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The politics of speech in later twen...

Fogarty, William.

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The politics of speech in later twentieth-century poetry = local tongues in Heaney, Brooks, Harrison, and Clifton /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	The politics of speech in later twentieth-century poetry/ by William Fogarty.
其他題名:	local tongues in Heaney, Brooks, Harrison, and Clifton /
作者:	Fogarty, William.
出版者:	Cham :Springer International Publishing : : 2022.,
面頁冊數:	xi, 247 p. :ill., digital ;24 cm.
內容註:	Chapter 1: Introduction: Local Tongues -- Chapter 2: Troubled Tongues: Seamus Heaney and the Political Poetics of Speech -- Chapter 3: The Gwendolynian Tongue: Gwendolyn Brooks's Noncolloquial Local Speech -- Chapter 4: Tongue-Tied Fighting: Tony Harrison's Linguistic Divisions -- Chapter 5: Mortal Tongues: Lucille Clifton's Local-Speech Admonitions -- Chapter 6: Coda: The Twenty-First Century Local-Speech Poem.
Contained By:	Springer Nature eBook
標題:	Speech in literature. -
電子資源:	https://doi.org/10.1007/978-3-031-07889-7
ISBN:	9783031078897

The politics of speech in later twentieth-century poetry = local tongues in Heaney, Brooks, Harrison, and Clifton /
Fogarty, William.

The politics of speech in later twentieth-century poetrylocal tongues in Heaney, Brooks, Harrison, and Clifton /[electronic resource] :by William Fogarty. - Cham :Springer International Publishing :2022. - xi, 247 p. :ill., digital ;24 cm. - Modern and contemporary poetry and poetics,2634-6060. - Modern and contemporary poetry and poetics..

Chapter 1: Introduction: Local Tongues -- Chapter 2: Troubled Tongues: Seamus Heaney and the Political Poetics of Speech -- Chapter 3: The Gwendolynian Tongue: Gwendolyn Brooks's Noncolloquial Local Speech -- Chapter 4: Tongue-Tied Fighting: Tony Harrison's Linguistic Divisions -- Chapter 5: Mortal Tongues: Lucille Clifton's Local-Speech Admonitions -- Chapter 6: Coda: The Twenty-First Century Local-Speech Poem.

The Politics of Speech in Later Twentieth-Century Poetry: Local Tongues in Heaney, Brooks, Harrison, and Clifton argues that local speech became a central facet of English-language poetry in the second half of the twentieth century. It is based on a key observation about four major poets from both sides of the Atlantic: Seamus Heaney, Gwendolyn Brooks, Tony Harrison, and Lucille Clifton all respond to societal crises by arranging, reproducing, and reconceiving their particular versions of local speech in poetic form. The book's overarching claim is that "local tongues" in poetry have the capacity to bridge aesthetic and sociopolitical realms because nonstandard local speech declares its distinction from the status quo and binds people who have been subordinated by hierarchical social conditions, while harnessing those versions of speech into poetic structures can actively counter the very hierarchies that would degrade those languages. The diverse local tongues of these four poets marshaled into the forms of poetry situate them at once in literary tradition, in local contexts, and in prevailing social constructs.

ISBN: 9783031078897

Standard No.: 10.1007/978-3-031-07889-7doiSubjects--Personal Names:

3259082
Heaney, Seamus,
1939-2013--Criticism and interpretation.Subjects--Topical Terms:

697077
Speech in literature.

LC Class. No.: PN1021

Dewey Class. No.: 808.1

The politics of speech in later twentieth-century poetry = local tongues in Heaney, Brooks, Harrison, and Clifton /
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505 0 $a Chapter 1: Introduction: Local Tongues -- Chapter 2: Troubled Tongues: Seamus Heaney and the Political Poetics of Speech -- Chapter 3: The Gwendolynian Tongue: Gwendolyn Brooks's Noncolloquial Local Speech -- Chapter 4: Tongue-Tied Fighting: Tony Harrison's Linguistic Divisions -- Chapter 5: Mortal Tongues: Lucille Clifton's Local-Speech Admonitions -- Chapter 6: Coda: The Twenty-First Century Local-Speech Poem.
520 $a The Politics of Speech in Later Twentieth-Century Poetry: Local Tongues in Heaney, Brooks, Harrison, and Clifton argues that local speech became a central facet of English-language poetry in the second half of the twentieth century. It is based on a key observation about four major poets from both sides of the Atlantic: Seamus Heaney, Gwendolyn Brooks, Tony Harrison, and Lucille Clifton all respond to societal crises by arranging, reproducing, and reconceiving their particular versions of local speech in poetic form. The book's overarching claim is that "local tongues" in poetry have the capacity to bridge aesthetic and sociopolitical realms because nonstandard local speech declares its distinction from the status quo and binds people who have been subordinated by hierarchical social conditions, while harnessing those versions of speech into poetic structures can actively counter the very hierarchies that would degrade those languages. The diverse local tongues of these four poets marshaled into the forms of poetry situate them at once in literary tradition, in local contexts, and in prevailing social constructs.
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