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Etrog = how a Chinese fruit became a...

Moster, David Z.

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Etrog = how a Chinese fruit became a Jewish symbol /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Etrog/ by David Z. Moster.
其他題名:	how a Chinese fruit became a Jewish symbol /
作者:	Moster, David Z.
出版者:	Cham :Springer International Publishing : : 2018.,
面頁冊數:	xv, 144 p. :ill., digital ;23 cm.
Contained By:	Springer eBooks
標題:	Etrog - History. -
電子資源:	http://dx.doi.org/10.1007/978-3-319-73736-2
ISBN:	9783319737362

Etrog = how a Chinese fruit became a Jewish symbol /
Moster, David Z.

Etroghow a Chinese fruit became a Jewish symbol /[electronic resource] :by David Z. Moster. - Cham :Springer International Publishing :2018. - xv, 144 p. :ill., digital ;23 cm.

Every year before the holiday of Sukkot, Jews all around the world purchase an etrog-a lemon-like fruit-to participate in the holiday ritual. In this book, David Z. Moster tracks the etrog from its evolutionary home in Yunnan, China, to the lands of India, Iran, and finally Israel, where it became integral to the Jewish celebration of Sukkot during the Second Temple period. Moster explains what Sukkot was like before and after the arrival of the etrog, and why the etrog's identification as the "choice tree fruit" of Leviticus 23:40 was by no means predetermined. He also demonstrates that once the fruit became associated with the holiday of Sukkot, it began to appear everywhere in Jewish art during the Roman and Byzantine periods, and eventually became a symbol for all the fruits of the land, and perhaps even the Jewish people as a whole.

ISBN: 9783319737362

Standard No.: 10.1007/978-3-319-73736-2doiSubjects--Topical Terms:

3321946
Etrog
--History.

LC Class. No.: BM657.C5 / M67 2018

Dewey Class. No.: 296.73

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520 $a Every year before the holiday of Sukkot, Jews all around the world purchase an etrog-a lemon-like fruit-to participate in the holiday ritual. In this book, David Z. Moster tracks the etrog from its evolutionary home in Yunnan, China, to the lands of India, Iran, and finally Israel, where it became integral to the Jewish celebration of Sukkot during the Second Temple period. Moster explains what Sukkot was like before and after the arrival of the etrog, and why the etrog's identification as the "choice tree fruit" of Leviticus 23:40 was by no means predetermined. He also demonstrates that once the fruit became associated with the holiday of Sukkot, it began to appear everywhere in Jewish art during the Roman and Byzantine periods, and eventually became a symbol for all the fruits of the land, and perhaps even the Jewish people as a whole.
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