東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁 到查詢結果 [ subject:"Contemporary Art." ]

切換: 標籤 | MARC模式 | ISBD

Arab women's revolutionary art = bet...

El Nossery, Nevine.

FindBook

Google Book

Amazon

博客來

Arab women's revolutionary art = between singularities and multitudes /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Arab women's revolutionary art/ by Nevine El Nossery.
其他題名:	between singularities and multitudes /
作者:	El Nossery, Nevine.
出版者:	Cham :Springer International Publishing : : 2023.,
面頁冊數:	xi, 242 p. :ill., digital ;24 cm.
內容註:	Chapter 1. Introduction -- Part I Visualizing the Revolution -- Chapter 2. Bahia Shehab: The (In)visible Cairo Street Artist -- Chapter 3. Identity and Memory in Héla Ammar's Photo-Embroidery -- Part II Performing the Revolution -- Chapter 4. When Women's Bodies Speak in Public -- Chapter 5. Comics Against Taboos in Morocco -- Part III Writing The Revolution -- Chapter 6. Kaouther Adimi's Palimpsest of Revolutionary Histories -- Chapter 7. Revolutionary Art in Nomadic Spaces -- Chapter 8. Conclusion./.
Contained By:	Springer Nature eBook
標題:	Art, Arab - 21st century. -
電子資源:	https://doi.org/10.1007/978-3-031-21724-1
ISBN:	9783031217241

Arab women's revolutionary art = between singularities and multitudes /
El Nossery, Nevine.

Arab women's revolutionary artbetween singularities and multitudes /[electronic resource] :by Nevine El Nossery. - Cham :Springer International Publishing :2023. - xi, 242 p. :ill., digital ;24 cm. - Communication, culture, and gender in the Middle East and North Africa,2524-454X. - Communication, culture, and gender in the Middle East and North Africa..

Chapter 1. Introduction -- Part I Visualizing the Revolution -- Chapter 2. Bahia Shehab: The (In)visible Cairo Street Artist -- Chapter 3. Identity and Memory in Héla Ammar's Photo-Embroidery -- Part II Performing the Revolution -- Chapter 4. When Women's Bodies Speak in Public -- Chapter 5. Comics Against Taboos in Morocco -- Part III Writing The Revolution -- Chapter 6. Kaouther Adimi's Palimpsest of Revolutionary Histories -- Chapter 7. Revolutionary Art in Nomadic Spaces -- Chapter 8. Conclusion./.

"The Arab Revolutions invariably failed to cause democratic transformation, but they triggered significant changes in the social, cultural, and artistic domains. Nevine El Nossery's important book highlights the 'artistic revolution' championed by women who brought creative works-- graffiti, street performance, photography, photo-texts, and comics-- to bear on defying illegitimate power and extend the horizon of emancipatory politics." -Asef Bayat, Catherine & Bruce Bastian Professor of Global and transnational Studies, University of Illinois, Urbana-Champaign. This book examines the ways in which women in the contemporary Middle East and North Africa have re-imagined revolutionary discourses through creativity and collective action as a means of resistance. Encompassing a stunning array of forms and genres, such as graffiti, street performance, photography, phototexts, novels, and comics, the book draws from a vast spectrum of artistic production in revolutionary periods between 2011 and 2022 in Egypt, Tunisia, Morocco, and Algeria. El Nossery sheds light on women's postrevolutionary artistic output by engaging an interdisciplinary approach: the book is divided into three sections which foreground the unique relationship between textual, visual, and performative modes as they intertwine with art and politics. Arab Women's Revolutionary Art thereby aims to demonstrate how art, as always oriented towards an open future, can preserve the revolutionary spirit that was sparked in 2011 by documenting what happened and determining which stories would be told. The revolution, therefore, continues. Nevine El Nossery is Associate Professor in the Department of French and Italian at the University of Wisconsin-Madison. Her expertise extends to Francophone and postcolonial studies, women's writing, art and politics. She is the author of Egypt in Focus: Creativity in Adversarial Contexts (co-edited volume, 2021); The Unspeakable: Representations of Trauma in Francophone Literature and Art (co-edited volume, 2013); Frictions et devenirs dans les écritures migrantes au féminin (co-edited volume, 2012); and Témoignages fictionnels au féminin. Une réécriture des blancs de la guerre civile algérienne (2012)

ISBN: 9783031217241

Standard No.: 10.1007/978-3-031-21724-1doiSubjects--Topical Terms:

