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The importance of Afro-Brazilian mus...

The University of Arizona.

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The importance of Afro-Brazilian music in Heitor Villa-Lobos' quest for a unique musical style.

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	The importance of Afro-Brazilian music in Heitor Villa-Lobos' quest for a unique musical style./
作者:	Conde Garcia, Eduardo Antonio, Jr.
面頁冊數:	115 p.
附註:	Director: Nicholas Zumbro.
Contained By:	Dissertation Abstracts International63-12A.
標題:	Biography. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3073207
ISBN:	9780493931890

The importance of Afro-Brazilian music in Heitor Villa-Lobos' quest for a unique musical style.
Conde Garcia, Eduardo Antonio, Jr.

The importance of Afro-Brazilian music in Heitor Villa-Lobos' quest for a unique musical style. - 115 p.

Director: Nicholas Zumbro.

Thesis (D.M.A.)--The University of Arizona, 2002.

A concise biography is provided in chapter two, revealing, among other topics, Villa-Lobos' childhood and early influences, his years in Paris, and the time he spent as an educator in Brazil under the government of President Getulio Vargas.

ISBN: 9780493931890Subjects--Topical Terms:

531296
Biography.

The importance of Afro-Brazilian music in Heitor Villa-Lobos' quest for a unique musical style.
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100 1 $a Conde Garcia, Eduardo Antonio, Jr. $3 1030008
245 1 4 $a The importance of Afro-Brazilian music in Heitor Villa-Lobos' quest for a unique musical style.
300 $a 115 p.
500 $a Director: Nicholas Zumbro.
500 $a Source: Dissertation Abstracts International, Volume: 63-12, Section: A, page: 4143.
502 $a Thesis (D.M.A.)--The University of Arizona, 2002.
520 $a A concise biography is provided in chapter two, revealing, among other topics, Villa-Lobos' childhood and early influences, his years in Paris, and the time he spent as an educator in Brazil under the government of President Getulio Vargas.
520 $a This research demonstrates the importance of the African influence as a decisive element in the quest of Brazilian composer Heitor Villa-Lobos (1887--1959) for a unique musical style.
520 $a Chapter three deals with the arrival of modernism in Brazil. New tendencies brought from Europe helped to consolidate a trend of renewal in the arts commonly referred to as "futurism." Futuristic currents culminated with the Week of Modern Art, where Villa-Lobos' music was the most preponderant. In this same chapter, the influence of Mario de Andrade (1893--1945), one of the leaders of the modernist movement, is also discussed. He devotes special attention to the Brazilian rhythmics, its origins, and foundation.
520 $a The African rhythmics is studied in chapter four. Special attention is given to those African regions that influenced the Brazilian folklore. An ethnography containing original African rhythms found in Angola and Nigeria, as well as Afro-Brazilian rhythms, is provided.
520 $a Finally, detailed analyses of selected works for solo piano by Villa-Lobos are presented in chapter five. The criteria for the selection were the use of eclectic compositional techniques, and the presence of Afro-Brazilian influence. The following pieces are analyzed in this document: Dancas Caracteristicas Africanas (Farrapos, Kankikis, and Kankukus), Ciclo Brasileiro (Plantio do Caboclo, Impressoes Seresteiras, Festa no Sertao, and Danca do Indio Branco), Choros No.5---Alma Brasileira, and two movements from Prole do Bebe No. 2 (A Baratinha de Papel and O Boizinho de Chumbo). Villa-Lobos' manipulation of the African rhythms resulted in their direct and indirect quotations in these works. Sometimes they are clearly stated and, sometimes, modified.
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