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Performing the nation in interwar Ge...

Rossol, Nadine, (1978-)

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Performing the nation in interwar Germany = sports, spectacles and political symbols, 1926-1936 /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Performing the nation in interwar Germany/ Nadine Rossol.
其他題名:	sports, spectacles and political symbols, 1926-1936 /
作者:	Rossol, Nadine,
出版者:	New York :Palgrave Macmillan, : 2010.,
面頁冊數:	1 online resource
內容註:	Sports and Games, 1925-28 -- Staging the Republic: Constitution Day Festivities in 1929 -- Republican Nationalism: The Rhineland Celebration in 1930 -- Party Rallies and the Thingspiel in the Third Reich -- TheDeath of the Spectacle in the mid-1930s -- 'Like 100 years ago' Local Festivities in Weimar and Nazi Germany.
標題:	Aesthetics, German - 20th century. -
標題:	Germany - Case studies. - Economic conditions -
電子資源:	http://link.springer.com/10.1057/9780230274778access to fulltext (Palgrave)
ISBN:	0230274773

Performing the nation in interwar Germany = sports, spectacles and political symbols, 1926-1936 /
Rossol, Nadine,1978-

Performing the nation in interwar Germanysports, spectacles and political symbols, 1926-1936 /[electronic resource] :Nadine Rossol. - New York :Palgrave Macmillan,2010. - 1 online resource

Includes bibliographical references and index.

Sports and Games, 1925-28 -- Staging the Republic: Constitution Day Festivities in 1929 -- Republican Nationalism: The Rhineland Celebration in 1930 -- Party Rallies and the Thingspiel in the Third Reich -- TheDeath of the Spectacle in the mid-1930s -- 'Like 100 years ago' Local Festivities in Weimar and Nazi Germany.

Performing the Nation in Interwar Germany challenges the notion thatthe Nazis invented the use of aesthetics for the staging of their massevents. Instead, the book argues that the period from the mid-1920s tothe mid-1930s can be considered as a whole in regards to the development of politicalaesthetics and festive culture. A stress on rhythm, moving bodies, shapes, and community already characterized mass events in the republic and strongly influenced festivities, parades, sporting eventsand spectacles organized by the republican state. Consequently, theoriginality of Nazi propaganda and representation was limited as the public was well accustomed to mass staged events by the state and political organizations alike by the time the National Socialists came to power. 'Nazi aesthetics' were less quintessentially 'Nazi' but expressed the Zeitgeist of the 1920s and 1930s.

Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2010.

Mode of access:World Wide Web.

ISBN: 0230274773Subjects--Topical Terms:

1051669
Aesthetics, German
--20th century.Subjects--Geographical Terms:

1236151
Germany
--Economic conditions--Case studies.Index Terms--Genre/Form:

542853
Electronic books.

LC Class. No.: DD240 / .R633 2010

Dewey Class. No.: 943.085

Performing the nation in interwar Germany = sports, spectacles and political symbols, 1926-1936 /
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100 1 $a Rossol, Nadine, $d 1978- $3 1051667
245 1 0 $a Performing the nation in interwar Germany $h [electronic resource] : $b sports, spectacles and political symbols, 1926-1936 / $c Nadine Rossol.
260 $a New York : $b Palgrave Macmillan, $c 2010.
300 $a 1 online resource
504 $a Includes bibliographical references and index.
505 0 $a Sports and Games, 1925-28 -- Staging the Republic: Constitution Day Festivities in 1929 -- Republican Nationalism: The Rhineland Celebration in 1930 -- Party Rallies and the Thingspiel in the Third Reich -- TheDeath of the Spectacle in the mid-1930s -- 'Like 100 years ago' Local Festivities in Weimar and Nazi Germany.
520 $a Performing the Nation in Interwar Germany challenges the notion thatthe Nazis invented the use of aesthetics for the staging of their massevents. Instead, the book argues that the period from the mid-1920s tothe mid-1930s can be considered as a whole in regards to the development of politicalaesthetics and festive culture. A stress on rhythm, moving bodies, shapes, and community already characterized mass events in the republic and strongly influenced festivities, parades, sporting eventsand spectacles organized by the republican state. Consequently, theoriginality of Nazi propaganda and representation was limited as the public was well accustomed to mass staged events by the state and political organizations alike by the time the National Socialists came to power. 'Nazi aesthetics' were less quintessentially 'Nazi' but expressed the Zeitgeist of the 1920s and 1930s.
533 $a Electronic reproduction. $b Basingstoke, England : $c Palgrave Macmillan, $d 2010. $n Mode of access:World Wide Web. $n System requirements: Web browser. $n Title from title screen (viewed on July 14, 2010). $n Access may be restricted to users at subscribing institutions.
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650 0 $a Political culture $z Germany $x History $y 20th century. $3 758039
650 0 $a Popular culture $z Germany $x History $y 20th century. $3 1051668
651 0 $a Germany $x Economic conditions $v Case studies. $3 1236151 $3 3335486
655 7 $a Electronic books. $2 lcsh $3 542853
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856 4 0 $3 Palgrave Connect $u http://link.springer.com/10.1057/9780230274778 $z access to fulltext (Palgrave)