語系:
繁體中文
English
說明(常見問題)
回圖書館首頁
手機版館藏查詢
登入
回首頁
到查詢結果
[ subject:"Film noir- History and criticism.- United States" ]
切換:
標籤
|
MARC模式
|
ISBD
Class, crime and international film ...
~
Broe, Dennis,
FindBook
Google Book
Amazon
博客來
Class, crime and international film noir : = globalizing America's dark art /
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Class, crime and international film noir :/ Dennis Broe.
其他題名:
globalizing America's dark art /
作者:
Broe, Dennis,
面頁冊數:
1 online resource.
內容註:
Preface: On Symbolic Misery and Its Attenuation (And the Crime Film) -- Acknowledgements -- Introduction: Global Fugitives: Outside the Law and the Cold War 'Consensus' -- 1. Un greve, sanglant et poetic (A Strike, Bloody and Poetic): French Film Noir and the Defeat of the Popular Front -- 2. The Revolution That Wasn't: Black Markets, Ressentiment, and Survival in Postwar British Film Noir -- 3. The Wintering of the Italian Spring: From Neorealism to Film Noir via Verdi -- 4. Occupy the Zaibatsu: Postwar Japanese Film Noir: From Democracy to the (Re)Appearance of the (Old) New Order -- Conclusion: Mediterranean Noir: Sunlight Gleaming Off a Battered .45.
標題:
Film noir - History and criticism. -
標題:
United States. -
電子資源:
http://link.springer.com/10.1057/9781137290144
ISBN:
1137290145 (electronic bk.)
Class, crime and international film noir : = globalizing America's dark art /
Broe, Dennis,
Class, crime and international film noir :
globalizing America's dark art /Dennis Broe. - 1 online resource.
Includes bibliographical references and index.
Preface: On Symbolic Misery and Its Attenuation (And the Crime Film) -- Acknowledgements -- Introduction: Global Fugitives: Outside the Law and the Cold War 'Consensus' -- 1. Un greve, sanglant et poetic (A Strike, Bloody and Poetic): French Film Noir and the Defeat of the Popular Front -- 2. The Revolution That Wasn't: Black Markets, Ressentiment, and Survival in Postwar British Film Noir -- 3. The Wintering of the Italian Spring: From Neorealism to Film Noir via Verdi -- 4. Occupy the Zaibatsu: Postwar Japanese Film Noir: From Democracy to the (Re)Appearance of the (Old) New Order -- Conclusion: Mediterranean Noir: Sunlight Gleaming Off a Battered .45.
Class, Crime and International Film Noir argues that this dark, seedy variant of the crime film was a global phenomenon from its inception. Broe locates noir's beginnings not in the Hollywood post-war B film, but rather in the late poetic realist works in France while the Foreword by Kees van der Pijl, author of The Making of an Atlantic Ruling Class, supplies a context for the wider political economic background of the films studied. With judicious comparisons to the rise of noir in Hollywood, Broe details the development of parallel noir strands in France, Britain, Italy, and Japan: he describes how a global political and social situation, similarities in studio mode of production, and genre commonalties gave rise to a form artists employed to express discontent at the failure of a new world to materialize in the wake of the Second World War. Besides being a detailed analysis of global noir, the book is also an auteur study of more neglected works by directors such as Renoir, Antonioni, Rosi, Kurosawa, and Mizoguchi.
ISBN: 1137290145 (electronic bk.)
Source: 647525Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Topical Terms:
803147
Film noir
--History and criticism.Subjects--Geographical Terms:
574237
United States.
Index Terms--Genre/Form:
2020027
Criticism, interpretation, etc.
LC Class. No.: PN1995.9.F54
Dewey Class. No.: 791.43/61
Class, crime and international film noir : = globalizing America's dark art /
LDR
:02871cmm a2200349Ki 4500
001
1950681
003
OCoLC
005
20140910115818.0
006
m o d
007
cr cnu---unuuu
008
231227s2014 enk ob 001 0 eng d
020
$a
1137290145 (electronic bk.)
