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The actor dans le Reve: Pantheatre ...

Al-Shamma, Kate Yust.

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The actor dans le Reve: Pantheatre training as negative capability.

Record Type:	Language materials, printed : Monograph/item
Title/Author:	The actor dans le Reve: Pantheatre training as negative capability./
Author:	Al-Shamma, Kate Yust.
Description:	272 p.
Notes:	Adviser: William Davies King.
Contained By:	Dissertation Abstracts International67-05A.
Subject:	Literature, Modern. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3218833
ISBN:	9780542681523

The actor dans le Reve: Pantheatre training as negative capability.
Al-Shamma, Kate Yust.

The actor dans le Reve: Pantheatre training as negative capability. - 272 p.

Adviser: William Davies King.

Thesis (Ph.D.)--University of California, Santa Barbara, 2006.

Pantheatre, a company founded by Enrique Pardo in France, offers an approach to actor training that springs from James Hillman's archetypal psychology, and therefore emphasizes imagination, Psyche, and soul. Pantheatre training stands in contrast to much contemporary actor training in the United States, which has followed the method of Freud by centralizing a literalized ego and relying on an intellectualized process to lead to truth and unity on stage. Through Pardo's process of choreographic image-making, the actor finds herself inside the dream, serving as an agent of Psyche rather than in pursuit of truth. This requires the actor to develop negative capability, the capacity to be in uncertainty, to behold rather than to solve mystery, paradox, and contradiction. The primary methodology of this study is performance ethnography, involving my own participation as well as observation. Thus, the evidence presented is derived from participant/observation field notes, interviews, and videotaped workshop sessions as well as from literary analysis.

ISBN: 9780542681523Subjects--Topical Terms:

624011
Literature, Modern.

The actor dans le Reve: Pantheatre training as negative capability.
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020 $a 9780542681523
035 $a (UMI)AAI3218833
035 $a AAI3218833
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100 1 $a Al-Shamma, Kate Yust. $3 1269745
245 1 4 $a The actor dans le Reve: Pantheatre training as negative capability.
300 $a 272 p.
500 $a Adviser: William Davies King.
500 $a Source: Dissertation Abstracts International, Volume: 67-05, Section: A, page: 1590.
502 $a Thesis (Ph.D.)--University of California, Santa Barbara, 2006.
520 $a Pantheatre, a company founded by Enrique Pardo in France, offers an approach to actor training that springs from James Hillman's archetypal psychology, and therefore emphasizes imagination, Psyche, and soul. Pantheatre training stands in contrast to much contemporary actor training in the United States, which has followed the method of Freud by centralizing a literalized ego and relying on an intellectualized process to lead to truth and unity on stage. Through Pardo's process of choreographic image-making, the actor finds herself inside the dream, serving as an agent of Psyche rather than in pursuit of truth. This requires the actor to develop negative capability, the capacity to be in uncertainty, to behold rather than to solve mystery, paradox, and contradiction. The primary methodology of this study is performance ethnography, involving my own participation as well as observation. Thus, the evidence presented is derived from participant/observation field notes, interviews, and videotaped workshop sessions as well as from literary analysis.
590 $a School code: 0035.
650 4 $a Literature, Modern. $3 624011
650 4 $a Literature, Romance. $3 1019014
650 4 $a Theater. $3 522973
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690 $a 0313
690 $a 0465
710 2 $a University of California, Santa Barbara. $3 1017586
773 0 $t Dissertation Abstracts International $g 67-05A.
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790 1 0 $a King, William Davies, $e advisor
791 $a Ph.D.
792 $a 2006
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3218833