| 內容註: |
Critical confessions now, Abdulhamit Arvas, Afrodesia McCannon, Kris Trujillo -- I can't love this the way you want me to: Archival blackness, Kim F. Hall -- Walking the line: Unfaith in the Middle Ages, Amy Hollywood -- Chronic denial: When making change means saying the whole truth, Margaret E. Boyle -- The sign you must not touch: Lyric obscurity and trans confession, Colby Gordon -- Race, labour, and the future of the past: King Lear's 'true blank' Urvashi Chakravarty -- Confessions of the half-caste, or wheeling strangers of here and everywhere, Amrita Dhar -- Queer and working class while reading The Second Shepherds' Play, Jeffery G. Stoyanoff -- The unbearable whiteness of being (in) Shakespeare, Ambereen Dadabhoy -- The Aleph and the space of Shakespeare, Carla Della Gatta -- Mourner-confessors: The masala intercommunity of women in Rudaali and Hamlet, Tripthi Pillai -- The embarrassments of confession: Reading Margery Kempe today, Yea Jung Park -- The voice inside the wall: A muyto devota oração da empardeada as a confession of enclosure, Noel Blanco Mourelle -- The speaking wound: Gower's Confessio Amantis and the ethics of listening in the #metoo era, Caitlin G. Watt -- Confessing in Old English: The Life of Saint Mary of Egypt and the problem with penance, Erica Weaver -- How to corner a poem (and watch it thrive): A timely confession, Ariel Zinder -- Finding Old Nubian, or, why we should divest from Western tongues, Vincent W. J. van Gerven Oei -- Confession, counter-conduct, critique, Maureen Kelly -- The gift of shame, Suzanne Conklin Akbari -- A Game of Thrones: Power structures in medievalisms, manuscripts, and the museum, Larisa Grollemond & Bryan C. Keene -- Premodern race studies in academic country clubs, Ayanna Thompson & Jeffrey Cohen -- Confessions: The consolations of literature, Jyotsna G. Singh. |