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Theatrical wonder.
~
Hunter, Mark.
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Theatrical wonder.
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
正題名/作者:
Theatrical wonder./
作者:
Hunter, Mark.
面頁冊數:
290 p.
附註:
Source: Dissertation Abstracts International, Volume: 66-05, Section: A, page: 1564.
Contained By:
Dissertation Abstracts International66-05A.
標題:
Theater. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3174460
ISBN:
9780542123399
Theatrical wonder.
Hunter, Mark.
Theatrical wonder.
- 290 p.
Source: Dissertation Abstracts International, Volume: 66-05, Section: A, page: 1564.
Thesis (Ph.D.)--The University of Texas at Austin, 2005.
This dissertation theorizes about a phenomenon of theatrical reception, which I call theatrical wonder. I hypothesize that on certain occasions theatrical spectators experience a sense of awe and an appreciation of possibility, together with deep emotion. This phenomenon results from an impulse to understand a novel theatrical metaphor in a perceptual field that is informed by an empathetic engagement with a character represented theatrically. Moreover, in its apprehension of possibility, theatrical wonder is implicated in utopian thinking. In analyzing a performance of Mnemonic by Theatre de Complicite, and in theorizing about my own directorial experiences in professional productions of Harry's Way by Keith Huff, Romeo and Juliet by William Shakespeare, and The Goat, or Who is Sylvia?, by Edward Albee, I develop an autoethnographic and phenomenological investigation of theatrical wonder.
ISBN: 9780542123399Subjects--Topical Terms:
522973
Theater.
Theatrical wonder.
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This dissertation theorizes about a phenomenon of theatrical reception, which I call theatrical wonder. I hypothesize that on certain occasions theatrical spectators experience a sense of awe and an appreciation of possibility, together with deep emotion. This phenomenon results from an impulse to understand a novel theatrical metaphor in a perceptual field that is informed by an empathetic engagement with a character represented theatrically. Moreover, in its apprehension of possibility, theatrical wonder is implicated in utopian thinking. In analyzing a performance of Mnemonic by Theatre de Complicite, and in theorizing about my own directorial experiences in professional productions of Harry's Way by Keith Huff, Romeo and Juliet by William Shakespeare, and The Goat, or Who is Sylvia?, by Edward Albee, I develop an autoethnographic and phenomenological investigation of theatrical wonder.
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