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Dance history and cultural politics:...

Chen, Ya-Ping.

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Dance history and cultural politics: A study of contemporary dance in Taiwan, 1930s--1997 (China).

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	Dance history and cultural politics: A study of contemporary dance in Taiwan, 1930s--1997 (China)./
作者:	Chen, Ya-Ping.
面頁冊數:	382 p.
附註:	Adviser: Marcia B. Siegel.
Contained By:	Dissertation Abstracts International63-12A.
標題:	Dance. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3075487
ISBN:	0493956964

Dance history and cultural politics: A study of contemporary dance in Taiwan, 1930s--1997 (China).
Chen, Ya-Ping.

Dance history and cultural politics: A study of contemporary dance in Taiwan, 1930s--1997 (China). - 382 p.

Adviser: Marcia B. Siegel.

Thesis (Ph.D.)--New York University, 2003.

A historical-cultural-political study of the development of contemporary dance in Taiwan, the dissertation focuses on three major issues which shaped the history and underlying spirit of Taiwanese contemporary dance: (1) the corporeal enactment of identity construction through the dancing body; (2) the reciprocal interactions between dance creation and socio-political change; (3) the relations between the inside and the outside within the context of the intercultural exchange of dance as well as in terms of the questions of cultural interpretation and representation involved.

ISBN: 0493956964Subjects--Topical Terms:

610547
Dance.

Dance history and cultural politics: A study of contemporary dance in Taiwan, 1930s--1997 (China).
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502 $a Thesis (Ph.D.)--New York University, 2003.
520 $a A historical-cultural-political study of the development of contemporary dance in Taiwan, the dissertation focuses on three major issues which shaped the history and underlying spirit of Taiwanese contemporary dance: (1) the corporeal enactment of identity construction through the dancing body; (2) the reciprocal interactions between dance creation and socio-political change; (3) the relations between the inside and the outside within the context of the intercultural exchange of dance as well as in terms of the questions of cultural interpretation and representation involved.
520 $a Rather than presenting an all-encompassing, chronological narrative of Taiwan's dance history, the dissertation is organized as a series of topical studies of important developments and eminent phenomena. They include the formation of contemporary dance culture in Taiwan under Japanese colonialism (1930s–1945), the invented tradition of Chinese ethnic dance in the post-War years in relation to the ideologies of anti-communism and state nationalism (1950s–1960s), the quest for a modern Chinese dance theatre and the burgeoning of a Taiwanese consciousness (1970s), the politicalization of the dancing body and the emergence of feminist awareness in dance after the lifting of Martial law (1987–1990s), the influence of postmodern dance languages and the appropriation of postmodernist characteristics in Taiwan's modern dance (1990s), and finally the creation of Eastern body aesthetics for the purpose of the globalization of Taiwanese dance (1986–1990s).
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