Language:
English
繁體中文
Help
回圖書館首頁
手機版館藏查詢
Login
Back
Switch To:
Labeled
|
MARC Mode
|
ISBD
Gustav Stickley and American "home-m...
~
Hegstrom, Debra Lynn.
Linked to FindBook
Google Book
Amazon
博客來
Gustav Stickley and American "home-making" in "The Craftsman": Gender and design issues, 1890--1915.
Record Type:
Language materials, printed : Monograph/item
Title/Author:
Gustav Stickley and American "home-making" in "The Craftsman": Gender and design issues, 1890--1915./
Author:
Hegstrom, Debra Lynn.
Description:
268 p.
Notes:
Adviser: Gabriel P. Weisberg.
Contained By:
Dissertation Abstracts International68-03A.
Subject:
Art History. -
Online resource:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3256867
Gustav Stickley and American "home-making" in "The Craftsman": Gender and design issues, 1890--1915.
Hegstrom, Debra Lynn.
Gustav Stickley and American "home-making" in "The Craftsman": Gender and design issues, 1890--1915.
- 268 p.
Adviser: Gabriel P. Weisberg.
Thesis (Ph.D.)--University of Minnesota, 2007.
At the turn of the nineteenth into the twentieth century, Gustav Stickley conceived of and promoted an empire based on simple, sturdily-built homes and furniture that reflected his personal philosophy about what was essential to the "good life" in the American democracy. His work was a reaction to what he perceived as the material excesses of the Victorian age; Stickley proclaimed: "The age of leisure and daintiness, with its slight and delicate belongings, has passed; this is a generation of straightforward utilitarianism, which is well represented by the strong-fibered and sturdy oak." Stickley spoke in gendered language, calling Victorian houses and interiors "feminine," while his Craftsman homes and furnishings were "masculine" in nature. Through his Craftsman magazine and catalogs, which served as influential marketing vehicles for his domestic philosophy and business enterprises, Stickley disseminated a discourse about appropriate male and female roles for almost every aspect of American homemaking, as well as the role of the home within the larger sphere of the community.Subjects--Topical Terms:
635474
Art History.
Gustav Stickley and American "home-making" in "The Craftsman": Gender and design issues, 1890--1915.
LDR
:03247nam 2200289 a 45
001
946389
005
20110523
008
110523s2007 ||||||||||||||||| ||eng d
035
$a
(UMI)AAI3256867
035
$a
AAI3256867
040
$a
UMI
$c
UMI
100
1
$a
Hegstrom, Debra Lynn.
$3
1269796
245
1 0
$a
Gustav Stickley and American "home-making" in "The Craftsman": Gender and design issues, 1890--1915.
300
$a
268 p.
500
$a
Adviser: Gabriel P. Weisberg.
500
$a
Source: Dissertation Abstracts International, Volume: 68-03, Section: A, page: 0767.
502
$a
Thesis (Ph.D.)--University of Minnesota, 2007.
520
$a
At the turn of the nineteenth into the twentieth century, Gustav Stickley conceived of and promoted an empire based on simple, sturdily-built homes and furniture that reflected his personal philosophy about what was essential to the "good life" in the American democracy. His work was a reaction to what he perceived as the material excesses of the Victorian age; Stickley proclaimed: "The age of leisure and daintiness, with its slight and delicate belongings, has passed; this is a generation of straightforward utilitarianism, which is well represented by the strong-fibered and sturdy oak." Stickley spoke in gendered language, calling Victorian houses and interiors "feminine," while his Craftsman homes and furnishings were "masculine" in nature. Through his Craftsman magazine and catalogs, which served as influential marketing vehicles for his domestic philosophy and business enterprises, Stickley disseminated a discourse about appropriate male and female roles for almost every aspect of American homemaking, as well as the role of the home within the larger sphere of the community.
520
$a
Stickley was also reacting to what he perceived as essentially Old World, feminine characteristics in the "degenerate" curvilinear aesthetic of Art Nouveau. His goal was to differentiate American Arts and Crafts from Art Nouveau by steering the consumer in a more "moral" rectilinear direction. Within the home, spatial arrangements, furnishings, and decorative accessories all played a role in carefully shaping the domestic environment to reinforce a shift to the promulgation of masculine values. Stickley, like others of his time, was reacting to the perceived feminization of American life as a threat to a robust democracy. Under his direction, the modern woman became an agent of consumption whose task was but to embellish an already well-formulated household plan, while the modern man's new interest in domestic affairs would help ensure the proper visual environment for their children. Through his carefully iterated and often scathing criticism of the threat of the feminine to home and society, and his persuasive discourse about the importance of masculine control, Gustav Stickley effectively shaped and promoted a domestic model that, in its physical and psychological manifestations, we can still recognize today.
590
$a
School code: 0130.
650
4
$a
Art History.
$3
635474
650
4
$a
Design and Decorative Arts.
$3
1024640
650
4
$a
Gender Studies.
$3
898693
690
$a
0377
690
$a
0389
690
$a
0733
710
2
$a
University of Minnesota.
$3
676231
773
0
$t
Dissertation Abstracts International
$g
68-03A.
790
$a
0130
790
1 0
$a
Weisberg, Gabriel P.,
$e
advisor
791
$a
Ph.D.
792
$a
2007
856
4 0
$u
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3256867
based on 0 review(s)
Location:
ALL
電子資源
Year:
Volume Number:
Items
1 records • Pages 1 •
1
Inventory Number
Location Name
Item Class
Material type
Call number
Usage Class
Loan Status
No. of reservations
Opac note
Attachments
W9114193
電子資源
11.線上閱覽_V
電子書
EB W9114193
一般使用(Normal)
On shelf
0
1 records • Pages 1 •
1
Multimedia
Reviews
Add a review
and share your thoughts with other readers
Export
pickup library
Processing
...
Change password
Login