東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁 到查詢結果 [ subject:"Film History." ]

切換: 標籤 | MARC模式 | ISBD

The afterlife of the Hollywood western

Falconer, Pete.

FindBook

Google Book

Amazon

博客來

The afterlife of the Hollywood western

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	The afterlife of the Hollywood western/ by Pete Falconer.
作者:	Falconer, Pete.
出版者:	London :Palgrave Macmillan UK : : 2020.,
面頁冊數:	x, 224 p. :ill., digital ;24 cm.
內容註:	Chapter 1: Introduction -- Chapter 2: The rhetoric of genre -- Chapter 3: "Fixing" the Western -- Chapter 4: The Wild West and the Dirty South, or, by their teeth ye shall know them -- Chapter 5: Once upon a time -- Chapter 6: Old men and old movies -- Chapter 7: The Western's greatest hits -- Chapter 8: Hybrids and transpositions.
Contained By:	Springer Nature eBook
標題:	Western films - History and criticism. - United States -
電子資源:	https://doi.org/10.1057/978-1-137-54671-5
ISBN:	9781137546715

The afterlife of the Hollywood western
Falconer, Pete.

The afterlife of the Hollywood western[electronic resource] /by Pete Falconer. - London :Palgrave Macmillan UK :2020. - x, 224 p. :ill., digital ;24 cm.

Chapter 1: Introduction -- Chapter 2: The rhetoric of genre -- Chapter 3: "Fixing" the Western -- Chapter 4: The Wild West and the Dirty South, or, by their teeth ye shall know them -- Chapter 5: Once upon a time -- Chapter 6: Old men and old movies -- Chapter 7: The Western's greatest hits -- Chapter 8: Hybrids and transpositions.

This book examines the Western genre in the period since Westerns ceased to be a regular feature of Hollywood filmmaking. For most of the 20th Century, the Western was a major American genre. The production of Westerns decreased in the 1960s and 1970s; by the 1980s, it was apparent that the genre occupied a less prominent position in popular culture. After an extended period as one of the most prolific Hollywood genres, the Western entered its "afterlife". What does it now mean for a Hollywood movie to be a Western, and how does this compare to the ways in which the genre has been understood at other points in its history? This book considers the conditions in which the Western has found itself since the 1980s, the latter-day associations that the genre has acquired and the strategies that more recent Westerns have developed in response to their changed context. Pete Falconer is a lecturer in Film at the University of Bristol, UK. He has published work on the forms and genres of popular cinema (particularly Westerns, but also horror movies and on other aspects of popular culture, including country music)

ISBN: 9781137546715

Standard No.: 10.1057/978-1-137-54671-5doiSubjects--Topical Terms:

1095076
Western films
--History and criticism.--United States

LC Class. No.: PN1995.9.W4 / F35 2020

Dewey Class. No.: 791.4365878

The afterlife of the Hollywood western
LDR:02444nmm a2200325 a 4500 001 2258357
003 DE-He213
005 20200703233829.0
006 m d
007 cr nn 008maaau
008 220420s2020 enk s 0 eng d
020 $a 9781137546715 $q (electronic bk.)
020 $a 9781137546708 $q (paper)
024 7 $a 10.1057/978-1-137-54671-5 $2 doi
035 $a 978-1-137-54671-5
040 $a GP $c GP
041 0 $a eng
050 4 $a PN1995.9.W4 $b F35 2020
072 7 $a APF $2 bicssc
072 7 $a PER004030 $2 bisacsh
072 7 $a ATFA $2 thema
082 0 4 $a 791.4365878 $2 23
090 $a PN1995.9.W4 $b F183 2020
100 1 $a Falconer, Pete. $3 3530341
245 1 4 $a The afterlife of the Hollywood western $h [electronic resource] / $c by Pete Falconer.
260 $a London : $b Palgrave Macmillan UK : $b Imprint: Palgrave Macmillan, $c 2020.
300 $a x, 224 p. : $b ill., digital ; $c 24 cm.
505 0 $a Chapter 1: Introduction -- Chapter 2: The rhetoric of genre -- Chapter 3: "Fixing" the Western -- Chapter 4: The Wild West and the Dirty South, or, by their teeth ye shall know them -- Chapter 5: Once upon a time -- Chapter 6: Old men and old movies -- Chapter 7: The Western's greatest hits -- Chapter 8: Hybrids and transpositions.
520 $a This book examines the Western genre in the period since Westerns ceased to be a regular feature of Hollywood filmmaking. For most of the 20th Century, the Western was a major American genre. The production of Westerns decreased in the 1960s and 1970s; by the 1980s, it was apparent that the genre occupied a less prominent position in popular culture. After an extended period as one of the most prolific Hollywood genres, the Western entered its "afterlife". What does it now mean for a Hollywood movie to be a Western, and how does this compare to the ways in which the genre has been understood at other points in its history? This book considers the conditions in which the Western has found itself since the 1980s, the latter-day associations that the genre has acquired and the strategies that more recent Westerns have developed in response to their changed context. Pete Falconer is a lecturer in Film at the University of Bristol, UK. He has published work on the forms and genres of popular cinema (particularly Westerns, but also horror movies and on other aspects of popular culture, including country music)
650 0 $a Western films $z United States $x History and criticism. $3 1095076
650 1 4 $a Film History. $3 2182157
650 2 4 $a Genre. $3 2191767
650 2 4 $a American Culture. $3 2191766
710 2 $a SpringerLink (Online service) $3 836513
773 0 $t Springer Nature eBook
856 4 0 $u https://doi.org/10.1057/978-1-137-54671-5
950 $a Literature, Cultural and Media Studies (SpringerNature-41173)