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Time in fashion = industrial, antilinear and uchronic temporalities /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Time in fashion/ edited by Caroline Evans and Alessandra Vaccari.
Reminder of title:	industrial, antilinear and uchronic temporalities /
other author:	Evans, Caroline,
Published:	London [England] :Bloomsbury Visual Arts, : 2020.,
Description:	1 online resource :ill.
Notes:	First published in Italy under the title Il tempo della moda, Mimesis Edizioni, 2019.
[NT 15003449]:	Time in Fashion: An Introductory Essay -- 1. Industrial Time -- 2. Antilinear Time -- 3. Uchronic Time.
Subject:	Fashion - History. -
Online resource:	https://doi.org/10.5040/9781350146976?locatt=label:secondary_bloomsburyCollections
ISBN:	9781350146976 (electronic bk.)

Time in fashion = industrial, antilinear and uchronic temporalities /
Tempo della moda.English

Time in fashionindustrial, antilinear and uchronic temporalities /[electronic resource] :edited by Caroline Evans and Alessandra Vaccari. - 1st ed. - London [England] :Bloomsbury Visual Arts,2020. - 1 online resource :ill.

First published in Italy under the title Il tempo della moda, Mimesis Edizioni, 2019.

Includes bibliographical references and index.

Time in Fashion: An Introductory Essay -- 1. Industrial Time -- 2. Antilinear Time -- 3. Uchronic Time.

Few phenomena embody the notion of time as well as fashion. Fast-moving and rooted in the 'now', it's constantly creating its own past through the process of rapid style change. Uniquely poised between the past and the future, fashion's relationship with time is unorthodox. Rather than considering time in the conventional sense, this anthology explores three alternative ways to think about fashion and time: the first identifies the seasonal nature of fashion as an industry, and shows how this has impacted on workers and wearers alike. The second looks at fashion design as a ceaseless process of adaptation, reconstruction and recombination of motifs, in which nostalgia and revivals play their part. The third construes fashion's 'imaginary', with its capacity for fantasy and myth-making, as a form of alternate history that asks 'what if?' Within this framework, key classic texts are juxtaposed with lesser known ones, in an interdisciplinaryapproach that includes philosophy, history, literature, media and fashion design, ranging from the 18th century to the present. It will be of interest to anyone wishing to understand one of the most complex yet inescapable aspects of fashion, its relationship to time, and will be a critical resource for undergraduate and postgraduate students in the humanities and all those interested in fashion in all its creative, commercial and cultural aspects.

Translated from the Italian.

ISBN: 9781350146976 (electronic bk.)Subjects--Topical Terms:

606611
Fashion
--History.Index Terms--Genre/Form:

542853
Electronic books.

LC Class. No.: GT511 / .T5613 2020eb

Dewey Class. No.: 746.92

Time in fashion = industrial, antilinear and uchronic temporalities /
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300 $a 1 online resource : $b ill.
500 $a First published in Italy under the title Il tempo della moda, Mimesis Edizioni, 2019.
504 $a Includes bibliographical references and index.
505 0 $a Time in Fashion: An Introductory Essay -- 1. Industrial Time -- 2. Antilinear Time -- 3. Uchronic Time.
520 $a Few phenomena embody the notion of time as well as fashion. Fast-moving and rooted in the 'now', it's constantly creating its own past through the process of rapid style change. Uniquely poised between the past and the future, fashion's relationship with time is unorthodox. Rather than considering time in the conventional sense, this anthology explores three alternative ways to think about fashion and time: the first identifies the seasonal nature of fashion as an industry, and shows how this has impacted on workers and wearers alike. The second looks at fashion design as a ceaseless process of adaptation, reconstruction and recombination of motifs, in which nostalgia and revivals play their part. The third construes fashion's 'imaginary', with its capacity for fantasy and myth-making, as a form of alternate history that asks 'what if?' Within this framework, key classic texts are juxtaposed with lesser known ones, in an interdisciplinaryapproach that includes philosophy, history, literature, media and fashion design, ranging from the 18th century to the present. It will be of interest to anyone wishing to understand one of the most complex yet inescapable aspects of fashion, its relationship to time, and will be a critical resource for undergraduate and postgraduate students in the humanities and all those interested in fashion in all its creative, commercial and cultural aspects.
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546 $a Translated from the Italian.
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700 1 $a Vaccari, A. $q (Alessandra), $d 1965-. $3 3675098
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