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Baatyam: Music, ritual, and Tiashan...

Wilson, James Dale.

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Baatyam: Music, ritual, and Tiashanese transnationalism.

Record Type:	Language materials, printed : Monograph/item
Title/Author:	Baatyam: Music, ritual, and Tiashanese transnationalism./
Author:	Wilson, James Dale.
Description:	347 p.
Notes:	Source: Dissertation Abstracts International, Volume: 65-04, Section: A, page: 1177.
Contained By:	Dissertation Abstracts International65-04A.
Subject:	Anthropology, Archaeology. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3129048
ISBN:	9780496763085

Baatyam: Music, ritual, and Tiashanese transnationalism.
Wilson, James Dale.

Baatyam: Music, ritual, and Tiashanese transnationalism. - 347 p.

Source: Dissertation Abstracts International, Volume: 65-04, Section: A, page: 1177.

Thesis (Ph.D.)--Columbia University, 2004.

The reasons for migration are diverse and often complex. The Taishanese migrant experience offers an example of an entrenched and established diasporic condition that has adapted itself to changing political policies in China and abroad, and has shown itself to be singularly successful over the long term. This migrant experience has long exhibited the defining characteristics of contemporary transmigration.

ISBN: 9780496763085Subjects--Topical Terms:

622985
Anthropology, Archaeology.

Baatyam: Music, ritual, and Tiashanese transnationalism.
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020 $a 9780496763085
035 $a (UMI)AAI3129048
035 $a AAI3129048
040 $a UMI $c UMI
100 1 $a Wilson, James Dale. $3 1267273
245 1 0 $a Baatyam: Music, ritual, and Tiashanese transnationalism.
300 $a 347 p.
500 $a Source: Dissertation Abstracts International, Volume: 65-04, Section: A, page: 1177.
500 $a Sponsor: Aaron Fox.
502 $a Thesis (Ph.D.)--Columbia University, 2004.
520 $a The reasons for migration are diverse and often complex. The Taishanese migrant experience offers an example of an entrenched and established diasporic condition that has adapted itself to changing political policies in China and abroad, and has shown itself to be singularly successful over the long term. This migrant experience has long exhibited the defining characteristics of contemporary transmigration.
520 $a There are highly complicated reasons for Taishanese migration, many of which can be better understood through a study of music and ritual. This is a multi-site ethnography about musical and ritual life that is based on original fieldwork in rural Taishanese villages and in Manhattan's Chinatown during the years 1997--2003. On one level, it is an ethnography of a specific village ritual ensemble (Yangming Yinyue She), the village of Yangming, and the transnational significance of ritual activities occurring within a 40 kilometer radius of Yangming. On another level, this dissertation uses ethnographic oral histories of village music making, the lives of musicians, and musical aesthetics to explore the historical dimensions of Taishanese migration, and the historical consequences of diaspora. This ethnographic data in turn informs an understanding of shifting Chinese political attitudes towards overseas Chinese, and current Chinese government policies that both endorse and legitimize migration within the context of economic policies of the Pearl River Delta. The multi-site strategy of this ethnography, with its multiple points of entry, aims at an ethnographically rich understanding of what it means to be Taishanese, and the significance of Taishanese migration in the new millennium.
590 $a School code: 0054.
650 4 $a Anthropology, Archaeology. $3 622985
650 4 $a History, Asia, Australia and Oceania. $3 626624
650 4 $a Music. $3 516178
690 $a 0324
690 $a 0332
690 $a 0413
710 2 $a Columbia University. $3 571054
773 0 $t Dissertation Abstracts International $g 65-04A.
790 $a 0054
790 1 0 $a Fox, Aaron, $e advisor
791 $a Ph.D.
792 $a 2004
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3129048