東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁 到查詢結果 [ author_sort:"cohen, warren i." ]

切換: 標籤 | MARC模式 | ISBD

East Asian art and American culture ...

Cohen, Warren I.

FindBook

Google Book

Amazon

博客來

East Asian art and American culture : = a study in international relations /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	East Asian art and American culture :/ Warren I. Cohen.
其他題名:	a study in international relations /
作者:	Cohen, Warren I.
出版者:	New York :Columbia University Press, : c1992.,
面頁冊數:	xxi, 264 p., 32 p. of plates :ill. ;22 cm.
標題:	Art, Chinese. -
ISBN:	0231076444 (hbk.) :

East Asian art and American culture : = a study in international relations /
Cohen, Warren I.

East Asian art and American culture :a study in international relations /Warren I. Cohen. - New York :Columbia University Press,c1992. - xxi, 264 p., 32 p. of plates :ill. ;22 cm.

Includes bibliographical references (p. [235]-252) and index.

Art and American Understanding of East Asian Culture, 1784-1900 --

This is a beautifully illustrated book and a lively, entertaining, illuminating discussion of the contribution and effects of East Asian art on American culture. Warren Cohen portrays the assembling of the great American collections of East Asian art, public and private, and the idiosyncrasies of the collectors. Particular attention is focused on how this art became part of the cultural consciousness of the people of the United States, transforming their culture into something more complex than the Western civilization their ancestors brought from Europe. Cohen tells of art collectors, dealers, and historians, of museums and their curators, of art and imperialism, art and politics, art as an instrument of foreign policy. One of America's leading diplomatic historians, Cohen views art as an important part of international relations. He describes the use of art in "cultural diplomacy" to implement policy by China, Japan, and the United States. He argues that "virtually every act in the movement of art between cultures has political implications." The book demonstrates how art collecting interacts with the shifting rhythms of international politics and the business cycle. The recent decline in American economic power, with Japan emerging preeminent, was first obvious in the art world where American collectors found themselves unable to compete with their Japanese and Hong Kong counterparts and watched great works begin to move back across the Pacific.

ISBN: 0231076444 (hbk.) :US99.00

LCCN: 91030617 Subjects--Topical Terms:

622683
Art, Chinese.

LC Class. No.: N7337 / .C58 1992

Dewey Class. No.: 709/.51/0973

East Asian art and American culture : = a study in international relations /
LDR:02555cam a2200229 a 4500 001 1424165
003 OCoLC
005 20130517012458.0
008 130517s1992 nyua b 001 0 eng
010 $a 91030617
020 $a 0231076444 (hbk.) : $c US99.00
020 $a 9780231076449 (hbk.)
035 $a HS-BW-102-N-01
040 $a DLC $b eng
050 0 0 $a N7337 $b .C58 1992
082 0 0 $a 709/.51/0973 $2 20
100 1 $a Cohen, Warren I. $3 581776
245 1 0 $a East Asian art and American culture : $b a study in international relations / $c Warren I. Cohen.
260 # $a New York : $b Columbia University Press, $c c1992.
300 $a xxi, 264 p., 32 p. of plates : $b ill. ; $c 22 cm.
504 $a Includes bibliographical references (p. [235]-252) and index.
505 0 # $t Art and American Understanding of East Asian Culture, 1784-1900 -- $t The Golden Age of East Asian Art Collecting in America, 1893-1919 -- $t Professionalism in America, Chaos in China : John Lodge and Langdon Warner -- $t War, Depression, Opportunity -- 5. The Fortunes of War: America's East Asia -- $t The East Asian Art Historians.
520 # $a This is a beautifully illustrated book and a lively, entertaining, illuminating discussion of the contribution and effects of East Asian art on American culture. Warren Cohen portrays the assembling of the great American collections of East Asian art, public and private, and the idiosyncrasies of the collectors. Particular attention is focused on how this art became part of the cultural consciousness of the people of the United States, transforming their culture into something more complex than the Western civilization their ancestors brought from Europe. Cohen tells of art collectors, dealers, and historians, of museums and their curators, of art and imperialism, art and politics, art as an instrument of foreign policy. One of America's leading diplomatic historians, Cohen views art as an important part of international relations. He describes the use of art in "cultural diplomacy" to implement policy by China, Japan, and the United States. He argues that "virtually every act in the movement of art between cultures has political implications." The book demonstrates how art collecting interacts with the shifting rhythms of international politics and the business cycle. The recent decline in American economic power, with Japan emerging preeminent, was first obvious in the art world where American collectors found themselves unable to compete with their Japanese and Hong Kong counterparts and watched great works begin to move back across the Pacific.
650 # 0 $a Art, Chinese. $3 622683
650 # 0 $a Art, Japanese. $3 517232
650 # 0 $a Art $x Collectors and collecting $z United States $x History. $3 1698384
650 # 4 $a Arte japonés $3 1698385
650 # 4 $a Arte $x Coleccionistas y colecciones $z EE.UU. $x Historia $3 1698386
740 0 2 $a 東亞藝術與美國文化:從國際關係視角研究