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Defining African American gospel mus...

Wise, Raymond.

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Defining African American gospel music by tracing its historical and musical development from 1900 to 2000.

Record Type:	Language materials, printed : Monograph/item
Title/Author:	Defining African American gospel music by tracing its historical and musical development from 1900 to 2000./
Author:	Wise, Raymond.
Description:	369 p.
Notes:	Adviser: Jan H. McCrary.
Contained By:	Dissertation Abstracts International63-07A.
Subject:	Education, Music. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3059350
ISBN:	0493748946

Defining African American gospel music by tracing its historical and musical development from 1900 to 2000.
Wise, Raymond.

Defining African American gospel music by tracing its historical and musical development from 1900 to 2000. - 369 p.

Adviser: Jan H. McCrary.

Thesis (Ph.D.)--The Ohio State University, 2002.

The prominent use of African American gospel music outside of the African American church coupled with the implementation of secular musical elements has caused many African American gospel listeners, artists, and historians to ask, “what is gospel music?” This study examined the historical and musical development of African American Gospel music throughout the 20<super> th</super> century, as evidenced in scholarly and popular sources, in order to define its key components, clarify its identity, and account for its expansion and development since its beginnings. The study began with a review of the literature to document the significant musical and historical developments of African American Gospel music throughout the 20<super>th</super> century. The literature was examined to answer the questions, what distinguishes African American Gospel music from other musical styles also referred to by the name “Gospel music?”, “what are the core elements of African American Gospel music?”, and “what is a more comprehensive definition of African American Gospel music based upon its significant historical and stylistic developments throughout the 20<super>th</super> century?”

ISBN: 0493748946Subjects--Topical Terms:

1017808
Education, Music.

Defining African American gospel music by tracing its historical and musical development from 1900 to 2000.
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245 1 0 $a Defining African American gospel music by tracing its historical and musical development from 1900 to 2000.
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502 $a Thesis (Ph.D.)--The Ohio State University, 2002.
520 $a The prominent use of African American gospel music outside of the African American church coupled with the implementation of secular musical elements has caused many African American gospel listeners, artists, and historians to ask, “what is gospel music?” This study examined the historical and musical development of African American Gospel music throughout the 20<super> th</super> century, as evidenced in scholarly and popular sources, in order to define its key components, clarify its identity, and account for its expansion and development since its beginnings. The study began with a review of the literature to document the significant musical and historical developments of African American Gospel music throughout the 20<super>th</super> century. The literature was examined to answer the questions, what distinguishes African American Gospel music from other musical styles also referred to by the name “Gospel music?”, “what are the core elements of African American Gospel music?”, and “what is a more comprehensive definition of African American Gospel music based upon its significant historical and stylistic developments throughout the 20<super>th</super> century?”
520 $a An analysis of the data revealed that African American gospel music could be distinguished from other sacred musical styles also known by the name gospel as well as other African American sacred music genres. The data also revealed a recurring historical pattern that allowed the history of African American gospel music to be divided into five overall Gospel Music Eras and eleven distinct Gospel Musical and Performance Styles. Although stylistic distinctions exist between the various gospel eras and performance styles, common musical and textual elements, performance properties, and ministerial purposes link all 20<super>th</super> century African American gospel songs. A paradigm was formulated based upon these core components to identify African American gospel songs and distinguish them from other songs also known as gospel songs. Finally, a comprehensive definition was formulated for African American gospel music based upon its musical and historical development throughout the 20<super> th</super> century.
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