東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁 到查詢結果 [ subject:"Film Theory." ]

切換: 標籤 | MARC模式 | ISBD

Steven Spielberg's style by stealth

Mairata, James.

FindBook

Google Book

Amazon

博客來

Steven Spielberg's style by stealth

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Steven Spielberg's style by stealth/ by James Mairata.
作者:	Mairata, James.
出版者:	Cham :Springer International Publishing : : 2018.,
面頁冊數:	xiii, 350 p. :ill. (some col.), digital ;24 cm.
內容註:	1. Introduction: Setting the Scene -- Section I: Origin Chapter 2: Fundamentals of Classical Narration -- Chapter 3: Spielberg as Filmmaker -- Chapter III: Continuity Editing as System -- Section II: Function -- Chapter 4: Deep Space Composition and Staging -- Chapter 5: Space and the Wide Reverse Strategy -- Chapter 6: The Wide Reverse and Extended Variation -- Section III: Effect, Affect and Precedent -- Chapter 7: The Wide Reverse, Cognition and Affect -- Chapter 8: Manifestations of the Wide Reverse in Mainstream Narrative Cinema -- Chapter 9: Conclusion: Style by Stealth.
Contained By:	Springer eBooks
標題:	Cultural and Media Studies. -
電子資源:	http://dx.doi.org/10.1007/978-3-319-69081-0
ISBN:	9783319690810

Steven Spielberg's style by stealth
Mairata, James.

Steven Spielberg's style by stealth[electronic resource] /by James Mairata. - Cham :Springer International Publishing :2018. - xiii, 350 p. :ill. (some col.), digital ;24 cm.

1. Introduction: Setting the Scene -- Section I: Origin Chapter 2: Fundamentals of Classical Narration -- Chapter 3: Spielberg as Filmmaker -- Chapter III: Continuity Editing as System -- Section II: Function -- Chapter 4: Deep Space Composition and Staging -- Chapter 5: Space and the Wide Reverse Strategy -- Chapter 6: The Wide Reverse and Extended Variation -- Section III: Effect, Affect and Precedent -- Chapter 7: The Wide Reverse, Cognition and Affect -- Chapter 8: Manifestations of the Wide Reverse in Mainstream Narrative Cinema -- Chapter 9: Conclusion: Style by Stealth.

This book reveals how Spielberg utilises stylistic strategies that are both unique and innovative when considered within the context of the classical Hollywood system. James Mairata identifies two distinct systems at work in Spielberg's application of style. One is the use of deep space compositions and staging, a form that was commonly seen in Hollywood cinema until the rise of the 'New Hollywood' in the early 1970s. The other system is based on the ubiquitous shot, reverse shot arrangement most commonly used for dialogue scenes, and which Spielberg has modified into what the author describes as wide reverses. Through the integration of both systems, Spielberg is able to create a more complete visual sense of scenographic space and a more comprehensive world of the narrative, while still remaining within the conventional boundaries of classical style. The wide reverse system also permits him to present a more highly developed version of Hollywood's conventional practice of rendering style as transparent or unnoticed. This volume shows that this, together with the wide reverse further enables Spielberg to create a narrative that offers the spectator both a more immersive and more affective experience.

ISBN: 9783319690810

Standard No.: 10.1007/978-3-319-69081-0doiSubjects--Personal Names:

3308987
Spielberg, Steven,
1946---Criticism and interpretation.Subjects--Topical Terms:

2165732
Cultural and Media Studies.

LC Class. No.: PN1998.3.S65 / M35 2018

Dewey Class. No.: 791.430233092

Steven Spielberg's style by stealth
LDR:02769nmm a2200313 a 4500 001 2137012
003 DE-He213
005 20181008160506.0
006 m d
007 cr nn 008maaau
008 181117s2018 gw s 0 eng d
020 $a 9783319690810 $q (electronic bk.)
020 $a 9783319690803 $q (paper)
024 7 $a 10.1007/978-3-319-69081-0 $2 doi
035 $a 978-3-319-69081-0
040 $a GP $c GP
041 0 $a eng
050 4 $a PN1998.3.S65 $b M35 2018
072 7 $a APF $2 bicssc
072 7 $a PER004010 $2 bisacsh
082 0 4 $a 791.430233092 $2 23
090 $a PN1998.3.S65 $b M228 2018
100 1 $a Mairata, James. $3 3308986
245 1 0 $a Steven Spielberg's style by stealth $h [electronic resource] / $c by James Mairata.
260 $a Cham : $b Springer International Publishing : $b Imprint: Palgrave Macmillan, $c 2018.
300 $a xiii, 350 p. : $b ill. (some col.), digital ; $c 24 cm.
505 0 $a 1. Introduction: Setting the Scene -- Section I: Origin Chapter 2: Fundamentals of Classical Narration -- Chapter 3: Spielberg as Filmmaker -- Chapter III: Continuity Editing as System -- Section II: Function -- Chapter 4: Deep Space Composition and Staging -- Chapter 5: Space and the Wide Reverse Strategy -- Chapter 6: The Wide Reverse and Extended Variation -- Section III: Effect, Affect and Precedent -- Chapter 7: The Wide Reverse, Cognition and Affect -- Chapter 8: Manifestations of the Wide Reverse in Mainstream Narrative Cinema -- Chapter 9: Conclusion: Style by Stealth.
520 $a This book reveals how Spielberg utilises stylistic strategies that are both unique and innovative when considered within the context of the classical Hollywood system. James Mairata identifies two distinct systems at work in Spielberg's application of style. One is the use of deep space compositions and staging, a form that was commonly seen in Hollywood cinema until the rise of the 'New Hollywood' in the early 1970s. The other system is based on the ubiquitous shot, reverse shot arrangement most commonly used for dialogue scenes, and which Spielberg has modified into what the author describes as wide reverses. Through the integration of both systems, Spielberg is able to create a more complete visual sense of scenographic space and a more comprehensive world of the narrative, while still remaining within the conventional boundaries of classical style. The wide reverse system also permits him to present a more highly developed version of Hollywood's conventional practice of rendering style as transparent or unnoticed. This volume shows that this, together with the wide reverse further enables Spielberg to create a narrative that offers the spectator both a more immersive and more affective experience.
600 1 0 $a Spielberg, Steven, $d 1946- $x Criticism and interpretation. $3 3308987
650 1 4 $a Cultural and Media Studies. $3 2165732
650 2 4 $a Directing. $3 2200203
650 2 4 $a American Cinema. $3 2200194
650 2 4 $a Film Theory. $3 2191773
710 2 $a SpringerLink (Online service) $3 836513
773 0 $t Springer eBooks
856 4 0 $u http://dx.doi.org/10.1007/978-3-319-69081-0
950 $a Literature, Cultural and Media Studies (Springer-41173)