020
$a
9781137290144 (electronic bk.)
035
$a
(OCoLC)879364840
035
$a
ocn879364840
035
$a
1950681
037
$a
647525
$b
Palgrave Macmillan
$n
http://www.palgraveconnect.com
040
$a
UKPGM
$b
eng
$e
rda
$e
pn
$c
UKPGM
$d
IDEBK
$d
OCLCO
$d
OCLCF
043
$a
n-us---
049
$a
TEFA
050
4
$a
PN1995.9.F54
082
0 4
$a
791.43/61
$2
23
100
1
$a
Broe, Dennis,
$e
author.
$3
3649040
245
1 0
$a
Class, crime and international film noir :
$b
globalizing America's dark art /
$c
Dennis Broe.
264
1
$a
[Basingstoke] :
$b
Palgrave Macmillan,
$c
2014.
300
$a
1 online resource.
336
$a
text
$b
txt
$2
rdacontent
337
$a
computer
$b
c
$2
rdamedia
338
$a
online resource
$b
cr
$2
rdacarrier
504
$a
Includes bibliographical references and index.
505
0
$a
Preface: On Symbolic Misery and Its Attenuation (And the Crime Film) -- Acknowledgements -- Introduction: Global Fugitives: Outside the Law and the Cold War 'Consensus' -- 1. Un greve, sanglant et poetic (A Strike, Bloody and Poetic): French Film Noir and the Defeat of the Popular Front -- 2. The Revolution That Wasn't: Black Markets, Ressentiment, and Survival in Postwar British Film Noir -- 3. The Wintering of the Italian Spring: From Neorealism to Film Noir via Verdi -- 4. Occupy the Zaibatsu: Postwar Japanese Film Noir: From Democracy to the (Re)Appearance of the (Old) New Order -- Conclusion: Mediterranean Noir: Sunlight Gleaming Off a Battered .45.
520
$a
Class, Crime and International Film Noir argues that this dark, seedy variant of the crime film was a global phenomenon from its inception. Broe locates noir's beginnings not in the Hollywood post-war B film, but rather in the late poetic realist works in France while the Foreword by Kees van der Pijl, author of The Making of an Atlantic Ruling Class, supplies a context for the wider political economic background of the films studied. With judicious comparisons to the rise of noir in Hollywood, Broe details the development of parallel noir strands in France, Britain, Italy, and Japan: he describes how a global political and social situation, similarities in studio mode of production, and genre commonalties gave rise to a form artists employed to express discontent at the failure of a new world to materialize in the wake of the Second World War. Besides being a detailed analysis of global noir, the book is also an auteur study of more neglected works by directors such as Renoir, Antonioni, Rosi, Kurosawa, and Mizoguchi.
588
$a
Description based on publisher supplied information; title not viewed.
650
0
$a
Film noir
$x
History and criticism.
$3
803147
650
0
$a
Film noir
$z
United States
$x
History and criticism.
$3
632324
650
7
$a
Film noir.
$3
1065812
651
7
$a
United States.
$2
fast
$3
574237
655
7
$a
Criticism, interpretation, etc.
$2
fast
$3
2020027
655
7
$a
Electronic books.
$2
lcsh
$3
542853
710
2
$a
Palgrave Connect (Online service)
$3
1081578
856
4 0
$3
Palgrave Connect
$u
http://link.springer.com/10.1057/9781137290144
筆 0 讀者評論
館藏地:
全部
電子資源
出版年:
卷號:
館藏
1 筆 • 頁數 1 •
1
條碼號
典藏地名稱
館藏流通類別
資料類型
索書號
使用類型
借閱狀態
預約狀態
備註欄
附件
W9248267
電子資源
11.線上閱覽_V
電子書
EB PN1995.9.F54
一般使用(Normal)
在架
0
1 筆 • 頁數 1 •
1
多媒體
評論
新增評論
分享你的心得
Export
取書館
處理中
...
變更密碼
登入