東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁 到查詢結果 [ subject:"Experimental Film." ]

切換: 標籤 | MARC模式 | ISBD

Memory and intermediality in artists...

Durcan, Sarah.

FindBook

Google Book

Amazon

博客來

Memory and intermediality in artists' moving image

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Memory and intermediality in artists' moving image/ by Sarah Durcan.
作者:	Durcan, Sarah.
出版者:	Cham :Springer International Publishing : : 2021.,
面頁冊數:	x, 250 p. :ill., digital ;24 cm.
內容註:	Chapter One: Introduction: Memory and the Moving Image -- Chapter Two: Critical Nostalgia and the Centenary of Cinema -- Chapter Three: Database Narrative -- Chapter Four: The Echo-Chamber: Remembering Cinema -- Chapter Five: Mediatized Memories -- Afterword.
Contained By:	Springer Nature eBook
標題:	Memory in art. -
電子資源:	https://doi.org/10.1007/978-3-030-47396-9
ISBN:	9783030473969

Memory and intermediality in artists' moving image
Durcan, Sarah.

Memory and intermediality in artists' moving image[electronic resource] /by Sarah Durcan. - Cham :Springer International Publishing :2021. - x, 250 p. :ill., digital ;24 cm. - Experimental film and artists' moving image,2523-7527. - Experimental film and artists' moving image..

Chapter One: Introduction: Memory and the Moving Image -- Chapter Two: Critical Nostalgia and the Centenary of Cinema -- Chapter Three: Database Narrative -- Chapter Four: The Echo-Chamber: Remembering Cinema -- Chapter Five: Mediatized Memories -- Afterword.

This book addresses the preoccupation with memory in contemporary artists' moving image installations. It situates artists' moving image in relation to the transformations of digitalization as hybrid intermedial combinations of analogue film, video and digital video emerge from mid 1990s onwards. While film has always been closely associated with the process of memory, this book investigates new models of memory in artists' remediation of film with video and other intermedial aesthetics. Beginning with a chapter on the theorization of memory and the moving image and the diverse genealogies of artists' film and video, the following chapters identify five different mnemonic modes in artists' moving image: critical nostalgia, database narrative, the 'echo-chamber', documentary fiction and mediatized memories. Stan Douglas, Steve McQueen, Runa Islam, Mark Leckey and Elizabeth Price are of a generation that has lived through the transition from analogue to digital. Their emphasis on the nuances of intermediality indicates the extent to which we remember through media.

ISBN: 9783030473969

Standard No.: 10.1007/978-3-030-47396-9doiSubjects--Topical Terms:

589476
Memory in art.

LC Class. No.: NX650.M45 / D87 2021

Dewey Class. No.: 700.98

Memory and intermediality in artists' moving image
LDR:02405nmm a2200337 a 4500 001 2236069
003 DE-He213
005 20201019132623.0
006 m d
007 cr nn 008maaau
008 211111s2021 sz s 0 eng d
020 $a 9783030473969 $q (electronic bk.)
020 $a 9783030473952 $q (paper)
024 7 $a 10.1007/978-3-030-47396-9 $2 doi
035 $a 978-3-030-47396-9
040 $a GP $c GP
041 0 $a eng
050 4 $a NX650.M45 $b D87 2021
072 7 $a APFN $2 bicssc
072 7 $a ART057000 $2 bisacsh
072 7 $a ATF $x 6AQ $2 thema
082 0 4 $a 700.98 $2 23
090 $a NX650.M45 $b D953 2021
100 1 $a Durcan, Sarah. $3 3487119
245 1 0 $a Memory and intermediality in artists' moving image $h [electronic resource] / $c by Sarah Durcan.
260 $a Cham : $b Springer International Publishing : $b Imprint: Palgrave Macmillan, $c 2021.
300 $a x, 250 p. : $b ill., digital ; $c 24 cm.
490 1 $a Experimental film and artists' moving image, $x 2523-7527
505 0 $a Chapter One: Introduction: Memory and the Moving Image -- Chapter Two: Critical Nostalgia and the Centenary of Cinema -- Chapter Three: Database Narrative -- Chapter Four: The Echo-Chamber: Remembering Cinema -- Chapter Five: Mediatized Memories -- Afterword.
520 $a This book addresses the preoccupation with memory in contemporary artists' moving image installations. It situates artists' moving image in relation to the transformations of digitalization as hybrid intermedial combinations of analogue film, video and digital video emerge from mid 1990s onwards. While film has always been closely associated with the process of memory, this book investigates new models of memory in artists' remediation of film with video and other intermedial aesthetics. Beginning with a chapter on the theorization of memory and the moving image and the diverse genealogies of artists' film and video, the following chapters identify five different mnemonic modes in artists' moving image: critical nostalgia, database narrative, the 'echo-chamber', documentary fiction and mediatized memories. Stan Douglas, Steve McQueen, Runa Islam, Mark Leckey and Elizabeth Price are of a generation that has lived through the transition from analogue to digital. Their emphasis on the nuances of intermediality indicates the extent to which we remember through media.
650 0 $a Memory in art. $3 589476
650 0 $a Memory in motion pictures. $3 854547
650 1 4 $a Experimental Film. $3 3454177
650 2 4 $a Memory Studies. $3 2200125
710 2 $a SpringerLink (Online service) $3 836513
773 0 $t Springer Nature eBook
830 0 $a Experimental film and artists' moving image. $3 3487120
856 4 0 $u https://doi.org/10.1007/978-3-030-47396-9
950 $a Literature, Cultural and Media Studies (SpringerNature-41173)