東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁 到查詢結果 [ subject:"Contemporary Theatre and Performance." ]

切換: 標籤 | MARC模式 | ISBD

The cultural politics of one-to-one ...

Zerihan, Rachel.

FindBook

Google Book

Amazon

博客來

The cultural politics of one-to-one performance = strange duets /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	The cultural politics of one-to-one performance/ by Rachel Zerihan.
其他題名:	strange duets /
作者:	Zerihan, Rachel.
出版者:	London :Palgrave Macmillan UK : : 2022.,
面頁冊數:	xii, 211 p. :ill. (chiefly color), digital ;24 cm.
內容註:	1 Introduction: To Open -- 2 Contextual Configurations: Grounding Historical, Conceptual and Political Roots of One-to-One Performance -- 3 Empathetic Orientations in One-to-One Performance: Cathartic Modes of Engagement -- 4 One-to-One Performance in the Public Sphere: Socio-spatial Frames of Encounter -- 5 Intercourse Discourse in One-to-One Performance: Explicit Approaches to Interaction -- 6 Clubbing, Consuming, Cruising: Curatorial Responsibility in One-to-One Performance -- 7 Conclusion: True Stories.
Contained By:	Springer Nature eBook
標題:	Performing arts - Audiences. -
電子資源:	https://doi.org/10.1057/978-1-137-47755-2
ISBN:	9781137477552

The cultural politics of one-to-one performance = strange duets /
Zerihan, Rachel.

The cultural politics of one-to-one performancestrange duets /[electronic resource] :by Rachel Zerihan. - London :Palgrave Macmillan UK :2022. - xii, 211 p. :ill. (chiefly color), digital ;24 cm.

1 Introduction: To Open -- 2 Contextual Configurations: Grounding Historical, Conceptual and Political Roots of One-to-One Performance -- 3 Empathetic Orientations in One-to-One Performance: Cathartic Modes of Engagement -- 4 One-to-One Performance in the Public Sphere: Socio-spatial Frames of Encounter -- 5 Intercourse Discourse in One-to-One Performance: Explicit Approaches to Interaction -- 6 Clubbing, Consuming, Cruising: Curatorial Responsibility in One-to-One Performance -- 7 Conclusion: True Stories.

This monograph is the first study to critically examine works of performance made for an audience of one. Despite being a prolific feature of the performance scene since the turn of the millennium, critical writing about this area of contemporary practice remains scarce. This book proposes a genealogy of the curious relationship between solo performer and lone spectator through lineages in the histories of live art, visual art and theatre practices. Drawing on one-to-one performances by artists including Marilyn Arsem, Oreet Ashery, Franko B, Rosana Cade, Jess Dobkin, Karen Finley, David Hoyle, Adrian Howells, Kira O'Reilly, Barbara T Smith and Julie Tolentino, Rachel Zerihan produces research that is both affective and critical. This performance analysis proposes four frameworks through which to examine the significance and challenge of this work: cathartic, social, explicit and economic. One-to-one performance is proposed as a rich portal for examining the cultural politics of contemporary society. The book will appeal to students and scholars from performance studies, theatre, visual art and cultural studies. Rachel Zerihan is a writer and researcher who has taught extensively in higher education and is currently training to become a Child and Adolescent Psychotherapist. She has published widely and is co-editor of a Special Edition of Performing Ethos Journal on 'Ethics in One-to-One Performance' (2014), Intimacy Across Visceral and Digital Performance (Palgrave Macmillan, 2012) and Interfaces of Performance (2009)

ISBN: 9781137477552

Standard No.: 10.1057/978-1-137-47755-2doiSubjects--Topical Terms:

1006985
Performing arts
--Audiences.

LC Class. No.: PN1590.A9

Dewey Class. No.: 792.01

The cultural politics of one-to-one performance = strange duets /
LDR:03068nmm a2200325 a 4500 001 2304229
003 DE-He213
005 20220924145938.0
006 m d
007 cr nn 008maaau
008 230409s2022 enk s 0 eng d
020 $a 9781137477552 $q (electronic bk.)
020 $a 9781137477545 $q (paper)
024 7 $a 10.1057/978-1-137-47755-2 $2 doi
035 $a 978-1-137-47755-2
040 $a GP $c GP
041 0 $a eng
050 4 $a PN1590.A9
072 7 $a AN $2 bicssc
072 7 $a PER000000 $2 bisacsh
072 7 $a AT $2 thema
082 0 4 $a 792.01 $2 23
090 $a PN1590.A9 $b Z58 2022
100 1 $a Zerihan, Rachel. $3 1575723
245 1 4 $a The cultural politics of one-to-one performance $h [electronic resource] : $b strange duets / $c by Rachel Zerihan.
260 $a London : $b Palgrave Macmillan UK : $b Imprint: Palgrave Macmillan, $c 2022.
300 $a xii, 211 p. : $b ill. (chiefly color), digital ; $c 24 cm.
505 0 $a 1 Introduction: To Open -- 2 Contextual Configurations: Grounding Historical, Conceptual and Political Roots of One-to-One Performance -- 3 Empathetic Orientations in One-to-One Performance: Cathartic Modes of Engagement -- 4 One-to-One Performance in the Public Sphere: Socio-spatial Frames of Encounter -- 5 Intercourse Discourse in One-to-One Performance: Explicit Approaches to Interaction -- 6 Clubbing, Consuming, Cruising: Curatorial Responsibility in One-to-One Performance -- 7 Conclusion: True Stories.
520 $a This monograph is the first study to critically examine works of performance made for an audience of one. Despite being a prolific feature of the performance scene since the turn of the millennium, critical writing about this area of contemporary practice remains scarce. This book proposes a genealogy of the curious relationship between solo performer and lone spectator through lineages in the histories of live art, visual art and theatre practices. Drawing on one-to-one performances by artists including Marilyn Arsem, Oreet Ashery, Franko B, Rosana Cade, Jess Dobkin, Karen Finley, David Hoyle, Adrian Howells, Kira O'Reilly, Barbara T Smith and Julie Tolentino, Rachel Zerihan produces research that is both affective and critical. This performance analysis proposes four frameworks through which to examine the significance and challenge of this work: cathartic, social, explicit and economic. One-to-one performance is proposed as a rich portal for examining the cultural politics of contemporary society. The book will appeal to students and scholars from performance studies, theatre, visual art and cultural studies. Rachel Zerihan is a writer and researcher who has taught extensively in higher education and is currently training to become a Child and Adolescent Psychotherapist. She has published widely and is co-editor of a Special Edition of Performing Ethos Journal on 'Ethics in One-to-One Performance' (2014), Intimacy Across Visceral and Digital Performance (Palgrave Macmillan, 2012) and Interfaces of Performance (2009)
650 0 $a Performing arts $x Audiences. $3 1006985
650 0 $a Entertainers. $2 fast $3 2078708
650 0 $a Performing arts $x Social aspects. $3 577167
650 1 4 $a Theatre and Performance Arts. $3 3538692
650 2 4 $a Performers and Practitioners. $3 3264621
650 2 4 $a Contemporary Theatre and Performance. $3 3599286
710 2 $a SpringerLink (Online service) $3 836513
773 0 $t Springer Nature eBook
856 4 0 $u https://doi.org/10.1057/978-1-137-47755-2
950 $a Literature, Cultural and Media Studies (SpringerNature-41173)