東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁 到查詢結果 [ subject:"LITERARY CRITICISM / Semiotics & Theory" ]

切換: 標籤 | MARC模式 | ISBD

Modernism and style

Hutchinson, Ben, (1976-)

FindBook

Google Book

Amazon

博客來

Modernism and style

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Modernism and style/ Ben Hutchinson.
作者:	Hutchinson, Ben,
出版者:	Houndmills, Basingstoke, Hampshire ;Palgrave Macmillan, : 2011.,
面頁冊數:	1 online resource (p.)
附註:	Includes index.
內容註:	Acknowledgements -- Introduction -- Philosophical Beginnings -- 1857: Literary Beginnings -- The 'Virus' of Prose: Decadent style and the Modernist Novel -- 1922: Style and the Modernist Lyric -- The 'Alibi' of Style: Modernist Manifestos -- Conclusion -- Bibliography -- Index --.
內容註:	Machine generated contents note: -- Acknowledgements -- Introduction -- Philosophical Beginnings -- 1857: Literary Beginnings -- The 'Virus' of Prose: Decadent style and the Modernist Novel -- 1922: Style and the Modernist Lyric -- The 'Alibi' of Style: Modernist Manifestos -- Conclusion -- Bibliography -- Index.
標題:	European literature - History and criticism. - 19th century -
電子資源:	http://www.palgraveconnect.com/doifinder/10.1057/9780230343207
ISBN:	9780230343207 (electronic bk.)

Modernism and style
Hutchinson, Ben,1976-

Modernism and style[electronic resource] /Ben Hutchinson. - Houndmills, Basingstoke, Hampshire ;Palgrave Macmillan,2011. - 1 online resource (p.) - Modernism and. - Modernism and--.

Includes index.

Includes bibliographical references and index.

Acknowledgements -- Introduction -- Philosophical Beginnings -- 1857: Literary Beginnings -- The 'Virus' of Prose: Decadent style and the Modernist Novel -- 1922: Style and the Modernist Lyric -- The 'Alibi' of Style: Modernist Manifestos -- Conclusion -- Bibliography -- Index --.

Tracing the stylistic self-conceptualization of modernism from Schopenhauer and Flaubert in the 1850s, through Nietzsche and the symbolists in the 1880s, to the high modernists of the 1920s, this book explores the far-reaching implications of Roland Barthes' claim that modern literature is 'saturated with style'. It offers both a broad, comparative survey of European modernism and an inventive re-reading of the major genres of the period, namely poetry, prose, and the manifesto. With reference to a wide range of canonical figures, including Aragon, Baudelaire, Eliot, �Rmy de Gourmont, Joyce, Mina Loy, Thomas Mann, Jean Paulhan, Proust, Rilke, Tzara, Va�lry, and Virginia Woolf, Hutchinson argues that modernism oscillates between embracing a literature of 'pure' style and rejecting a literature that is 'purely' style. Between these two poles, style emerges, in the words of John Middleton Murry, not as 'an isolable quality of writing, but as writing itself'.

ISBN: 9780230343207 (electronic bk.)

Standard No.: 9786613290533

Source: 363563Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Topical Terms:

