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Bram Stoker, Dracula and the Victori...

Wynne, Catherine, (1971-)

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Bram Stoker, Dracula and the Victorian gothic stage

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Bram Stoker, Dracula and the Victorian gothic stage/ Catherine Wynne.
作者:	Wynne, Catherine,
出版者:	Houndmills, Basingstoke, Hampshire ;Palgrave Macmillan, : 2013,
面頁冊數:	1 online resource (ix, 195 pages) :illustrations.
內容註:	Introduction: setting the scene -- Stoker, melodrama and the gothic -- Irving's tempters and Stoker's vanishing ladies: supernatural production, mesmeric influence and magical illusion -- Ellen Terry and the "bloofer lady": femininity and fallenness -- Gothic weddings and performing vampires: Genevi{grave}eve Ward and The lady of the shroud -- The Lyceum's Macbeth and Stoker's Dracula -- Conclusion.
標題:	Gothic fiction (Literary genre), English - History and criticism. -
電子資源:	http://link.springer.com/10.1057/9781137298997
ISBN:	9781137298997 (electronic bk.)

Bram Stoker, Dracula and the Victorian gothic stage
Wynne, Catherine,1971-

Bram Stoker, Dracula and the Victorian gothic stage[electronic resource] /Catherine Wynne. - Houndmills, Basingstoke, Hampshire ;Palgrave Macmillan,2013 - 1 online resource (ix, 195 pages) :illustrations.

Includes bibliographical references and index.

Introduction: setting the scene -- Stoker, melodrama and the gothic -- Irving's tempters and Stoker's vanishing ladies: supernatural production, mesmeric influence and magical illusion -- Ellen Terry and the "bloofer lady": femininity and fallenness -- Gothic weddings and performing vampires: Genevi{grave}eve Ward and The lady of the shroud -- The Lyceum's Macbeth and Stoker's Dracula -- Conclusion.

Bram Stoker worked in the theatre for most of his adult life, as theatre reviewer in Dublin in the 1870s and as business manager at London's Royal Lyceum Theatre in the final two decades of the 19th century. Despite this, critical attention to the influence of the stage on Stoker's writing has been sparse. "Bram Stoker, Dracula and the Victorian Gothic Stage" addresses this lacuna, examining how Stoker's fictions respond to and engage with Victorian theatre's melodramatic climate and, in particular, to supernatural plays, Gothic melodramas and Shakespearean productions that Henry Irving and Ellen Terry performed at the Lyceum. "Bram Stoker, Dracula and the Victorian Gothic Stage" locates the writer between stage and page. It reconsiders his literary relationships with key actors, and challenges the biographical assumption that Henry Irving provided the model for the figure of Count Dracula.

ISBN: 9781137298997 (electronic bk.)

Source: 652250Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Personal Names:

924865
Stoker, Bram,
1847-1912--Criticism and interpretation.Subjects--Topical Terms:

1098689
Gothic fiction (Literary genre), English
--History and criticism.Index Terms--Genre/Form:

542853
Electronic books.

LC Class. No.: PR6037.T617 / Z97 2013

Dewey Class. No.: 823/.8

Bram Stoker, Dracula and the Victorian gothic stage
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505 0 $a Introduction: setting the scene -- Stoker, melodrama and the gothic -- Irving's tempters and Stoker's vanishing ladies: supernatural production, mesmeric influence and magical illusion -- Ellen Terry and the "bloofer lady": femininity and fallenness -- Gothic weddings and performing vampires: Genevi{grave}eve Ward and The lady of the shroud -- The Lyceum's Macbeth and Stoker's Dracula -- Conclusion.
520 $a Bram Stoker worked in the theatre for most of his adult life, as theatre reviewer in Dublin in the 1870s and as business manager at London's Royal Lyceum Theatre in the final two decades of the 19th century. Despite this, critical attention to the influence of the stage on Stoker's writing has been sparse. "Bram Stoker, Dracula and the Victorian Gothic Stage" addresses this lacuna, examining how Stoker's fictions respond to and engage with Victorian theatre's melodramatic climate and, in particular, to supernatural plays, Gothic melodramas and Shakespearean productions that Henry Irving and Ellen Terry performed at the Lyceum. "Bram Stoker, Dracula and the Victorian Gothic Stage" locates the writer between stage and page. It reconsiders his literary relationships with key actors, and challenges the biographical assumption that Henry Irving provided the model for the figure of Count Dracula.
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