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A feminine cinematics = Luce Irigara...

Bainbridge, Caroline, (1970-)

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A feminine cinematics = Luce Irigaray, womenand film /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	A feminine cinematics/ Caroline Bainbridge.
其他題名:	Luce Irigaray, womenand film /
作者:	Bainbridge, Caroline,
出版者:	Basingstoke [England] ;Palgrave Macmillan, : 2008.,
面頁冊數:	ix, 223 p.
內容註:	-- Acknowledgements -- Introduction -- Reading the Feminine with Irigaray -- Spectatorship, Cinematic Strategy and Mediation -- Practising the Feminine: Contexts of Production, Direction and Reception -- Fantasy and the Feminine: Female Perversions and Under the Skin -- Screening Parler femme: Silences of the Palace, Antonia's Line and Faithless -- Orlando and the Maze of Gender -- Riddles of the Feminine in The Piano -- Impossible Differences: Slippages and Auguries -- Filmography -- Bibliography -- Index --.
標題:	Feminist film criticism. -
電子資源:	http://link.springer.com/10.1057/9780230583689access to fulltext (Palgrave)
ISBN:	0230583687

A feminine cinematics = Luce Irigaray, womenand film /
Bainbridge, Caroline,1970-

A feminine cinematicsLuce Irigaray, womenand film /[electronic resource] :Caroline Bainbridge. - Basingstoke [England] ;Palgrave Macmillan,2008. - ix, 223 p.

Includes bibliographical references (p. 207-216) and index.

-- Acknowledgements -- Introduction -- Reading the Feminine with Irigaray -- Spectatorship, Cinematic Strategy and Mediation -- Practising the Feminine: Contexts of Production, Direction and Reception -- Fantasy and the Feminine: Female Perversions and Under the Skin -- Screening Parler femme: Silences of the Palace, Antonia's Line and Faithless -- Orlando and the Maze of Gender -- Riddles of the Feminine in The Piano -- Impossible Differences: Slippages and Auguries -- Filmography -- Bibliography -- Index --.

Drawing on the work of philosopher Luce Irigaray, this groundbreaking study intervenes in thedebate around women and film. Women's films can be seen as providing a new arena for the explorationof sexual difference and patterns of representation and spectatorship. This timely book analyses films such as The Piano, Orlando, Antonia's Line and The Silences of the Palace in order to make the case that a feminine cinematics is now emerging through the scene of women's filmmaking. Caroline Bainbridge moves beyond the framework of textual analysis by making a compelling case for the importanceof contextual elements in contemporary women's cinema, foregrounding issues of production, direction and reception.

Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2009.

Mode of access:World Wide Web.

ISBN: 0230583687

Standard No.: 10.1057/9780230583689doiSubjects--Personal Names:

1027561
Irigaray, Luce
--Criticism and interpretation.Subjects--Topical Terms:

549664
Feminist film criticism.
Index Terms--Genre/Form:

542853
Electronic books.

LC Class. No.: PN1995.9.W6 / B295 2008eb

Dewey Class. No.: 791.43082

A feminine cinematics = Luce Irigaray, womenand film /
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245 1 2 $a A feminine cinematics $h [electronic resource] : $b Luce Irigaray, womenand film / $c Caroline Bainbridge.
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300 $a ix, 223 p.
504 $a Includes bibliographical references (p. 207-216) and index.
504 $a Includes filmography.
505 0 $a -- Acknowledgements -- Introduction -- Reading the Feminine with Irigaray -- Spectatorship, Cinematic Strategy and Mediation -- Practising the Feminine: Contexts of Production, Direction and Reception -- Fantasy and the Feminine: Female Perversions and Under the Skin -- Screening Parler femme: Silences of the Palace, Antonia's Line and Faithless -- Orlando and the Maze of Gender -- Riddles of the Feminine in The Piano -- Impossible Differences: Slippages and Auguries -- Filmography -- Bibliography -- Index --.
520 $a Drawing on the work of philosopher Luce Irigaray, this groundbreaking study intervenes in thedebate around women and film. Women's films can be seen as providing a new arena for the explorationof sexual difference and patterns of representation and spectatorship. This timely book analyses films such as The Piano, Orlando, Antonia's Line and The Silences of the Palace in order to make the case that a feminine cinematics is now emerging through the scene of women's filmmaking. Caroline Bainbridge moves beyond the framework of textual analysis by making a compelling case for the importanceof contextual elements in contemporary women's cinema, foregrounding issues of production, direction and reception.
533 $a Electronic reproduction. $b Basingstoke, England : $c Palgrave Macmillan, $d 2009. $n Mode of access:World Wide Web. $n System requirements: Web browser. $n Title from title screen (viewed on Mar. 3, 2009). $n Access may berestricted to users at subscribing institutions.
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650 0 $a Feminist films $x History and criticism. $3 1042614
650 0 $a Motion pictures and women. $3 761444
650 0 $a Women in motion pictures. $3 549618
655 7 $a Electronic books. $2 lcsh $3 542853
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856 4 0 $3 Palgrave Connect $u http://link.springer.com/10.1057/9780230583689 $z access to fulltext (Palgrave)