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Long Nguyen: Identity politics in ar...
~
Tran, Thuy Nhat Diem.
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Long Nguyen: Identity politics in art and cinema.
Record Type:
Language materials, printed : Monograph/item
Title/Author:
Long Nguyen: Identity politics in art and cinema./
Author:
Tran, Thuy Nhat Diem.
Description:
91 p.
Notes:
Source: Masters Abstracts International, Volume: 46-01, page: 0005.
Contained By:
Masters Abstracts International46-01.
Subject:
Art History. -
Online resource:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1444955
ISBN:
9780549101321
Long Nguyen: Identity politics in art and cinema.
Tran, Thuy Nhat Diem.
Long Nguyen: Identity politics in art and cinema.
- 91 p.
Source: Masters Abstracts International, Volume: 46-01, page: 0005.
Thesis (M.A.)--Arizona State University, 2007.
This thesis is a case study of how cultural producers, audiences, communities and artists have negotiated identity politics pertaining to Vietnamese American art and cinema. Based on firsthand interviews with Long Nguyen, an established artist and an emerging actor, this research examines how presenters (curators, film directors, writers), the art receiver (audience) and the art producer (artist), cumulatively shape perceptions of ethnic identity. Long's involvement in museum exhibitions and films during the last two decades is discussed in order to understand how each mode of presentation has framed Asian American and Vietnamese American identity. This thesis argues for a return to important and still relevant concepts, such as "identity," "culture," and "race," once outmoded in the 1990s.
ISBN: 9780549101321Subjects--Topical Terms:
635474
Art History.
Long Nguyen: Identity politics in art and cinema.
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91 p.
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Source: Masters Abstracts International, Volume: 46-01, page: 0005.
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Thesis (M.A.)--Arizona State University, 2007.
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This thesis is a case study of how cultural producers, audiences, communities and artists have negotiated identity politics pertaining to Vietnamese American art and cinema. Based on firsthand interviews with Long Nguyen, an established artist and an emerging actor, this research examines how presenters (curators, film directors, writers), the art receiver (audience) and the art producer (artist), cumulatively shape perceptions of ethnic identity. Long's involvement in museum exhibitions and films during the last two decades is discussed in order to understand how each mode of presentation has framed Asian American and Vietnamese American identity. This thesis argues for a return to important and still relevant concepts, such as "identity," "culture," and "race," once outmoded in the 1990s.
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School code: 0010.
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http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1444955
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W9112982
電子資源
11.線上閱覽_V
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EB W9112982
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