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Collaborative creative thought and p...

Barrett, Margaret S.

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Collaborative creative thought and practice in music

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Collaborative creative thought and practice in music/ edited by Margaret S. Barrett.
其他作者:	Barrett, Margaret S.
出版者:	London :Routledge, : 2016.,
面頁冊數:	1 online resource (x, 195 p.)
附註:	"An Ashgate book"--Cover.
內容註:	pt. 1. Introduction -- pt. 2. Collaborative creativity in compositional thought and practice -- pt. 3. Collaborative creativity as boundary crossing : perspectives from music performance and musicology -- pt. 4. Emergent creativity in collaborative thought and practice : perspectives from music education -- pt. 5. Postlude.
標題:	Composition (Music) - Psychological aspects. -
電子資源:	https://www.taylorfrancis.com/books/9781315572635
ISBN:	9781315572635 (e-book : PDF)

Collaborative creative thought and practice in music
Collaborative creative thought and practice in music[electronic resource] /edited by Margaret S. Barrett. - London :Routledge,2016. - 1 online resource (x, 195 p.) - SEMPRE studies in the psychology of music. - SEMPRE studies in the psychology of music..

"An Ashgate book"--Cover.

pt. 1. Introduction -- pt. 2. Collaborative creativity in compositional thought and practice -- pt. 3. Collaborative creativity as boundary crossing : perspectives from music performance and musicology -- pt. 4. Emergent creativity in collaborative thought and practice : perspectives from music education -- pt. 5. Postlude.

ISBN: 9781315572635 (e-book : PDF)Subjects--Topical Terms:

616154
Composition (Music)
--Psychological aspects.

LC Class. No.: ML3838 / .C65 2016

Dewey Class. No.: 781.3

Collaborative creative thought and practice in music
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505 0 $a pt. 1. Introduction -- pt. 2. Collaborative creativity in compositional thought and practice -- pt. 3. Collaborative creativity as boundary crossing : perspectives from music performance and musicology -- pt. 4. Emergent creativity in collaborative thought and practice : perspectives from music education -- pt. 5. Postlude.
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