東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁 到查詢結果 [ subject:"Copyright and electronic data processing." ]

切換: 標籤 | MARC模式 | ISBD

The social life of sound

Maalsen, Sophia.

FindBook

Google Book

Amazon

博客來

The social life of sound

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	The social life of sound/ by Sophia Maalsen.
作者:	Maalsen, Sophia.
出版者:	Singapore :Springer Singapore : : 2019.,
面頁冊數:	xi, 267 p. :ill., digital ;24 cm.
內容註:	Chapter 1 Entroducing -- Chapter 2 Theories and Methodology -- Chapter 3 Not Just Rare but UBER RARE! Biography, Music, and Personhood in Yaraandoo -- Chapter 4 Sampling Genealogies of Sound -- Chapter 5 Sven Libaek and "Misty Canyon" -- Chapter 6 Reissues: Collecting, Curating, Connoisseurship and Cultural Mass -- Chapter 7 Distributed Personhood and the Multiple Biography -- Chapter 8 Conclusion: Somebodies as Multibiographical Sound.
Contained By:	Springer eBooks
標題:	Copyright and electronic data processing. -
電子資源:	https://doi.org/10.1007/978-981-13-3453-5
ISBN:	9789811334535

The social life of sound
Maalsen, Sophia.

The social life of sound[electronic resource] /by Sophia Maalsen. - Singapore :Springer Singapore :2019. - xi, 267 p. :ill., digital ;24 cm.

Chapter 1 Entroducing -- Chapter 2 Theories and Methodology -- Chapter 3 Not Just Rare but UBER RARE! Biography, Music, and Personhood in Yaraandoo -- Chapter 4 Sampling Genealogies of Sound -- Chapter 5 Sven Libaek and "Misty Canyon" -- Chapter 6 Reissues: Collecting, Curating, Connoisseurship and Cultural Mass -- Chapter 7 Distributed Personhood and the Multiple Biography -- Chapter 8 Conclusion: Somebodies as Multibiographical Sound.

The Social Life of Sounds argues for the agency of sounds and music and the acceleration of their social lives in the Digital Age. Drawing upon research with composers, producers, record collectors, DJs and record labels, the book problematises the notion of artistic authorship as it is framed in Western systems of property. Acknowledging that 'things' - sounds, samples, and recorded music - and people are co-constituted and that personhood is distributed through things and their reuse, Maalsen makes a case for understanding sound as multibiographical and challenges the possessive individual that is the basis of artistic copyright.

ISBN: 9789811334535

Standard No.: 10.1007/978-981-13-3453-5doiSubjects--Topical Terms:

664788
Copyright and electronic data processing.

LC Class. No.: K1447.95 / .M335 2019

Dewey Class. No.: 346.0482

The social life of sound
LDR:02018nmm a2200325 a 4500 001 2179637
003 DE-He213
005 20190814093048.0
006 m d
007 cr nn 008maaau
008 191122s2019 si s 0 eng d
020 $a 9789811334535 $q (electronic bk.)
020 $a 9789811334528 $q (paper)
024 7 $a 10.1007/978-981-13-3453-5 $2 doi
035 $a 978-981-13-3453-5
040 $a GP $c GP
041 0 $a eng
050 4 $a K1447.95 $b .M335 2019
072 7 $a RGC $2 bicssc
072 7 $a SOC015000 $2 bisacsh
072 7 $a RGC $2 thema
082 0 4 $a 346.0482 $2 23
090 $a K1447.95 $b .M111 2019
100 1 $a Maalsen, Sophia. $3 3384974
245 1 4 $a The social life of sound $h [electronic resource] / $c by Sophia Maalsen.
260 $a Singapore : $b Springer Singapore : $b Imprint: Palgrave Macmillan, $c 2019.
300 $a xi, 267 p. : $b ill., digital ; $c 24 cm.
505 0 $a Chapter 1 Entroducing -- Chapter 2 Theories and Methodology -- Chapter 3 Not Just Rare but UBER RARE! Biography, Music, and Personhood in Yaraandoo -- Chapter 4 Sampling Genealogies of Sound -- Chapter 5 Sven Libaek and "Misty Canyon" -- Chapter 6 Reissues: Collecting, Curating, Connoisseurship and Cultural Mass -- Chapter 7 Distributed Personhood and the Multiple Biography -- Chapter 8 Conclusion: Somebodies as Multibiographical Sound.
520 $a The Social Life of Sounds argues for the agency of sounds and music and the acceleration of their social lives in the Digital Age. Drawing upon research with composers, producers, record collectors, DJs and record labels, the book problematises the notion of artistic authorship as it is framed in Western systems of property. Acknowledging that 'things' - sounds, samples, and recorded music - and people are co-constituted and that personhood is distributed through things and their reuse, Maalsen makes a case for understanding sound as multibiographical and challenges the possessive individual that is the basis of artistic copyright.
650 0 $a Copyright and electronic data processing. $3 664788
650 0 $a Computer music. $3 603912
650 0 $a Copyright $v Music. $3 998191
650 1 4 $a Human Geography. $3 896266
650 2 4 $a Music. $3 516178
650 2 4 $a Cultural Anthropology. $3 2182095
650 2 4 $a Science and Technology Studies. $3 3221020
710 2 $a SpringerLink (Online service) $3 836513
773 0 $t Springer eBooks
856 4 0 $u https://doi.org/10.1007/978-981-13-3453-5
950 $a Social Sciences (Springer-41176)