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THE LOST ROOTS OF CHINESE SHADOW THE...

CHANG, LILY.

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THE LOST ROOTS OF CHINESE SHADOW THEATER: A COMPARISON WITH THE ACTORS' THEATER OF CHINA.

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	THE LOST ROOTS OF CHINESE SHADOW THEATER: A COMPARISON WITH THE ACTORS' THEATER OF CHINA./
作者:	CHANG, LILY.
面頁冊數:	472 p.
附註:	Source: Dissertation Abstracts International, Volume: 43-07, Section: A, page: 2351.
Contained By:	Dissertation Abstracts International43-07A.
標題:	Literature, Asian. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=8229659

THE LOST ROOTS OF CHINESE SHADOW THEATER: A COMPARISON WITH THE ACTORS' THEATER OF CHINA.
CHANG, LILY.

THE LOST ROOTS OF CHINESE SHADOW THEATER: A COMPARISON WITH THE ACTORS' THEATER OF CHINA. - 472 p.

Source: Dissertation Abstracts International, Volume: 43-07, Section: A, page: 2351.

Thesis (Ph.D.)--University of California, Los Angeles, 1982.

Part One contains a historical overview introducing the terms of Chinese shadow theater, the diverse theories of its beginning, its development, and its relationship with the live theater, as viewed by contemporary Chinese scholars.Subjects--Topical Terms:

1017599
Literature, Asian.

THE LOST ROOTS OF CHINESE SHADOW THEATER: A COMPARISON WITH THE ACTORS' THEATER OF CHINA.
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245 1 0 $a THE LOST ROOTS OF CHINESE SHADOW THEATER: A COMPARISON WITH THE ACTORS' THEATER OF CHINA.
300 $a 472 p.
500 $a Source: Dissertation Abstracts International, Volume: 43-07, Section: A, page: 2351.
502 $a Thesis (Ph.D.)--University of California, Los Angeles, 1982.
520 $a Part One contains a historical overview introducing the terms of Chinese shadow theater, the diverse theories of its beginning, its development, and its relationship with the live theater, as viewed by contemporary Chinese scholars.
520 $a Part Three introduces the constituents of a shadow theater production. Each aspect is also compared with that of a live Chinese opera production.
520 $a Part Two concentrates on the shadow figures. The discussions of their construction, manufacture, and general features are accompanied by illustrations. The shadow representations are compared with their counterparts in the live theater.
520 $a The Appendices include illustrations, lists of shadow play collections and a glossary of Chinese names and terms.
520 $a This dissertation is primarily a comparative study of the Chinese shadow theater and the live theater of China, as well as a comparison among different regional shadow schools.
520 $a Part Four traces the roots of the shadow theater of Taiwan through a comparison with the extinct Chaozhou shadow theater and its surviving descendant, the sun-window puppet theater. Shadow plays of Taiwan are compared with Chaozhou opera plays to confirm their relationship, and to give approximate dating of these shadow plays.
520 $a Part Five deals with the shadow theater of the Hebei province, known internationally as the Peking shadow theater, because of its previous popularity in this city. Hebei shadow plays are compared with narrative ballads, provincial opera plays and other live entertainments. These comparisons uncover the multiple roots of the Hebei shadow theater and combine the diverse scholarly views of its origins.
520 $a The Conclusion summarizes discoveries, adds information to our knowledge of the early Chinese shadow theater and its later development. It also clarifies the relationships of the shadow theater and various live entertainments, and comments on the controversial views regarding how they have influenced each other. In addition, the Conclusion highlights the unique value and contribution of Chinese shadow shows to the performing arts of China.
590 $a School code: 0031.
650 4 $a Literature, Asian. $3 1017599
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710 2 0 $a University of California, Los Angeles. $3 626622
773 0 $t Dissertation Abstracts International $g 43-07A.
790 $a 0031
791 $a Ph.D.
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