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Co-producers of illusion: How the me...

Lehigh University., American Studies.

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Co-producers of illusion: How the media laid the framework for America's rush to war in Iraq.

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	Co-producers of illusion: How the media laid the framework for America's rush to war in Iraq./
作者:	Coulter, Elizabeth.
面頁冊數:	62 p.
附註:	Advisers: John Pettegrew; Ted Morgan.
Contained By:	Masters Abstracts International47-05.
標題:	American Studies. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1463963
ISBN:	9781109121834

Co-producers of illusion: How the media laid the framework for America's rush to war in Iraq.
Coulter, Elizabeth.

Co-producers of illusion: How the media laid the framework for America's rush to war in Iraq. - 62 p.

Advisers: John Pettegrew; Ted Morgan.

Thesis (M.A.)--Lehigh University, 2009.

1Bennett, W. L. (1988). News, the politics of illusion. New York: Longman. Chapter 6 The Paradox of Objective Journalism

ISBN: 9781109121834Subjects--Topical Terms:

1017604
American Studies.

Co-producers of illusion: How the media laid the framework for America's rush to war in Iraq.
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520 $a 1Bennett, W. L. (1988). News, the politics of illusion. New York: Longman. Chapter 6 The Paradox of Objective Journalism
520 $a The events of September 11, 2001 were tragic and life changing for the people of America. This date became a line of demarcation in public thinking as time became divided into pre-9/11 and post-9/11 days. This divide was used to advantage by an administration seemingly intent to invade Iraq and dispose Saddam Hussein. The hypothesis is that in post-9/11 rhetoric with cherry picking of facts and topics, the media created a framework that allowed the Bush administration to march America into an unjust, unnecessary war in the Middle East. This will be accomplished with a focus on several events; coverage of September 11 and the effect on dissent, the fear factor, the patriotic rhetoric, the run-up to war with Iraq, and the saga of Jessica Lynch, POW. I intend to show that the media succumbed to the powerful corporate American forces and gave a nationalistic slant to all reports. This is not to say this is a new circumstance as media history shows. It is, however, a more forceful propaganda push with tangible evidence of the threat facing Americans, painted as a battle between good and evil.
520 $a "Indeed, it might be argued that image, illusion, and stereotype are the only messages that can be communicated by fragmented news."1 This fragmentation of the news leads to a chopped quality that is recreated within this essay; the essence of 10-second sound bites and two-minute interviews and stories.
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