Language:
English
繁體中文
Help
回圖書館首頁
手機版館藏查詢
Login
Back
Switch To:
Labeled
|
MARC Mode
|
ISBD
Narrative aesthetics, multicultural ...
~
Lundgren, Jodi Margaret E.
Linked to FindBook
Google Book
Amazon
博客來
Narrative aesthetics, multicultural politics, and (trans)national subjects: Contemporary fictions of Canada.
Record Type:
Language materials, printed : Monograph/item
Title/Author:
Narrative aesthetics, multicultural politics, and (trans)national subjects: Contemporary fictions of Canada./
Author:
Lundgren, Jodi Margaret E.
Description:
385 p.
Notes:
Chairperson: Carolyn Allen.
Contained By:
Dissertation Abstracts International62-12A.
Subject:
Literature, Canadian (English). -
Online resource:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3036497
ISBN:
9780493495255
Narrative aesthetics, multicultural politics, and (trans)national subjects: Contemporary fictions of Canada.
Lundgren, Jodi Margaret E.
Narrative aesthetics, multicultural politics, and (trans)national subjects: Contemporary fictions of Canada.
- 385 p.
Chairperson: Carolyn Allen.
Thesis (Ph.D.)--University of Washington, 2001.
This dissertation provides new insight into the problem of the production and recontainment of differences within multiculturalist ideology by invoking Marxist critiques of aesthetic reconciliation. In its attempt to negotiate the two opposing risks of reinscribing, or prematurely resolving, social antagonisms, the ideology of multiculturalism functions in the political field much as aesthetic reconciliation does within a literary text. With both Marxist aestheticians and critics of multiculturalism deeming reconciliation undesirable, impossible, or both, the problem of how to handle incommensurable differences remains. To resist reconciling differences within the nation requires the support of a corresponding structure of subjectivity. Given that the primary issue in Canada is not erasure but subordination of difference, non-dominant "others" need to resist assimilation into the centrist paradigm, which necessitates a departure from structural homology between (dominant) self and other. I contend that narrative literature conducts explorations and experiments in subjectivity and that contemporary Canadian fictions demonstrate both the impasse of dichotomous, nationalistic individualism and the progressive potential of non-oppositional, transnational subjectivities. In the first three chapters, I posit the constellation of individualism, unitary nation, and monologic narration within these post-1971 novels: Margaret Laurence's The Diviners , Joy Kogawa's Obasan and Itsuka, and Michael Ondaatje's In the Skin of a Lion. My reading of these works reveals the prohibitive cost to minoritized subjects of attempting national unity (or identity defined as self-identicalness) and the consequent need for other methods of configuring community and subjectivity. In the last two chapters, I argue that an alternate constellation among post-individualism, transnationalism and polyphonic (or else anti-referential) narration exists in the texts of Nicole Brossard, in Jeannette Armstrong's Slash , in Lee Maracle's Sundogs and in Judith Thompson's Lion in the Streets. Ultimately, I conclude that narrative innovation may initiate alternatives to entrenched structures of domination at the intrasubjective and communal levels.
ISBN: 9780493495255Subjects--Topical Terms:
1022372
Literature, Canadian (English).
Narrative aesthetics, multicultural politics, and (trans)national subjects: Contemporary fictions of Canada.
LDR
:03180nam 2200289 a 45
001
943022
005
20110520
008
110520s2001 ||||||||||||||||| ||eng d
020
$a
9780493495255
035
$a
(UMI)AAI3036497
035
$a
AAI3036497
040
$a
UMI
$c
UMI
100
1
$a
Lundgren, Jodi Margaret E.
$3
1267058
245
1 0
$a
Narrative aesthetics, multicultural politics, and (trans)national subjects: Contemporary fictions of Canada.
300
$a
385 p.
500
$a
Chairperson: Carolyn Allen.
500
$a
Source: Dissertation Abstracts International, Volume: 62-12, Section: A, page: 4160.
502
$a
Thesis (Ph.D.)--University of Washington, 2001.
520
$a
This dissertation provides new insight into the problem of the production and recontainment of differences within multiculturalist ideology by invoking Marxist critiques of aesthetic reconciliation. In its attempt to negotiate the two opposing risks of reinscribing, or prematurely resolving, social antagonisms, the ideology of multiculturalism functions in the political field much as aesthetic reconciliation does within a literary text. With both Marxist aestheticians and critics of multiculturalism deeming reconciliation undesirable, impossible, or both, the problem of how to handle incommensurable differences remains. To resist reconciling differences within the nation requires the support of a corresponding structure of subjectivity. Given that the primary issue in Canada is not erasure but subordination of difference, non-dominant "others" need to resist assimilation into the centrist paradigm, which necessitates a departure from structural homology between (dominant) self and other. I contend that narrative literature conducts explorations and experiments in subjectivity and that contemporary Canadian fictions demonstrate both the impasse of dichotomous, nationalistic individualism and the progressive potential of non-oppositional, transnational subjectivities. In the first three chapters, I posit the constellation of individualism, unitary nation, and monologic narration within these post-1971 novels: Margaret Laurence's The Diviners , Joy Kogawa's Obasan and Itsuka, and Michael Ondaatje's In the Skin of a Lion. My reading of these works reveals the prohibitive cost to minoritized subjects of attempting national unity (or identity defined as self-identicalness) and the consequent need for other methods of configuring community and subjectivity. In the last two chapters, I argue that an alternate constellation among post-individualism, transnationalism and polyphonic (or else anti-referential) narration exists in the texts of Nicole Brossard, in Jeannette Armstrong's Slash , in Lee Maracle's Sundogs and in Judith Thompson's Lion in the Streets. Ultimately, I conclude that narrative innovation may initiate alternatives to entrenched structures of domination at the intrasubjective and communal levels.
590
$a
School code: 0250.
650
4
$a
Literature, Canadian (English).
$3
1022372
650
4
$a
Literature, Canadian (French).
$3
1022326
650
4
$a
Literature, Modern.
$3
624011
690
$a
0298
690
$a
0352
690
$a
0355
710
2
$a
University of Washington.
$3
545923
773
0
$t
Dissertation Abstracts International
$g
62-12A.
790
$a
0250
790
1 0
$a
Allen, Carolyn,
$e
advisor
791
$a
Ph.D.
792
$a
2001
856
4 0
$u
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3036497
based on 0 review(s)
Location:
ALL
電子資源
Year:
Volume Number:
Items
1 records • Pages 1 •
1
Inventory Number
Location Name
Item Class
Material type
Call number
Usage Class
Loan Status
No. of reservations
Opac note
Attachments
W9112663
電子資源
11.線上閱覽_V
電子書
EB W9112663
一般使用(Normal)
On shelf
0
1 records • Pages 1 •
1
Multimedia
Reviews
Add a review
and share your thoughts with other readers
Export
pickup library
Processing
...
Change password
Login