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[ subject:"Art history." ]
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Graffiti, art, and identity: Explori...
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Guiley, Patricia Kathleen.
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Graffiti, art, and identity: Exploring Gajin Fujita's Hood Rats.
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Graffiti, art, and identity: Exploring Gajin Fujita's Hood Rats./
作者:
Guiley, Patricia Kathleen.
面頁冊數:
50 p.
附註:
Source: Masters Abstracts International, Volume: 54-05.
Contained By:
Masters Abstracts International54-05(E).
標題:
Art history. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1589261
ISBN:
9781321765656
Graffiti, art, and identity: Exploring Gajin Fujita's Hood Rats.
Guiley, Patricia Kathleen.
Graffiti, art, and identity: Exploring Gajin Fujita's Hood Rats.
- 50 p.
Source: Masters Abstracts International, Volume: 54-05.
Thesis (M.A.)--The University of Utah, 2015.
While contemporary historians have explored the advent of graffiti as well as its link to the social and financial world, little attention has been given to overarching lenses that attempt to encompass the new global contemporary form of graffiti. In a recent catalogue of street art, Carlo McCormick argues that many of the fundamental motives and aesthetics of graffiti have transformed, requiring new lenses of analysis when comprehending the work. One of the main outcomes in the art-world system of the global contemporary is the dissolving of geographical distances that once divided art worlds from each other. As a result of evolving cultural paradigms, new parameters are required when analyzing contemporary art. It is here, in the global contemporary climate, that Gajin Fujita's Hood Rats shows how representations of American identity have transformed. With a composition of various cultures, Fujita's work offers a unique synergy of contemporary American identity. My study proposes a theoretical framework in which cultural exchange, and the identities expressed within that exchange, can be examined.
ISBN: 9781321765656Subjects--Topical Terms:
2122701
Art history.
Graffiti, art, and identity: Exploring Gajin Fujita's Hood Rats.
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While contemporary historians have explored the advent of graffiti as well as its link to the social and financial world, little attention has been given to overarching lenses that attempt to encompass the new global contemporary form of graffiti. In a recent catalogue of street art, Carlo McCormick argues that many of the fundamental motives and aesthetics of graffiti have transformed, requiring new lenses of analysis when comprehending the work. One of the main outcomes in the art-world system of the global contemporary is the dissolving of geographical distances that once divided art worlds from each other. As a result of evolving cultural paradigms, new parameters are required when analyzing contemporary art. It is here, in the global contemporary climate, that Gajin Fujita's Hood Rats shows how representations of American identity have transformed. With a composition of various cultures, Fujita's work offers a unique synergy of contemporary American identity. My study proposes a theoretical framework in which cultural exchange, and the identities expressed within that exchange, can be examined.
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