bachelor Japanists : = Japanese Aesthetics and Western Masculinities /
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1. Originating Japanism: Fin-de-Siecle Paris --
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2. Bachelor Brahmins: Turn-of-the- Century Boston --
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3. Sublimation and Eccentricity in the Art of Mark Tobey: Seattle at Midcentury --
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Challenging clichés of Japanism as a feminine taste, Bachelor Japanists argues that Japanese aesthetics were central to contests over the meanings of masculinity in the West. Christopher Reed draws attention to the queerness of Japanist communities of writers, collectors, curators, and artists in the tumultuous century between the 1860s and the 1960s.Reed combines extensive archival research; analysis of art, architecture, and literature; the insights of queer theory; and an appreciation of irony to explore the East-West encounter through three revealing artistic milieus: the Goncourt brothers and other japonistes of late-nineteenth-century Paris; collectors and curators in turn-of -the-century Boston; and the mid-twentieth-century circles of artists associated with Seattle's Mark Tobey
520
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The result is a groundbreaking integration of well-known and forgotten episodes and personalities that illuminates how Japanese aesthetics were used to challenge Western gender conventions. These disruptive effects are sustained in Reed's analysis, which undermines conventional scholarly investments in the heroism of avant-garde accomplishment and ideals of cultural authenticity
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In English
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Description based on online resource; title from PDF title page (publisher's Web site, viewed Dec. 14, 2016)
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http://portal.igpublish.com/iglibrary/search/COLB0002413.html
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