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The parting of the way: Three genera...

Huang, Yi-Ping.

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The parting of the way: Three generations of ch'in performance practice.

Record Type:	Language materials, printed : Monograph/item
Title/Author:	The parting of the way: Three generations of ch'in performance practice./
Author:	Huang, Yi-Ping.
Description:	289 p.
Notes:	Director: Jozef Pacholczyk.
Contained By:	Dissertation Abstracts International59-04A.
Subject:	History, Asia, Australia and Oceania. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=9831184
ISBN:	9780591841374

The parting of the way: Three generations of ch'in performance practice.
Huang, Yi-Ping.

The parting of the way: Three generations of ch'in performance practice. - 289 p.

Director: Jozef Pacholczyk.

Thesis (Ph.D.)--University of Maryland, Baltimore County, 1998.

For thousands of years and a myriad of generations, the cultivation of the ch'in (a seven-stringed zither) entailed the mastery of not only the physical and physiological aspects of music, but also its ideology, its Tao or Way. Today, many continue to consider that the way of the ch'in epitomizes the reality of the Chinese elite tradition; and the music of the ch'in encapsulates the sound of "true" antiquity. However, the unprecedented socio-cultural transformations that occurred during the course of the twentieth century have substantially affected the ecology of ch'in practitioners, their attitudes and approaches to music, and their performances.

ISBN: 9780591841374Subjects--Topical Terms:

626624
History, Asia, Australia and Oceania.

The parting of the way: Three generations of ch'in performance practice.
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005 20110520
008 110520s1998 ||||||||||||||||| ||eng d
020 $a 9780591841374
035 $a (UMI)AAI9831184
035 $a AAI9831184
040 $a UMI $c UMI
100 1 $a Huang, Yi-Ping. $3 1267260
245 1 4 $a The parting of the way: Three generations of ch'in performance practice.
300 $a 289 p.
500 $a Director: Jozef Pacholczyk.
500 $a Source: Dissertation Abstracts International, Volume: 59-04, Section: A, page: 1002.
502 $a Thesis (Ph.D.)--University of Maryland, Baltimore County, 1998.
520 $a For thousands of years and a myriad of generations, the cultivation of the ch'in (a seven-stringed zither) entailed the mastery of not only the physical and physiological aspects of music, but also its ideology, its Tao or Way. Today, many continue to consider that the way of the ch'in epitomizes the reality of the Chinese elite tradition; and the music of the ch'in encapsulates the sound of "true" antiquity. However, the unprecedented socio-cultural transformations that occurred during the course of the twentieth century have substantially affected the ecology of ch'in practitioners, their attitudes and approaches to music, and their performances.
520 $a Drawing upon literary documents, interviews, surveys, recordings, analysis with aid of modern technology, and my own observations and experiences as a native ch'in practitioner, this dissertation documents ideological, contextual and stylistic transformations of ch'in performance practice over a span of three generations. Part One seeks to identify primary models of thought through the abstraction of principles advocated in the Ch'in Tao and expressed in observable phenomena and behavior. Part Two diachronically accounts for the unique postwar "Taiwan experience" with the ch'in tradition, and discusses major cultural processes and the mutual influences between music development and social, political and economic conditions of the time. I have also include a discussion of the development of the ch'in in the Chinese Mainland during the same time period to provide a comparative view.
520 $a Part Three further explores continuities and changes in attitudes and approaches toward the "way" of the ch'in and documents synchronies and discrepancies in performance practice among the three generations. Chapter VI focus on schools and repertoire that are most relevant to current practice; while Chapter VII analyzes and compares temporal, dynamic, and ornamental expressions. This analysis demonstrates that contextual and ideological transformations are mirrored by substantial stylistic changes over the course of three generations. The observed dramatic tendencies and increasingly "romanticized" style of the later generations can be seen as both a reaction and response to the extensive socio-cultural changes, and are embodiments of a complex and continual transformation from a more holistic to a more formal musicological approach toward the way of the ch'in.
590 $a School code: 0434.
650 4 $a History, Asia, Australia and Oceania. $3 626624
650 4 $a Music. $3 516178
690 $a 0332
690 $a 0413
710 2 $a University of Maryland, Baltimore County. $3 743195
773 0 $t Dissertation Abstracts International $g 59-04A.
790 $a 0434
790 1 0 $a Pacholczyk, Jozef, $e advisor
791 $a Ph.D.
792 $a 1998
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=9831184