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Global scriptwriting

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Global scriptwriting/ Ken Dancyger.
作者:	Dancyger, Ken.{me_controlnum}
出版者:	Boston :Focal Press, : c2001.,
面頁冊數:	1 online resource (xiv, 254 p.)
附註:	Includes index.
內容註:	Part 1:The Universal Elements of Script--The Basics; Character; Structure; Form; Voice; Part 2: Particulars About Screenwriting; The Hollywood Model; The Independent Model; The National Model; New Models; Experiments in Voice; Part 3: The Internationalization of Storytelling; The Ascent of Voice; The Search for New Forms; The Struggle of Style and Content; The Media is the Message; The Centrality of Metagenre; Big Issues Plus National Stereotypes Equals International Success; The Search for the Global Tale.
標題:	Motion picture authorship. -
電子資源:	http://www.sciencedirect.com/science/book/9780240804286
ISBN:	9780240804286

Global scriptwriting
Dancyger, Ken.{me_controlnum}

Global scriptwriting[electronic resource] /Ken Dancyger. - Boston :Focal Press,c2001. - 1 online resource (xiv, 254 p.)

Includes index.

Part 1:The Universal Elements of Script--The Basics; Character; Structure; Form; Voice; Part 2: Particulars About Screenwriting; The Hollywood Model; The Independent Model; The National Model; New Models; Experiments in Voice; Part 3: The Internationalization of Storytelling; The Ascent of Voice; The Search for New Forms; The Struggle of Style and Content; The Media is the Message; The Centrality of Metagenre; Big Issues Plus National Stereotypes Equals International Success; The Search for the Global Tale.

Global Scriptwriting offers a look at an exciting new phase in screen storytelling, as writers and directors from all over the world infuse traditional forms with their own cultural values to create stories that have an international appeal and suggest a universality among readers, viewers, and listeners. A unique blend of screenwriting technique and film studies, Global Scriptwriting discusses screen stories as they have evolved through the years, focusing first on the basics of scriptwriting, then going on to afford a more sophisticated look at script via different models of scriptwriting: the Hollywood model, the independent model, the national model, and various alternative models. It examines the internationalization of storytelling, and illustrates how particular innovations have helped national screen stories to international success. This book is the first to incorporate the basics of the classical form with the innovative edge of the last decade, as well the culture specific changes that have taken place outside of North America. It offers readers a view of the enriched repertoire available to writers resulting from the introduction of cultural perspectives into traditional story forms. Specific topics examined include, the ascent of voice, the search for new forms, the struggle between style and content, and the centrality of megagenre. Includes numerous case studies and examples Focuses on how adaptation, innovation, and cultural values combine to create internationally successful stories.

ISBN: 9780240804286

Source: 92160:92159Elsevier Science & Technologyhttp://www.sciencedirect.comSubjects--Topical Terms:

607579
Motion picture authorship.
Index Terms--Genre/Form:

542853
Electronic books.

LC Class. No.: PN1996 / .D365 2001

Dewey Class. No.: 808.2/3

Global scriptwriting
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520 $a Global Scriptwriting offers a look at an exciting new phase in screen storytelling, as writers and directors from all over the world infuse traditional forms with their own cultural values to create stories that have an international appeal and suggest a universality among readers, viewers, and listeners. A unique blend of screenwriting technique and film studies, Global Scriptwriting discusses screen stories as they have evolved through the years, focusing first on the basics of scriptwriting, then going on to afford a more sophisticated look at script via different models of scriptwriting: the Hollywood model, the independent model, the national model, and various alternative models. It examines the internationalization of storytelling, and illustrates how particular innovations have helped national screen stories to international success. This book is the first to incorporate the basics of the classical form with the innovative edge of the last decade, as well the culture specific changes that have taken place outside of North America. It offers readers a view of the enriched repertoire available to writers resulting from the introduction of cultural perspectives into traditional story forms. Specific topics examined include, the ascent of voice, the search for new forms, the struggle between style and content, and the centrality of megagenre. Includes numerous case studies and examples Focuses on how adaptation, innovation, and cultural values combine to create internationally successful stories.
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