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The irrepressible dance: A choreomyt...

Hartzell, Dina.

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The irrepressible dance: A choreomythology.

Record Type:	Language materials, printed : Monograph/item
Title/Author:	The irrepressible dance: A choreomythology./
Author:	Hartzell, Dina.
Description:	248 p.
Notes:	Adviser: Barbara Rogers-Gardner.
Contained By:	Dissertation Abstracts International62-05A.
Subject:	Dance. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3015804
ISBN:	0493263551

The irrepressible dance: A choreomythology.
Hartzell, Dina.

The irrepressible dance: A choreomythology. - 248 p.

Adviser: Barbara Rogers-Gardner.

Thesis (Ph.D.)--Pacifica Graduate Institute, 2001.

Dancing can expand human perception beyond the limitations of the empirical mind, tap essential ingredients of tradition, myth, and culture through somatic and creative memory, and help humans to reintegrate body, mind, soul, and spirit in the individual and in society. From troubadourism and the advent of couple dancing, through the dance epidemics of the fourteenth and later centuries, and finally to the international folk dancing of the present, communal/recreational dancing has offered people ways to participate actively in creation as personal, cultural, and social expression. Folk dancing is seen as recreational in the sense that it can re-create human experiences of renewal and of interelatedness with each other, with nature, and with the world at large.

ISBN: 0493263551Subjects--Topical Terms:

610547
Dance.

The irrepressible dance: A choreomythology.
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100 1 $a Hartzell, Dina. $3 1254845
245 1 0 $a The irrepressible dance: A choreomythology.
300 $a 248 p.
500 $a Adviser: Barbara Rogers-Gardner.
500 $a Source: Dissertation Abstracts International, Volume: 62-05, Section: A, page: 1617.
502 $a Thesis (Ph.D.)--Pacifica Graduate Institute, 2001.
520 $a Dancing can expand human perception beyond the limitations of the empirical mind, tap essential ingredients of tradition, myth, and culture through somatic and creative memory, and help humans to reintegrate body, mind, soul, and spirit in the individual and in society. From troubadourism and the advent of couple dancing, through the dance epidemics of the fourteenth and later centuries, and finally to the international folk dancing of the present, communal/recreational dancing has offered people ways to participate actively in creation as personal, cultural, and social expression. Folk dancing is seen as recreational in the sense that it can re-create human experiences of renewal and of interelatedness with each other, with nature, and with the world at large.
520 $a Dance, with an emphasis on those communal and recreational forms known as folk dance, is explored in six interconnected ways: as a source and essential force of creation or manifest existence, as a sense perception, as a metaphor for intersubjective relating between invisibles and humans as well as between humans, as a destructive force, as a form of memory and container for knowledge and tradition, and as a re-creational tool for the renewal of perception, religion, and culture.
520 $a Myths of dancing as a force of creation, as well as my own experiences dancing in the United States and southern France, inspire this heuristic study. The work is grounded in mythological perspective and archetypal theory. It relies heavily on the philosophy of <italic>hrdaya</italic> from Tantric Shaivism and on the myths of Dionysos, and recalls the erotic nature of living and dancing. Depth-psychological perspectives are woven through phenomenological philosophy for the sake of stretching the imagination far enough to notice elusive aspects of the role that folk dance plays in human understanding and culture.
590 $a School code: 1142.
650 4 $a Dance. $3 610547
650 4 $a Folklore. $3 528224
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710 2 0 $a Pacifica Graduate Institute. $3 1024837
773 0 $t Dissertation Abstracts International $g 62-05A.
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790 1 0 $a Rogers-Gardner, Barbara, $e advisor
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