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British periodicals and Romantic ide...

Schoenfield, Mark, (1959-)

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British periodicals and Romantic identity = the "literary lower empire" /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	British periodicals and Romantic identity/ Mark Schoenfield.
其他題名:	the "literary lower empire" /
作者:	Schoenfield, Mark,
出版者:	New York :Palgrave Macmillan, : 2009.,
面頁冊數:	xvi, 296 p. :ill. ;22 cm.
內容註:	Part I: Culture wars in the lower empire -- Skirmishes in the lower empire -- Incorporating voices: the Edinburgh review -- Proliferating voices: founding the Quarterly review and Maga -- Part II: Soldiers of fortune in the periodical wars -- Repeating selves: Hume, Hazlitt, and periodical repetition -- Lord Byron among the reviews -- Abraham Goldsmid: financial magician and the public image -- Spying James Hogg's Bristle in Blackwood's magazine.
標題:	Criticism - Publishing - 19th century. - Great Britain -
標題:	Great Britain - Civilization - 19th century. -
電子資源:	http://link.springer.com/10.1057/9780230617995access to fulltext (Palgrave)
ISBN:	0230617999

British periodicals and Romantic identity = the "literary lower empire" /
Schoenfield, Mark,1959-

British periodicals and Romantic identitythe "literary lower empire" /[electronic resource] :Mark Schoenfield. - 1st ed. - New York :Palgrave Macmillan,2009. - xvi, 296 p. :ill. ;22 cm. - Nineteenth-century major lives and letters. - Nineteenth-century major lives and letters..

Includes bibliographical references (p. [267]-280) and index.

Part I: Culture wars in the lower empire -- Skirmishes in the lower empire -- Incorporating voices: the Edinburgh review -- Proliferating voices: founding the Quarterly review and Maga -- Part II: Soldiers of fortune in the periodical wars -- Repeating selves: Hume, Hazlitt, and periodical repetition -- Lord Byron among the reviews -- Abraham Goldsmid: financial magician and the public image -- Spying James Hogg's Bristle in Blackwood's magazine.

When Lord Byron identified the periodical industry as the "Literary Lower Empire" he registered the cultural clout that periodicals had accumulated by positioning themselves as both the predominant purveyors ofscientific, economic, and social information and the arbiters of literary and artistic taste. British Periodicals and Romantic Identity explores how periodicals such as the Edinburgh,Blackwood's, and the Westminster became the repositories and creators of public opinion. In addition, Schoenfield examines how particular figures, both inside and outsidethe editorial apparatus of the reviews and magazines, negotiated this public and rapidly professionalized space. Ranging from Lord Byron, whose self-identification as lord and poet anticipated his public image inthe periodicals, to William Hazlitt, equally journalist and subject ofthe reviews, this engaging study explores both canonical figures and canon makers in the periodicals and positions them as a centralizing force in the consolidation of Romantic print culture.

Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2009.

Mode of access:World Wide Web.

ISBN: 0230617999Subjects--Topical Terms:

1098961
Criticism
--Publishing--Great Britain--19th century.Subjects--Geographical Terms:

561884
Great Britain
--Civilization--19th century.Index Terms--Genre/Form:

542853
Electronic books.

LC Class. No.: PR778.R56 / S36 2009

Dewey Class. No.: 820.9/145

British periodicals and Romantic identity = the "literary lower empire" /
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520 $a When Lord Byron identified the periodical industry as the "Literary Lower Empire" he registered the cultural clout that periodicals had accumulated by positioning themselves as both the predominant purveyors ofscientific, economic, and social information and the arbiters of literary and artistic taste. British Periodicals and Romantic Identity explores how periodicals such as the Edinburgh,Blackwood's, and the Westminster became the repositories and creators of public opinion. In addition, Schoenfield examines how particular figures, both inside and outsidethe editorial apparatus of the reviews and magazines, negotiated this public and rapidly professionalized space. Ranging from Lord Byron, whose self-identification as lord and poet anticipated his public image inthe periodicals, to William Hazlitt, equally journalist and subject ofthe reviews, this engaging study explores both canonical figures and canon makers in the periodicals and positions them as a centralizing force in the consolidation of Romantic print culture.
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