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A paradigm of the virtual transition...

Krannig-Moscatello, Dora Silvia.

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A paradigm of the virtual transitions and celebrations of the human spirit through the creative process and production of dance.

Record Type:	Language materials, printed : Monograph/item
Title/Author:	A paradigm of the virtual transitions and celebrations of the human spirit through the creative process and production of dance./
Author:	Krannig-Moscatello, Dora Silvia.
Description:	37 p.
Notes:	Adviser: Judith Allen.
Contained By:	Masters Abstracts International39-06.
Subject:	Dance. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1404442
ISBN:	0493239189

A paradigm of the virtual transitions and celebrations of the human spirit through the creative process and production of dance.
Krannig-Moscatello, Dora Silvia.

A paradigm of the virtual transitions and celebrations of the human spirit through the creative process and production of dance. - 37 p.

Adviser: Judith Allen.

Thesis (M.A.)--California State University, Long Beach, 2001.

This report documents the creative processes of choreography, student supervision, and the production experience from inception, through rehearsal, and final presentation.

ISBN: 0493239189Subjects--Topical Terms:

610547
Dance.

A paradigm of the virtual transitions and celebrations of the human spirit through the creative process and production of dance.
LDR:02031nam 2200301 a 45 001 931442
005 20110429
008 110429s2001 eng d
020 $a 0493239189
035 $a (UnM)AAI1404442
035 $a AAI1404442
040 $a UnM $c UnM
100 1 $a Krannig-Moscatello, Dora Silvia. $3 1254985
245 1 0 $a A paradigm of the virtual transitions and celebrations of the human spirit through the creative process and production of dance.
300 $a 37 p.
500 $a Adviser: Judith Allen.
500 $a Source: Masters Abstracts International, Volume: 39-06, page: 1455.
502 $a Thesis (M.A.)--California State University, Long Beach, 2001.
520 $a This report documents the creative processes of choreography, student supervision, and the production experience from inception, through rehearsal, and final presentation.
520 $a Two works were produced and choreographed by the candidate (<italic> Urban Purgatory</italic>, five minutes; <italic>Dreamscape</italic>, five minutes), followed by two student works supervised by the candidate (<italic> Contending Exuberance</italic>, three minutes; <italic>Broken Wing</italic>, three minutes). The project included a costume and a lighting design.
520 $a <italic>Urban Purgatory</italic> (2000) was a dance about the tensions of contemporary life. Modern dance vocabulary was used throughout the piece. For <italic>Dreamscape</italic> (2000) a study of Rodin sculptures was utilized to create a unique vocabulary derived from modern dance and ballet.
520 $a Student choreographed work <italic>Contending Exuberance</italic> (2000) included modern and jazz techniques in combination with multi media effects. <italic> Broken Wing</italic> (2000), a student choreographed trio, reflected modern ballet techniques.
590 $a School code: 6080.
650 4 $a Dance. $3 610547
690 $a 0378
710 2 0 $a California State University, Long Beach. $3 1017843
773 0 $t Masters Abstracts International $g 39-06.
790 $a 6080
790 1 0 $a Allen, Judith, $e advisor
791 $a M.A.
792 $a 2001
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1404442