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The stories told: Indigenous art col...

Dickenson, Rachelle.

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The stories told: Indigenous art collections, museums, and national identities.

Record Type:	Language materials, printed : Monograph/item
Title/Author:	The stories told: Indigenous art collections, museums, and national identities./
Author:	Dickenson, Rachelle.
Description:	119 p.
Notes:	Source: Masters Abstracts International, Volume: 45-04, page: 1698.
Contained By:	Masters Abstracts International45-04.
Subject:	Art History. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=MR24858
ISBN:	9780494248584

The stories told: Indigenous art collections, museums, and national identities.
Dickenson, Rachelle.

The stories told: Indigenous art collections, museums, and national identities. - 119 p.

Source: Masters Abstracts International, Volume: 45-04, page: 1698.

Thesis (M.A.)--McGill University (Canada), 2006.

The history of collection at the National Gallery of Canada, the Art Gallery of Ontario and the Montreal Museum of Fine Arts, illustrates concepts of race in the development of museums in Canada from before Confederation to today. Located at intersections of Art History, Museology, Postcolonial Studies and Native Studies, this thesis uses discourse theory to trouble definitions of nation and problematize them as inherently racial constructs wherein 'Canadianness' is institutionalized as a dominant white, Euro-Canadian discourse that mediates belonging. The recent reinstallations of the permanent Canadian historical art galleries at the National Gallery of Canada, the Art Gallery of Ontario and the Montreal Museum of Fine Arts are significant in their illustration of contemporary colonial collection practices. The effectiveness of each installation is discussed in relation to the demands and resistances raised by Indigenous and non-Native artists and cultural professionals over the last 40 years, against racist treatment of Indigenous arts.

ISBN: 9780494248584Subjects--Topical Terms:

635474
Art History.

The stories told: Indigenous art collections, museums, and national identities.
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100 1 $a Dickenson, Rachelle. $3 1271913
245 1 4 $a The stories told: Indigenous art collections, museums, and national identities.
300 $a 119 p.
500 $a Source: Masters Abstracts International, Volume: 45-04, page: 1698.
502 $a Thesis (M.A.)--McGill University (Canada), 2006.
520 $a The history of collection at the National Gallery of Canada, the Art Gallery of Ontario and the Montreal Museum of Fine Arts, illustrates concepts of race in the development of museums in Canada from before Confederation to today. Located at intersections of Art History, Museology, Postcolonial Studies and Native Studies, this thesis uses discourse theory to trouble definitions of nation and problematize them as inherently racial constructs wherein 'Canadianness' is institutionalized as a dominant white, Euro-Canadian discourse that mediates belonging. The recent reinstallations of the permanent Canadian historical art galleries at the National Gallery of Canada, the Art Gallery of Ontario and the Montreal Museum of Fine Arts are significant in their illustration of contemporary colonial collection practices. The effectiveness of each installation is discussed in relation to the demands and resistances raised by Indigenous and non-Native artists and cultural professionals over the last 40 years, against racist treatment of Indigenous arts.
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650 4 $a Art History. $3 635474
650 4 $a Museology. $3 1018504
650 4 $a Native American Studies. $3 626633
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710 2 0 $a McGill University (Canada). $3 1018122
773 0 $t Masters Abstracts International $g 45-04.
790 $a 0781
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792 $a 2006
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