580425
European literature
--History and criticism.--19th centuryIndex Terms--Genre/Form:

542853
Electronic books.

LC Class. No.: PN760.5 / H88 2011

Dewey Class. No.: 809/.9112

Modernism and style
LDR:04353cmm 2200493Ka 4500 001 1882778
003 OCoLC
005 20130621115058.0
006 m o d
007 cr cn|||||||||
008 130927s2011 enk o 001 0 eng d
010 $z 2011024171
019 $a 755803979 $a 759907773 $a 769187861
020 $a 9780230343207 (electronic bk.)
020 $a 0230343201 (electronic bk.)
020 $z 9780230230972 (pbk.)
020 $z 0230230970 (pbk.)
020 $z 9780230230965
020 $z 0230230962
024 8 $a 9786613290533
035 $a (OCoLC)756047638 $z (OCoLC)755803979 $z (OCoLC)759907773 $z (OCoLC)769187861
035 $a ocn756047638
037 $a 363563 $b Palgrave Macmillan $n http://www.palgraveconnect.com
040 $a UKPGM $b eng $c UKPGM $d UIU $d N$T $d CDX $d E7B $d OCLCA $d OCLCQ $d OCLCO $d OCLCQ
043 $a e------
049 $a TEFA
050 1 4 $a PN760.5 $b H88 2011
072 7 $a BIO $x 007000 $2 bisacsh
082 0 4 $a 809/.9112 $2 23
100 1 $a Hutchinson, Ben, $d 1976- $3 1976022
245 1 0 $a Modernism and style $h [electronic resource] / $c Ben Hutchinson.
260 $a Houndmills, Basingstoke, Hampshire ; $a New York : $b Palgrave Macmillan, $c 2011.
300 $a 1 online resource (p.)
490 1 $a Modernism and
500 $a Includes index.
504 $a Includes bibliographical references and index.
505 0 $a Acknowledgements -- Introduction -- Philosophical Beginnings -- 1857: Literary Beginnings -- The 'Virus' of Prose: Decadent style and the Modernist Novel -- 1922: Style and the Modernist Lyric -- The 'Alibi' of Style: Modernist Manifestos -- Conclusion -- Bibliography -- Index --.
505 8 $a Machine generated contents note: -- Acknowledgements -- Introduction -- Philosophical Beginnings -- 1857: Literary Beginnings -- The 'Virus' of Prose: Decadent style and the Modernist Novel -- 1922: Style and the Modernist Lyric -- The 'Alibi' of Style: Modernist Manifestos -- Conclusion -- Bibliography -- Index.
520 $a Tracing the stylistic self-conceptualization of modernism from Schopenhauer and Flaubert in the 1850s, through Nietzsche and the symbolists in the 1880s, to the high modernists of the 1920s, this book explores the far-reaching implications of Roland Barthes' claim that modern literature is 'saturated with style'. It offers both a broad, comparative survey of European modernism and an inventive re-reading of the major genres of the period, namely poetry, prose, and the manifesto. With reference to a wide range of canonical figures, including Aragon, Baudelaire, Eliot, �Rmy de Gourmont, Joyce, Mina Loy, Thomas Mann, Jean Paulhan, Proust, Rilke, Tzara, Va�lry, and Virginia Woolf, Hutchinson argues that modernism oscillates between embracing a literature of 'pure' style and rejecting a literature that is 'purely' style. Between these two poles, style emerges, in the words of John Middleton Murry, not as 'an isolable quality of writing, but as writing itself'.
520 $a "Tracing the stylistic self-conceptualization of modernism from Schopenhauer and Flaubert in the 1850s, through Nietzsche and the symbolists in the 1880s, to the high modernists of the 1920s, this book explores the far-reaching implications of Roland Barthes' claim that modern literature is "saturated with style." It offers both a broad, comparative survey of European modernism and an inventive re-reading of the major genres of the period, namely poetry, prose, and the manifesto. With reference to a wide range of canonical figures, including Aragon, Baudelaire, Eliot, Remy de Gourmont, Joyce, Mina Loy, Thomas Mann, Jean Paulhan, Proust, Rilke, Tzara, Valery, and Virginia Woolf, Hutchinson argues that modernism oscillates between embracing a literature of "pure" style and rejecting a literature that is "purely" style. Between these two poles, style emerges, in the words of John Middleton Murry, not as "an isolable quality of writing, but as writing itself.""-- $c Provided by publisher.
650 0 $a European literature $y 19th century $x History and criticism. $3 580425
650 0 $a European literature $y 20th century $x History and criticism. $3 690478
650 0 $a Modernism (Literature) $z Europe. $3 571719
650 0 $a Creation (Literary, artistic, etc.) $3 529080
650 7 $a HISTORY / Europe / General $2 bisacsh $3 1598895
650 7 $a HISTORY / Modern / 19th Century $2 bisacsh $3 1599088
650 7 $a HISTORY / Modern / 20th Century $2 bisacsh $3 1600336
650 7 $a LITERARY CRITICISM / Semiotics & Theory $2 bisacsh. $3 1310434
650 7 $a BIOGRAPHY & AUTOBIOGRAPHY / Literary $2 bisacsh $3 1598862
655 4 $a Electronic books. $2 lcsh $3 542853
710 2 $a Palgrave Connect (Online service) $3 1081578
776 0 8 $i Print version: $a Hutchinson, Ben, 1976- $t Modernism and style. $d Houndmills, Basingstoke, Hampshire ; New York : Palgrave Macmillan, 2011 $z 9780230230972 $w (DLC) 2011024171 $w (OCoLC)713185355
830 0 $a Modernism and-- $3 1599545
856 4 0 $3 Palgrave Connect $u http://www.palgraveconnect.com/doifinder/10.1057/9780230343207
938 $a Coutts Information Services $b COUT $n 19556350 $c 50.00 GBP
938 $a ebrary $b EBRY $n ebr10503168
938 $a EBSCOhost $b EBSC $n 396201
994 $a C0 $b TEF