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The emancipated spectator /
~
Rancière, Jacques.
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The emancipated spectator /
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
正題名/作者:
The emancipated spectator // Jacques Ranciere.
作者:
Rancière, Jacques.
出版者:
London :Verso, : c2009.,
面頁冊數:
134 p. :ill. ;21 cm.
內容註:
1. The Emancipated Spectator -- 2. The Misadventures of Critical Thought -- 3. Aesthetic Separation, Aesthetic Community -- 4. The Intolerable Image -- 5. The Pensive Image.
標題:
Aesthetics. -
ISBN:
9781844673438 (hbk.) :
The emancipated spectator /
Rancière, Jacques.
The emancipated spectator /
Jacques Ranciere. - London :Verso,c2009. - 134 p. :ill. ;21 cm.
Includes bibliographical references.
1. The Emancipated Spectator -- 2. The Misadventures of Critical Thought -- 3. Aesthetic Separation, Aesthetic Community -- 4. The Intolerable Image -- 5. The Pensive Image.
In this title, the foremost philosopher of art argues for a new politics of seeing. The role of the viewer in art and film theory revolves around a theatrical concept of the spectacle. The masses subjected to the society of spectacle have traditionally been seen as aesthetically and politically passive - in response, both artists and thinkers have sought to transform the spectator into an active agent and the spectacle into a performance. In this follow-up to the acclaimed The Future of the Image, Ranciere takes a radically different approach to this attempted emancipation. Beginning by asking exactly what we mean by political art or the politics of art, he goes on to look at what the tradition of critical art, and the desire to insert art into life, has achieved. Has the militant critique of the consumption of images and commodities become, instead, a melancholic affirmation of their omnipotence?.
Translated from the French.
ISBN: 9781844673438 (hbk.) :US23.95
Nat. Bib. No.: GBA963092bnbSubjects--Topical Terms:
523036
Aesthetics.
LC Class. No.: NX220 / .R3613 2009
Dewey Class. No.: 700.1
The emancipated spectator /
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In this title, the foremost philosopher of art argues for a new politics of seeing. The role of the viewer in art and film theory revolves around a theatrical concept of the spectacle. The masses subjected to the society of spectacle have traditionally been seen as aesthetically and politically passive - in response, both artists and thinkers have sought to transform the spectator into an active agent and the spectacle into a performance. In this follow-up to the acclaimed The Future of the Image, Ranciere takes a radically different approach to this attempted emancipation. Beginning by asking exactly what we mean by political art or the politics of art, he goes on to look at what the tradition of critical art, and the desire to insert art into life, has achieved. Has the militant critique of the consumption of images and commodities become, instead, a melancholic affirmation of their omnipotence?.
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