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Notation systems and dance style: Th...

Marion, Sheila.

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Notation systems and dance style: Three systems recording and reflecting one hundred years of western theatrical dance.

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	Notation systems and dance style: Three systems recording and reflecting one hundred years of western theatrical dance./
作者:	Marion, Sheila.
面頁冊數:	308 p.
附註:	Adviser: Marcia B. Siegel.
Contained By:	Dissertation Abstracts International58-01A.
標題:	Dance. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=9717774
ISBN:	0591259699

Notation systems and dance style: Three systems recording and reflecting one hundred years of western theatrical dance.
Marion, Sheila.

Notation systems and dance style: Three systems recording and reflecting one hundred years of western theatrical dance. - 308 p.

Adviser: Marcia B. Siegel.

Thesis (Ph.D.)--New York University, 1997.

Notation gives access to movement components and structure within an organized and stable descriptive framework. It provides a relatively neutral script for imagining, learning and interpreting movement, permits comparison of movement in a global way unimpeded by the linear and time-bound experience of viewing, and allows time for examination and contemplation. Systems to notate dance continue to be created, even after visual means of recording movement through film and video became available.

ISBN: 0591259699Subjects--Topical Terms:

610547
Dance.

Notation systems and dance style: Three systems recording and reflecting one hundred years of western theatrical dance.
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245 1 0 $a Notation systems and dance style: Three systems recording and reflecting one hundred years of western theatrical dance.
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520 $a Notation gives access to movement components and structure within an organized and stable descriptive framework. It provides a relatively neutral script for imagining, learning and interpreting movement, permits comparison of movement in a global way unimpeded by the linear and time-bound experience of viewing, and allows time for examination and contemplation. Systems to notate dance continue to be created, even after visual means of recording movement through film and video became available.
520 $a The problem of devising a symbolic system to record movement has not been completely solved, or at least generally agreed upon in the same way as our alphabets or musical notation. The various attempts at a solution have developed from combining movement theory, systematic overview and practical application. The result, in all the complexity and competing notions, is a richness of ideas about movement and ways of seeing movement that otherwise might not have evolved. Together or individually, dance notation systems represent some of the most detailed, inclusive and systematic examinations of movement.
520 $a Basic ideas about movement, which comprise the analytical terms of a notation system, are evident not so much in the various types of actions to which a system can be applied but rather in its fundamental means for recording motion. The system's organizing structure and vocabulary of representations reflect values inherent to the movement context or style in which the notation either originated or was principally developed.
520 $a Previous comparisons of notation systems have categorized the systems based on their means of representation, such as stick figures, track drawings, or abstract symbols. In this study I examine three systems devised and used extensively for recording Western theatrical dance--Benesh Movement Notation, Labanotation/Kinetography Laban and Stepanov notation--for the ways in which their structures and vocabularies reflect movement concepts and dance style. I also examine broader issues of what constitutes movement style, what features of movement are necessary for recording and reproducing a dance from notation, and the place of repertory and reconstruction in dance performance.
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