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"The labor of un-oneing": The transn...

Ponce, Martin Joseph.

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"The labor of un-oneing": The transnational poetics of Anglophone Filipino literature (Jose Garcia Villa, Carlos Bulosan, Jessica Hagedorn).

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	"The labor of un-oneing": The transnational poetics of Anglophone Filipino literature (Jose Garcia Villa, Carlos Bulosan, Jessica Hagedorn)./
作者:	Ponce, Martin Joseph.
面頁冊數:	374 p.
附註:	Source: Dissertation Abstracts International, Volume: 66-11, Section: A, page: 4026.
Contained By:	Dissertation Abstracts International66-11A.
標題:	Literature, American. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3195740
ISBN:	0542412276

"The labor of un-oneing": The transnational poetics of Anglophone Filipino literature (Jose Garcia Villa, Carlos Bulosan, Jessica Hagedorn).
Ponce, Martin Joseph.

"The labor of un-oneing": The transnational poetics of Anglophone Filipino literature (Jose Garcia Villa, Carlos Bulosan, Jessica Hagedorn). - 374 p.

Source: Dissertation Abstracts International, Volume: 66-11, Section: A, page: 4026.

Thesis (Ph.D.)--Rutgers The State University of New Jersey - New Brunswick, 2005.

This dissertation traces a history of Anglophone Filipino literature from the 1920s to the present. It focuses specifically on three writers who migrated from the Philippines to the United States-Jose Garcia Villa, Carlos Bulosan, and Jessica Hagedorn---and closes by discussing the recent proliferation of Filipino literary anthologies. Offering capacious analyses of these writers' multi-generic bodies of work, I examine the ways their respective poetics are shaped by, and shaped in response to, the historical exigencies of colonialism, imperialism, and migration. Despite the emergence of such critical developments as diasporic or postcolonial Asian American studies, "post-nationalist" American studies, and globalized literary studies, there exists no full-length history of transnational Filipino literature. Elucidating the complex stances these writers take toward both the U.S. and the Philippines in their multivalent modes of address, this study charts a discrepant literary history that eschews the "national" model of evolutionary progress. Foregrounding the internal differences constituting this history, I argue that each writer invents an aesthetic specific to his or her pursuits, thereby redefining and reconstructing the very category of "Filipino literature" at various historical moments and toward a variety of political ends.

ISBN: 0542412276Subjects--Topical Terms:

1017657
Literature, American.

"The labor of un-oneing": The transnational poetics of Anglophone Filipino literature (Jose Garcia Villa, Carlos Bulosan, Jessica Hagedorn).
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520 $a This dissertation traces a history of Anglophone Filipino literature from the 1920s to the present. It focuses specifically on three writers who migrated from the Philippines to the United States-Jose Garcia Villa, Carlos Bulosan, and Jessica Hagedorn---and closes by discussing the recent proliferation of Filipino literary anthologies. Offering capacious analyses of these writers' multi-generic bodies of work, I examine the ways their respective poetics are shaped by, and shaped in response to, the historical exigencies of colonialism, imperialism, and migration. Despite the emergence of such critical developments as diasporic or postcolonial Asian American studies, "post-nationalist" American studies, and globalized literary studies, there exists no full-length history of transnational Filipino literature. Elucidating the complex stances these writers take toward both the U.S. and the Philippines in their multivalent modes of address, this study charts a discrepant literary history that eschews the "national" model of evolutionary progress. Foregrounding the internal differences constituting this history, I argue that each writer invents an aesthetic specific to his or her pursuits, thereby redefining and reconstructing the very category of "Filipino literature" at various historical moments and toward a variety of political ends.
520 $a Transnational Filipino literature, therefore, is a dispersed tradition without a core. Chapter one tracks the link between queer eroticism and formal innovation that persists throughout Villa's work, and argues that his stories and lyrics implicitly interrogate such notions as racial embodiment, national identification, and heterosexual reproduction. In contrast to Villa's queer modernism, the literary radicalism formulated and performed in Bulosan's poetry and prose formally contests the interwar pastoral tradition in Philippine literature. Merging Villa's experimentalism with Bulosan's social criticism, Hagedorn enacts a cross-cultural and cross-media poetics by appropriating African American, Spanish/Andalusian, and Filipino musical forms in her poetry and novels. The wealth of endeavors undertaken by these writers presages the diversity of approaches adopted in contemporary anthologies. Gathering disparate texts by writers in both the Philippines and the U.S., these collections call for an analytical framework that can account for the transnational differences and "collisions" that inevitably arise, a reading strategy that this dissertation seeks to theorize and practice.
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