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Staging modern American life = popul...

Fahy, Thomas Richard.

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Staging modern American life = popular culture in the experimental theatre of Millay, Cummings, and Dos Passos /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Staging modern American life/ Thomas Fahy.
Reminder of title:	popular culture in the experimental theatre of Millay, Cummings, and Dos Passos /
Author:	Fahy, Thomas Richard.
Published:	New York :Palgrave Macmillan, : 2011.,
Description:	1 online resource (183 p.) :ill.
[NT 15003449]:	'I Cannot live without a Macaroon!': Food, Hunger, and the Dangers of Modern American Culture in Edna St. Vincent Millay's Aria da Capo and Other Plays -- 'Damn Everything but the Circus!': The Ambiguous Place of Popular Culture in E.E. Cummings' Him -- Planes, Trains, and Automobiles: Technology and the Suburban Nightmare in the Plays of John Dos Passos.
[NT 15003449]:	Introduction -- "I cannot live without a macaroon!" : food, hunger, and the dangers of modern American culture in Edna St. Vincent Millay's Aria da Capo and other plays -- "Damn everything but the circus!" : the ambiguous place of popular culture in E.E. Cummings' Him -- Planes, trains, and automobiles : technology and the suburban nightmare in the plays of John Dos Passos -- Conclusion.
Subject:	American drama - History and criticism. - 20th century -
Online resource:	http://link.springer.com/10.1057/9780230339590
ISBN:	9780230339590 (electronic bk.)

Staging modern American life = popular culture in the experimental theatre of Millay, Cummings, and Dos Passos /
Fahy, Thomas Richard.

Staging modern American lifepopular culture in the experimental theatre of Millay, Cummings, and Dos Passos /[electronic resource] :Thomas Fahy. - New York :Palgrave Macmillan,2011. - 1 online resource (183 p.) :ill. - What is theatre?. - What is theatre?.

Includes bibliographical references.

'I Cannot live without a Macaroon!': Food, Hunger, and the Dangers of Modern American Culture in Edna St. Vincent Millay's Aria da Capo and Other Plays -- 'Damn Everything but the Circus!': The Ambiguous Place of Popular Culture in E.E. Cummings' Him -- Planes, Trains, and Automobiles: Technology and the Suburban Nightmare in the Plays of John Dos Passos.

The theatrical works of Millay, Cummings, and Dos Passos, which have largely been marginalized in discussions of theater history and literary scholarship, offer a hybrid theater that integrates the popular with the formal, the mainstream with the experimental. Fahy examines the integration of and challenges to popular culture found in their works and offers new readings with an eye to American cultural studies and the impact of mass entertainment on modern life.

ISBN: 9780230339590 (electronic bk.)

Standard No.: 9786613380982

Source: 545783Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Personal Names:

770029
Millay, Edna St. Vincent,
1892-1950--Criticism and interpretation.Subjects--Topical Terms:

523054
American drama
--History and criticism.--20th centuryIndex Terms--Genre/Form:

542853
Electronic books.

LC Class. No.: PS351 / .F25 2011

Dewey Class. No.: 812/.5209

Staging modern American life = popular culture in the experimental theatre of Millay, Cummings, and Dos Passos /
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245 1 0 $a Staging modern American life $h [electronic resource] : $b popular culture in the experimental theatre of Millay, Cummings, and Dos Passos / $c Thomas Fahy.
260 $a New York : $b Palgrave Macmillan, $c 2011.
300 $a 1 online resource (183 p.) : $b ill.
490 1 $a What is theatre?
504 $a Includes bibliographical references.
505 0 $a 'I Cannot live without a Macaroon!': Food, Hunger, and the Dangers of Modern American Culture in Edna St. Vincent Millay's Aria da Capo and Other Plays -- 'Damn Everything but the Circus!': The Ambiguous Place of Popular Culture in E.E. Cummings' Him -- Planes, Trains, and Automobiles: Technology and the Suburban Nightmare in the Plays of John Dos Passos.
505 0 $a Introduction -- "I cannot live without a macaroon!" : food, hunger, and the dangers of modern American culture in Edna St. Vincent Millay's Aria da Capo and other plays -- "Damn everything but the circus!" : the ambiguous place of popular culture in E.E. Cummings' Him -- Planes, trains, and automobiles : technology and the suburban nightmare in the plays of John Dos Passos -- Conclusion.
520 $a The theatrical works of Millay, Cummings, and Dos Passos, which have largely been marginalized in discussions of theater history and literary scholarship, offer a hybrid theater that integrates the popular with the formal, the mainstream with the experimental. Fahy examines the integration of and challenges to popular culture found in their works and offers new readings with an eye to American cultural studies and the impact of mass entertainment on modern life.
520 $a "The theatrical works of Millay, Cummings, and Dos Passos, which have largely been marginalized in discussions of theater history and literary scholarship, offer a hybrid theater that integrates the popular with the formal, the mainstream with the experimental. Fahy examines the integration of and challenges to popular culture found in their works and offers new readings with an eye to American cultural studies and the impact of mass entertainment on modern life"-- $c Provided by publisher.
588 $a Description based on print version record.
600 1 0 $a Millay, Edna St. Vincent, $d 1892-1950 $x Criticism and interpretation. $3 770029
600 1 0 $a Cummings, E. E. $q (Edward Estlin), $d 1894-1962 $x Dramatic works. $3 3647516
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650 0 $a Popular culture in literature. $3 679076
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650 7 $a PERFORMING ARTS $x Theater $x Playwriting. $2 bisacsh $3 1601492
650 7 $a LITERARY CRITICISM $x Drama. $2 bisacsh $3 1601493
650 7 $a PERFORMING ARTS $x Theater $x History & Criticism. $2 bisacsh $3 1597539
650 7 $a DRAMA / American $2 bisacsh $3 1601483
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776 0 8 $i Print version: $a Fahy, Thomas Richard. $t Staging modern American life. $d New York : Palgrave Macmillan, 2011 $z 9780230115958 $w (DLC) 2011010323 $w (OCoLC)704384757
830 0 $a What is theatre? $3 1247332
856 4 0 $3 Palgrave Connect $u http://link.springer.com/10.1057/9780230339590
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