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Recasting transnationalism through p...

McMahon, Christina S., (1976-)

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Recasting transnationalism through performance : = theatre festivals in Cape Verde, Mozambique and Brazil /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Recasting transnationalism through performance :/ by Christina S. McMahon.
其他題名:	theatre festivals in Cape Verde, Mozambique and Brazil /
作者:	McMahon, Christina S.,
面頁冊數:	1 online resource.
內容註:	Introduction: Global Casting Calls: Performing (Trans)National Identity On Festival Circuits -- 1. Mapping Festivals: Cape Verde, Mozambique, and Brazil in the Lusophone World -- 2. Recasting the Colonial Past: History, Imagination, and Fantasy on Festival Stages -- 3. African Women on Festival Circuits: Recasting Labor Roles and Female Sexuality -- 4. Adaptation and the (Trans)Nation: Creolized Shakespeare, Intercultural Cervantes -- 5. Toward a Conclusion: Forum Theatre in Festival Venues.
標題:	Drama festivals - Social aspects - Brazil. -
標題:	Africa, Portuguese-speaking - Ethnic relations. -
電子資源:	http://link.springer.com/10.1057/9781137006813
ISBN:	1137006811 (electronic bk.)

Recasting transnationalism through performance : = theatre festivals in Cape Verde, Mozambique and Brazil /
McMahon, Christina S.,1976-

Recasting transnationalism through performance :theatre festivals in Cape Verde, Mozambique and Brazil /by Christina S. McMahon. - 1 online resource. - Studies in international performance. - Studies in international performance..

Introduction: Global Casting Calls: Performing (Trans)National Identity On Festival Circuits -- 1. Mapping Festivals: Cape Verde, Mozambique, and Brazil in the Lusophone World -- 2. Recasting the Colonial Past: History, Imagination, and Fantasy on Festival Stages -- 3. African Women on Festival Circuits: Recasting Labor Roles and Female Sexuality -- 4. Adaptation and the (Trans)Nation: Creolized Shakespeare, Intercultural Cervantes -- 5. Toward a Conclusion: Forum Theatre in Festival Venues.

The past two decades have witnessed the emergence of a lively Portuguese-language theatre festival circuit, where Brazilian, Portuguese, and Lusophone African artists come together and jointly negotiate the cultural dynamics of an emerging transnational community grounded in a common language and shared colonial histories. Christina S. McMahon trains a sharp ethnographic eye on African performances staged at these festivals, revealing how festival productions and their aftermath can generate new perspectives on race and gender, colonial trauma, and the economics of cultural globalization. Featuring in-depth analysis of performances and artist interviews from Cape Verde, Angola, Guinea-Bissau, and Mozambique -- countries with vibrant theatre practices and vexed colonial pasts -- the book reveals how international festivals can be valuable platforms for new intercultural dialogues and diplomatic possibilities. "Recasting Transnationalism through Performance" offers a fresh look at the role of theatre in navigating new postcolonial realities.

ISBN: 1137006811 (electronic bk.)

Source: 576583Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Topical Terms:

2076723
Drama festivals
--Social aspects--Brazil.Subjects--Geographical Terms:

3648097
Africa, Portuguese-speaking
--Ethnic relations.Index Terms--Genre/Form:

542853
Electronic books.

LC Class. No.: PN3156

Dewey Class. No.: 303.48217569

Recasting transnationalism through performance : = theatre festivals in Cape Verde, Mozambique and Brazil /
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520 $a The past two decades have witnessed the emergence of a lively Portuguese-language theatre festival circuit, where Brazilian, Portuguese, and Lusophone African artists come together and jointly negotiate the cultural dynamics of an emerging transnational community grounded in a common language and shared colonial histories. Christina S. McMahon trains a sharp ethnographic eye on African performances staged at these festivals, revealing how festival productions and their aftermath can generate new perspectives on race and gender, colonial trauma, and the economics of cultural globalization. Featuring in-depth analysis of performances and artist interviews from Cape Verde, Angola, Guinea-Bissau, and Mozambique -- countries with vibrant theatre practices and vexed colonial pasts -- the book reveals how international festivals can be valuable platforms for new intercultural dialogues and diplomatic possibilities. "Recasting Transnationalism through Performance" offers a fresh look at the role of theatre in navigating new postcolonial realities.
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