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A comparative analysis of design the...

Au, Sau Chuen Joe.

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A comparative analysis of design theories of contemporary European and Japanese fashion designers.

Record Type:	Language materials, printed : Monograph/item
Title/Author:	A comparative analysis of design theories of contemporary European and Japanese fashion designers./
Author:	Au, Sau Chuen Joe.
Description:	288 p.
Notes:	Source: Dissertation Abstracts International, Volume: 64-02, Section: A, page: 0319.
Contained By:	Dissertation Abstracts International64-02A.
Subject:	Design and Decorative Arts. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3082853

A comparative analysis of design theories of contemporary European and Japanese fashion designers.
Au, Sau Chuen Joe.

A comparative analysis of design theories of contemporary European and Japanese fashion designers. - 288 p.

Source: Dissertation Abstracts International, Volume: 64-02, Section: A, page: 0319.

Thesis (Ph.D.)--Hong Kong Polytechnic (People's Republic of China), 2003.

The purpose of this research study was to identify and compare the underlying design theory of contemporary European and Japanese fashion designers. This study focused on four major objectives: (1) to examine literature on the subject of fashion theory and design theory across a range of disciplines; (2) to inductively identify the factors influencing fashion designers through the perceptions of fashion designers, educators and students; (3) to formulate frameworks of factors influencing fashion designers and models of the design process when creating new fashion and (4) to develop constructs for design theories of fashion using the qualitative method of grounded theory developed by Glaser and Strauss (1967) and Glaser (1978).Subjects--Topical Terms:

1024640
Design and Decorative Arts.

A comparative analysis of design theories of contemporary European and Japanese fashion designers.
LDR:02935nam 2200277 a 45 001 937838
005 20110511
008 110511s2003 eng d
035 $a (UnM)AAI3082853
035 $a AAI3082853
040 $a UnM $c UnM
100 1 $a Au, Sau Chuen Joe. $3 1261694
245 1 0 $a A comparative analysis of design theories of contemporary European and Japanese fashion designers.
300 $a 288 p.
500 $a Source: Dissertation Abstracts International, Volume: 64-02, Section: A, page: 0319.
500 $a Supervisors: Gail Taylor; Edward Newton.
502 $a Thesis (Ph.D.)--Hong Kong Polytechnic (People's Republic of China), 2003.
520 $a The purpose of this research study was to identify and compare the underlying design theory of contemporary European and Japanese fashion designers. This study focused on four major objectives: (1) to examine literature on the subject of fashion theory and design theory across a range of disciplines; (2) to inductively identify the factors influencing fashion designers through the perceptions of fashion designers, educators and students; (3) to formulate frameworks of factors influencing fashion designers and models of the design process when creating new fashion and (4) to develop constructs for design theories of fashion using the qualitative method of grounded theory developed by Glaser and Strauss (1967) and Glaser (1978).
520 $a In order to formulate the grounded design theories of contemporary European and Japanese fashion designers, five fashion sites—Paris, Milan, London, Tokyo and Hong Kong—were selected. A qualitative research methodology, which employed the inductive approach in the development of grounded theory, was adopted in this study. The data collection method included in-depth interviews, questionnaire surveys, on-site observations and document review. In the first four fashion sites, a total of 66 fashion designers, educators and students were interviewed. 53 open-ended design questionnaires were returned by fashion designers and students. 18 on-site observations of fashion designers and educators were carried out. The fifth fashion site—Hong Kong—was used to field test the data collection instruments. From this research study, the grounded design theories of French, Italian, British, European and Japanese fashion designers were formulated. Different constructs for those design theories were identified. The results of theory-building research suggested that there were differences between the grounded design theories of European and Japanese fashion designers due to their various cultural contexts.
590 $a School code: 1170.
650 4 $a Design and Decorative Arts. $3 1024640
690 $a 0389
710 2 0 $a Hong Kong Polytechnic (People's Republic of China). $3 1249353
773 0 $t Dissertation Abstracts International $g 64-02A.
790 $a 1170
790 1 0 $a Newton, Edward, $e advisor
790 1 0 $a Taylor, Gail, $e advisor
791 $a Ph.D.
792 $a 2003
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3082853