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Introduction: 'What is now proved was once, only imagin'd' / H.Bruder & T.Connolly -- Pansexuality (regained) / H. Kidd -- Blake and the Evolution of Same Sex Subjectivity / C.Z.Hobson -- Blakeand the Queeringof Jouissance/ R.C.Sha -- Drawing Lines: Bodies, Sexualities and Performance in TheFour Zoas / P.Otto -- Anal Blake: Bringing Up the Rear in Blakean Criticism / E.Effinger -- The Body of the Blasphemer/ M.Myrone -- Trannies, Amputees and Disco Queens: Blake and Contemporary QueerArt / J.Whittaker -- 'Real Acting': 'Felpham Billy' and Grayson Perry Try It On / H.Bruder -- 'Fear not/ To unfold your dark visions of torment': Blake and Emin's Bad Sex Aesthetic / T.Connolly -- 'Woes & ... sighs': Fantasies of Slavery in Visions of the Daughters of Albion/ B.Stevens -- 'The lineaments of desire': Blake's Visions of the Daughters of Albion and Romantic Literary Treatments of Rape / C.Jackson-Houlston -- 'Yet I am an identity / I wish & feel & weep & groan': Blake's Sentimentalism as (Peri)Performative/ S.Clark -- 'By a False Wife Brought to the Gates of Death': Blake, Politics and Transgendered Performances /D.Fallon -- 'No Boys Work': Blake, Hayley and the Triumphs of (Intellectual) Paiderastia/ M.Crosby -- 'Hayley on his Toilette': Blake, Hayley and Homophobia / S.Matthews -- 'My little Cane Sofa and the Bust of Sappho': Elizabeth Iremonger and the Female World ofBook-Collecting / K.Davies. |