東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁 到查詢結果 [ subject:"Art and literature- History- 17th century.- England" ]

切換: 標籤 | MARC模式 | ISBD

Stage and picture in the English Ren...

Astington, John.

FindBook

Google Book

Amazon

博客來

Stage and picture in the English Renaissance = the mirror up to nature /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Stage and picture in the English Renaissance/ John H. Astington.
其他題名:	the mirror up to nature /
作者:	Astington, John.
出版者:	Cambridge :Cambridge University Press, : 2017.,
面頁冊數:	xii, 270 p. :digital ;24 cm.
附註:	Title from publisher's bibliographic system (viewed on 07 Jul 2017).
內容註:	Machine generated contents note: Introduction; 1. Antique Romans; 2. Aeneas' tale to Dido; 3. Corn and camels; 4. The picture of we three; 5. Excellent morals; 6. A Mirror for Magistrates; 7. The theatre pictured; 8. Conclusion.
標題:	English drama - History and criticism. - Early modern and Elizabethan, 1500-1600 -
電子資源:	https://doi.org/10.1017/9781316344095
ISBN:	9781316344095

Stage and picture in the English Renaissance = the mirror up to nature /
Astington, John.

Stage and picture in the English Renaissancethe mirror up to nature /[electronic resource] :John H. Astington. - Cambridge :Cambridge University Press,2017. - xii, 270 p. :digital ;24 cm.

Title from publisher's bibliographic system (viewed on 07 Jul 2017).

Machine generated contents note: Introduction; 1. Antique Romans; 2. Aeneas' tale to Dido; 3. Corn and camels; 4. The picture of we three; 5. Excellent morals; 6. A Mirror for Magistrates; 7. The theatre pictured; 8. Conclusion.

This book presents a new approach to the relationship between traditional pictorial arts and the theatre in Renaissance England. Demonstrating the range of visual culture in evidence from the mid-sixteenth to mid-seventeenth century, from the grandeur of court murals to the cheap amusement of woodcut prints, John H. Astington shows how English drama drew heavily on this imagery to stimulate the imagination of the audience. He analyses the intersection of the theatrical and the visual through such topics as Shakespeare's Roman plays and the contemporary interest in Roman architecture and sculpture; the central myth of Troy and its widely recognised iconography; scriptural drama and biblical illustration; and the emblem of the theatre itself. The book demonstrates how the art that surrounded Shakespeare and his contemporaries had a profound influence on the ways in which theatre was produced and received.

ISBN: 9781316344095Subjects--Topical Terms:

592974
English drama
--History and criticism.--Early modern and Elizabethan, 1500-1600

LC Class. No.: PR658.A73 / A88 2017

Dewey Class. No.: 822.309357

Stage and picture in the English Renaissance = the mirror up to nature /
LDR:02048nmm a2200277 a 4500 001 2223764
003 UkCbUP
005 20170713104449.0
006 m d
007 cr nn 008maaau
008 210115s2017 enk o 1 0 eng d
020 $a 9781316344095 $q (electronic bk.)
020 $a 9781107121430 $q (hardback)
020 $a 9781107547346 $q (paperback)
035 $a CR9781316344095
040 $a UkCbUP $b eng $c UkCbUP $d GP
041 0 $a eng
050 4 $a PR658.A73 $b A88 2017
082 0 4 $a 822.309357 $2 23
090 $a PR658.A73 $b A854 2017
100 1 $a Astington, John. $3 3463579
245 1 0 $a Stage and picture in the English Renaissance $h [electronic resource] : $b the mirror up to nature / $c John H. Astington.
260 $a Cambridge : $b Cambridge University Press, $c 2017.
300 $a xii, 270 p. : $b digital ; $c 24 cm.
500 $a Title from publisher's bibliographic system (viewed on 07 Jul 2017).
505 8 $a Machine generated contents note: Introduction; 1. Antique Romans; 2. Aeneas' tale to Dido; 3. Corn and camels; 4. The picture of we three; 5. Excellent morals; 6. A Mirror for Magistrates; 7. The theatre pictured; 8. Conclusion.
520 $a This book presents a new approach to the relationship between traditional pictorial arts and the theatre in Renaissance England. Demonstrating the range of visual culture in evidence from the mid-sixteenth to mid-seventeenth century, from the grandeur of court murals to the cheap amusement of woodcut prints, John H. Astington shows how English drama drew heavily on this imagery to stimulate the imagination of the audience. He analyses the intersection of the theatrical and the visual through such topics as Shakespeare's Roman plays and the contemporary interest in Roman architecture and sculpture; the central myth of Troy and its widely recognised iconography; scriptural drama and biblical illustration; and the emblem of the theatre itself. The book demonstrates how the art that surrounded Shakespeare and his contemporaries had a profound influence on the ways in which theatre was produced and received.
650 0 $a English drama $y Early modern and Elizabethan, 1500-1600 $x History and criticism. $3 592974
650 0 $a English drama $y 17th century $x History and criticism. $3 592975
650 0 $a Art and literature $z England $x History $y 16th century. $3 3463580
650 0 $a Art and literature $z England $x History $y 17th century. $3 2078799
650 0 $a Art and society $z England $x History $y 16th century. $3 1988425
650 0 $a Theater $z England $x History $y 16th century. $3 600775
650 0 $a Theater $z England $x History $y 17th century. $3 684901
650 0 $a Renaissance $z England. $3 580377
856 4 0 $u https://doi.org/10.1017/9781316344095