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Echo and meaning on early modern Eng...

Anderson, Susan L.

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Echo and meaning on early modern English stages

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Echo and meaning on early modern English stages/ by Susan L. Anderson.
作者:	Anderson, Susan L.
出版者:	Cham :Springer International Publishing : : 2018.,
面頁冊數:	xi, 123 p. :ill., digital ;24 cm.
內容註:	1 Introduction: Echo and Meaning -- 2 Sounds and Precedent in Elizabethan Progress Entertainments -- 3 Echo and Drama: Cynthia's Revels (1601) -- 4 Echo, Dance, and Song in Jacobean Masques -- 5 Conclusion: Disenchanted Echoes in The Duchess of Malfi and The Countess of Montgomery's Urania.
Contained By:	Springer eBooks
標題:	Echo (Greek mythology) in literature. -
電子資源:	http://dx.doi.org/10.1007/978-3-319-67970-9
ISBN:	9783319679709

Echo and meaning on early modern English stages
Anderson, Susan L.

Echo and meaning on early modern English stages[electronic resource] /by Susan L. Anderson. - Cham :Springer International Publishing :2018. - xi, 123 p. :ill., digital ;24 cm. - Palgrave studies in music and literature. - Palgrave studies in music and literature..

1 Introduction: Echo and Meaning -- 2 Sounds and Precedent in Elizabethan Progress Entertainments -- 3 Echo and Drama: Cynthia's Revels (1601) -- 4 Echo, Dance, and Song in Jacobean Masques -- 5 Conclusion: Disenchanted Echoes in The Duchess of Malfi and The Countess of Montgomery's Urania.

This book examines the trope of echo in early modern literature and drama, exploring the musical, sonic, and verbal effects generated by forms of repetition on stage and in print. Focusing on examples where Echo herself appears as a character, this study shows how echoic techniques permeated literary, dramatic, and musical performance in the period, and puts forward echo as a model for engaging with sounds and texts from the past. Starting with sixteenth century translations of myths of Echo from Ovid and Longus, the book moves through the uses of echo in Elizabethan progress entertainments, commercial and court drama, Jacobean court masques, and prose romance. It places the work of well-known dramatists, such as Ben Jonson and John Webster, in the context of broader cultures of performance. The book will be of interest to scholars and students of early modern drama, music, and dance.

ISBN: 9783319679709

Standard No.: 10.1007/978-3-319-67970-9doiSubjects--Topical Terms:

3297727
Echo (Greek mythology) in literature.

LC Class. No.: PN57.E26 / A53 2018

Dewey Class. No.: 809.93351

Echo and meaning on early modern English stages
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505 0 $a 1 Introduction: Echo and Meaning -- 2 Sounds and Precedent in Elizabethan Progress Entertainments -- 3 Echo and Drama: Cynthia's Revels (1601) -- 4 Echo, Dance, and Song in Jacobean Masques -- 5 Conclusion: Disenchanted Echoes in The Duchess of Malfi and The Countess of Montgomery's Urania.
520 $a This book examines the trope of echo in early modern literature and drama, exploring the musical, sonic, and verbal effects generated by forms of repetition on stage and in print. Focusing on examples where Echo herself appears as a character, this study shows how echoic techniques permeated literary, dramatic, and musical performance in the period, and puts forward echo as a model for engaging with sounds and texts from the past. Starting with sixteenth century translations of myths of Echo from Ovid and Longus, the book moves through the uses of echo in Elizabethan progress entertainments, commercial and court drama, Jacobean court masques, and prose romance. It places the work of well-known dramatists, such as Ben Jonson and John Webster, in the context of broader cultures of performance. The book will be of interest to scholars and students of early modern drama, music, and dance.
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