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[ author_sort:"gauthier, jennifer lynne." ]
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Split screen: National cinema, cultu...
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Gauthier, Jennifer Lynne.
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Split screen: National cinema, cultural policy, and identity in Canada (Quebec).
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
正題名/作者:
Split screen: National cinema, cultural policy, and identity in Canada (Quebec)./
作者:
Gauthier, Jennifer Lynne.
面頁冊數:
413 p.
附註:
Director: Lorna M. Irvine.
Contained By:
Dissertation Abstracts International63-07A.
標題:
Canadian Studies. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3059613
ISBN:
0493753281
Split screen: National cinema, cultural policy, and identity in Canada (Quebec).
Gauthier, Jennifer Lynne.
Split screen: National cinema, cultural policy, and identity in Canada (Quebec).
- 413 p.
Director: Lorna M. Irvine.
Thesis (Ph.D.)--George Mason University, 2002.
This project uses Canada as a case study to examine the challenges of national cinema in an age of globalization. It traces the history of national cinema in Canada through federal film policies and important film texts. It argues that Quebec cinema represents a challenge to a monolithic and unified notion of Canadian national cinema, just as Quebec national identity complicates Canadian unity. The author closely analyzed federal and provincial cultural policies, specifically film policies from the 1970s to the present, as well as several contemporary feature films. This project contributes to ongoing scholarly debates about the fate of national cultures, and particularly national cinema, in the contemporary era. It uses the British and Australian method of cultural policy studies to highlight the close imbrication of culture and politics and the ideological struggle that takes place in cultural policy formation.
ISBN: 0493753281Subjects--Topical Terms:
1020605
Canadian Studies.
Split screen: National cinema, cultural policy, and identity in Canada (Quebec).
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This project uses Canada as a case study to examine the challenges of national cinema in an age of globalization. It traces the history of national cinema in Canada through federal film policies and important film texts. It argues that Quebec cinema represents a challenge to a monolithic and unified notion of Canadian national cinema, just as Quebec national identity complicates Canadian unity. The author closely analyzed federal and provincial cultural policies, specifically film policies from the 1970s to the present, as well as several contemporary feature films. This project contributes to ongoing scholarly debates about the fate of national cultures, and particularly national cinema, in the contemporary era. It uses the British and Australian method of cultural policy studies to highlight the close imbrication of culture and politics and the ideological struggle that takes place in cultural policy formation.
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http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3059613
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