3632219
Art, Arab
--21st century.

LC Class. No.: N7265.3

Dewey Class. No.: 709.174927

Arab women's revolutionary art = between singularities and multitudes /
LDR:03890nmm a2200349 a 4500 001 2317761
003 DE-He213
005 20230412155648.0
006 m d
007 cr nn 008maaau
008 230902s2023 sz s 0 eng d
020 $a 9783031217241 $q (electronic bk.)
020 $a 9783031217234 $q (paper)
024 7 $a 10.1007/978-3-031-21724-1 $2 doi
035 $a 978-3-031-21724-1
040 $a GP $c GP
041 0 $a eng
050 4 $a N7265.3
072 7 $a JFC $2 bicssc
072 7 $a 1FB $2 bicssc
072 7 $a SOC000000 $2 bisacsh
072 7 $a JBCC $x 1FB $2 thema
082 0 4 $a 709.174927 $2 23
090 $a N7265.3 $b .E48 2023
100 1 $a El Nossery, Nevine. $3 3632217
245 1 0 $a Arab women's revolutionary art $h [electronic resource] : $b between singularities and multitudes / $c by Nevine El Nossery.
260 $a Cham : $b Springer International Publishing : $b Imprint: Palgrave Macmillan, $c 2023.
300 $a xi, 242 p. : $b ill., digital ; $c 24 cm.
490 1 $a Communication, culture, and gender in the Middle East and North Africa, $x 2524-454X
505 0 $a Chapter 1. Introduction -- Part I Visualizing the Revolution -- Chapter 2. Bahia Shehab: The (In)visible Cairo Street Artist -- Chapter 3. Identity and Memory in Héla Ammar's Photo-Embroidery -- Part II Performing the Revolution -- Chapter 4. When Women's Bodies Speak in Public -- Chapter 5. Comics Against Taboos in Morocco -- Part III Writing The Revolution -- Chapter 6. Kaouther Adimi's Palimpsest of Revolutionary Histories -- Chapter 7. Revolutionary Art in Nomadic Spaces -- Chapter 8. Conclusion./.
520 $a "The Arab Revolutions invariably failed to cause democratic transformation, but they triggered significant changes in the social, cultural, and artistic domains. Nevine El Nossery's important book highlights the 'artistic revolution' championed by women who brought creative works-- graffiti, street performance, photography, photo-texts, and comics-- to bear on defying illegitimate power and extend the horizon of emancipatory politics." -Asef Bayat, Catherine & Bruce Bastian Professor of Global and transnational Studies, University of Illinois, Urbana-Champaign. This book examines the ways in which women in the contemporary Middle East and North Africa have re-imagined revolutionary discourses through creativity and collective action as a means of resistance. Encompassing a stunning array of forms and genres, such as graffiti, street performance, photography, phototexts, novels, and comics, the book draws from a vast spectrum of artistic production in revolutionary periods between 2011 and 2022 in Egypt, Tunisia, Morocco, and Algeria. El Nossery sheds light on women's postrevolutionary artistic output by engaging an interdisciplinary approach: the book is divided into three sections which foreground the unique relationship between textual, visual, and performative modes as they intertwine with art and politics. Arab Women's Revolutionary Art thereby aims to demonstrate how art, as always oriented towards an open future, can preserve the revolutionary spirit that was sparked in 2011 by documenting what happened and determining which stories would be told. The revolution, therefore, continues. Nevine El Nossery is Associate Professor in the Department of French and Italian at the University of Wisconsin-Madison. Her expertise extends to Francophone and postcolonial studies, women's writing, art and politics. She is the author of Egypt in Focus: Creativity in Adversarial Contexts (co-edited volume, 2021); The Unspeakable: Representations of Trauma in Francophone Literature and Art (co-edited volume, 2013); Frictions et devenirs dans les écritures migrantes au féminin (co-edited volume, 2012); and Témoignages fictionnels au féminin. Une réécriture des blancs de la guerre civile algérienne (2012)
650 0 $a Art, Arab $y 21st century. $3 3632219
650 0 $a Women artists $z Arab countries. $3 3632220
650 0 $a Art and revolutions $z Arab countries. $3 3632221
650 1 4 $a Middle Eastern Culture. $3 2186905
650 2 4 $a African Culture. $3 2194711
650 2 4 $a Media and Gender. $3 3538730
650 2 4 $a Contemporary Art. $3 3607680
650 2 4 $a Comics Studies. $3 3447582
710 2 $a SpringerLink (Online service) $3 836513
773 0 $t Springer Nature eBook
830 0 $a Communication, culture, and gender in the Middle East and North Africa. $3 3632218
856 4 0 $u https://doi.org/10.1007/978-3-031-21724-1
950 $a Literature, Cultural and Media Studies (SpringerNature-41173)