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English Renaissance literature and c...

Cefalu, Paul.

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English Renaissance literature and contemporary theory = sublime objects of theology /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	English Renaissance literature and contemporary theory/ Paul Cefalu.
其他題名:	sublime objects of theology /
作者:	Cefalu, Paul.
出版者:	New York :Palgrave Macmillan, : 2007.,
面頁冊數:	[ix], 217 p.
內容註:	The Idolatrous State of Exception in John Donne's Poetry and Prose -- God?s Extimacy: Divine Excess and Baroque Monads in the Poetry of Richard Crashaw -- Tarrying with Chaos: Radical Evil and John Milton's Paradise Lost -- God beyond Essence: The Event of Love in the Poetry and Prose of Thomas Traherne.
標題:	Christian poetry, English - History and criticism. - Early modern, 1500-1700 -
電子資源:	http://link.springer.com/10.1057/9780230607491access to fulltext (Palgrave)
ISBN:	0230607497

English Renaissance literature and contemporary theory = sublime objects of theology /
Cefalu, Paul.

English Renaissance literature and contemporary theorysublime objects of theology /[electronic resource] :Paul Cefalu. - 1st ed. - New York :Palgrave Macmillan,2007. - [ix], 217 p.

Includes bibliographical references (p. [201]-206) and index.

The Idolatrous State of Exception in John Donne's Poetry and Prose -- God?s Extimacy: Divine Excess and Baroque Monads in the Poetry of Richard Crashaw -- Tarrying with Chaos: Radical Evil and John Milton's Paradise Lost -- God beyond Essence: The Event of Love in the Poetry and Prose of Thomas Traherne.

Cefalu offers the first sustained assessment of the ways in which recent contemporary philosophy and cultural theory -- including the work of Giorgio Agamben, Alain Badiou, Eric Santner, Slavojiek, and Alenka Zupancic -- can illuminate Early Modern literature and culture. The bookargues that when selected Early Modern devotional poets set out to represent subject-God relations, they often encounter some sublime aspect of God that, in Slovenian-Lacanian terms, seems "Other" to himself. This divine Other, while sometimes presented directly as a void or empty place, is more often filled inand presented instead as some form of divine excess. While Donne, and to a lesser extent Traherne, disavow thosenuminous aspects of God that might subsist beneath such excesses, Crashaw, and especially Milton, attempt to represent the intimate relationship between any creature's and God's intrinsicalterity. Cefalu introduces new ways of theorizing not only seventeenth-century religious ideologies,but also the nature of Early Modern subjectivity.

Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2009.

Mode of access:World Wide Web.

ISBN: 0230607497

Standard No.: 10.1057/9780230607491doiSubjects--Personal Names:

1081873
Crashaw, Richard,
1613?-1649--Religion.Subjects--Topical Terms:

931380
Christian poetry, English
--History and criticism.--Early modern, 1500-1700Index Terms--Genre/Form:

542853
Electronic books.

LC Class. No.: PR438.R45 / C45 2007eb

Dewey Class. No.: 821/.3

English Renaissance literature and contemporary theory = sublime objects of theology /
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505 0 $a The Idolatrous State of Exception in John Donne's Poetry and Prose -- God?s Extimacy: Divine Excess and Baroque Monads in the Poetry of Richard Crashaw -- Tarrying with Chaos: Radical Evil and John Milton's Paradise Lost -- God beyond Essence: The Event of Love in the Poetry and Prose of Thomas Traherne.
520 $a Cefalu offers the first sustained assessment of the ways in which recent contemporary philosophy and cultural theory -- including the work of Giorgio Agamben, Alain Badiou, Eric Santner, Slavojiek, and Alenka Zupancic -- can illuminate Early Modern literature and culture. The bookargues that when selected Early Modern devotional poets set out to represent subject-God relations, they often encounter some sublime aspect of God that, in Slovenian-Lacanian terms, seems "Other" to himself. This divine Other, while sometimes presented directly as a void or empty place, is more often filled inand presented instead as some form of divine excess. While Donne, and to a lesser extent Traherne, disavow thosenuminous aspects of God that might subsist beneath such excesses, Crashaw, and especially Milton, attempt to represent the intimate relationship between any creature's and God's intrinsicalterity. Cefalu introduces new ways of theorizing not only seventeenth-century religious ideologies,but also the nature of Early Modern subjectivity.
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