東華大學圖書館 |

Language: English

Help

回圖書館首頁

手機版館藏查詢

Back

Switch To: Labeled | MARC Mode | ISBD

Death in classical Hollywood cinema

Hagin, Boaz, (1973-)

Linked to FindBook

Google Book

Amazon

博客來

Death in classical Hollywood cinema

Record Type:	Electronic resources : Monograph/item
Title/Author:	Death in classical Hollywood cinema/ Boaz Hagin.
Author:	Hagin, Boaz,
Published:	Basingstoke [England] ;Palgrave Macmillan, : 2010.,
Description:	ix, 201 p.
[NT 15003449]:	The meaning of death in classical Hollywood. Practicing film theory -- Death on the line -- Apolitics of death -- Two Platos : death, truth, and knowledge. A rehearsal for death -- Access, authority, and tests-- The superfluity of a truth-revealing death -- The misery of truth -- Embodying the past. The killability test -- A logic of singular evil -- Melodrama and the shaping of desires tocome. Sublating death -- Obstacles and goals -- Desiring death -- Impossible legacies -- Cults of thedead and powers of the false. Retaining the dead -- Westerns and falsehoods -- The forming of a cult -- A brand that sticks -- A perpetual present : death and the war film. An absurd death -- The Hollywood war machine -- The exception of state -- Conclusions : the ends of classical death. Billy Wilder and Hollywood's "Auschwitz" -- The vicissitudes of the killability test -- The virtual Frankenstein.
Subject:	Death in motion pictures. -
Online resource:	http://link.springer.com/10.1057/9780230275072access to fulltext (Palgrave)
ISBN:	0230275079

Death in classical Hollywood cinema
Hagin, Boaz,1973-

Death in classical Hollywood cinema[electronic resource] /Boaz Hagin. - Basingstoke [England] ;Palgrave Macmillan,2010. - ix, 201 p.

Includes bibliographical references and index.

The meaning of death in classical Hollywood. Practicing film theory -- Death on the line -- Apolitics of death -- Two Platos : death, truth, and knowledge. A rehearsal for death -- Access, authority, and tests-- The superfluity of a truth-revealing death -- The misery of truth -- Embodying the past. The killability test -- A logic of singular evil -- Melodrama and the shaping of desires tocome. Sublating death -- Obstacles and goals -- Desiring death -- Impossible legacies -- Cults of thedead and powers of the false. Retaining the dead -- Westerns and falsehoods -- The forming of a cult -- A brand that sticks -- A perpetual present : death and the war film. An absurd death -- The Hollywood war machine -- The exception of state -- Conclusions : the ends of classical death. Billy Wilder and Hollywood's "Auschwitz" -- The vicissitudes of the killability test -- The virtual Frankenstein.

Characterized by a causal, linear, individual-driven narrative, but also by a flair for excessive melodramatic spectacles, Hollywood's classical films from the 1920s through the 1950s pose unique challenges andconstraints for making death meaningful. Death in Classical Hollywood Cinema shows how philosophies of death can be gleaned by looking at therole death plays within the classical Hollywood narrative and in latermainstream films which cope with death in light of virtual reality, cloning, and genetic engineering. Addressing major continental thinkers like Freud, Benjamin, and Deleuze, and focusing on the melodrama, gangster film, Western, and war film, this book analyses and challenges the ways Hollywood can offer to cope with death and to make sense of our inevitable and universal mortality.

Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2010.

Mode of access:World Wide Web.

ISBN: 0230275079Subjects--Topical Terms:

585205
Death in motion pictures.
Index Terms--Genre/Form:

542853
Electronic books.

LC Class. No.: PN1995.9.D37 / H34 2010

Dewey Class. No.: 791.43/65480973

Death in classical Hollywood cinema
LDR:03005nmm a2200313 a 45 001 924274
003 OCoLC
005 20110408
006 m d
007 cr nn muauu
008 231227s2010 enk sb 001 0 eng d
020 $a 0230275079
020 $a 9780230275072
035 $a
035 $a 924274
040 $a UKPGM $b eng $c UKPGM
041 0 $a eng
043 $a n-us---
049 $a APTA
050 1 4 $a PN1995.9.D37 $b H34 2010
082 0 4 $a 791.43/65480973 $2 22
100 1 $a Hagin, Boaz, $d 1973- $3 1247109
245 1 0 $a Death in classical Hollywood cinema $h [electronic resource] / $c Boaz Hagin.
260 $a Basingstoke [England] ; $a New York : $b Palgrave Macmillan, $c 2010.
300 $a ix, 201 p.
504 $a Includes bibliographical references and index.
505 0 $a The meaning of death in classical Hollywood. Practicing film theory -- Death on the line -- Apolitics of death -- Two Platos : death, truth, and knowledge. A rehearsal for death -- Access, authority, and tests-- The superfluity of a truth-revealing death -- The misery of truth -- Embodying the past. The killability test -- A logic of singular evil -- Melodrama and the shaping of desires tocome. Sublating death -- Obstacles and goals -- Desiring death -- Impossible legacies -- Cults of thedead and powers of the false. Retaining the dead -- Westerns and falsehoods -- The forming of a cult -- A brand that sticks -- A perpetual present : death and the war film. An absurd death -- The Hollywood war machine -- The exception of state -- Conclusions : the ends of classical death. Billy Wilder and Hollywood's "Auschwitz" -- The vicissitudes of the killability test -- The virtual Frankenstein.
520 $a Characterized by a causal, linear, individual-driven narrative, but also by a flair for excessive melodramatic spectacles, Hollywood's classical films from the 1920s through the 1950s pose unique challenges andconstraints for making death meaningful. Death in Classical Hollywood Cinema shows how philosophies of death can be gleaned by looking at therole death plays within the classical Hollywood narrative and in latermainstream films which cope with death in light of virtual reality, cloning, and genetic engineering. Addressing major continental thinkers like Freud, Benjamin, and Deleuze, and focusing on the melodrama, gangster film, Western, and war film, this book analyses and challenges the ways Hollywood can offer to cope with death and to make sense of our inevitable and universal mortality.
533 $a Electronic reproduction. $b Basingstoke, England : $c Palgrave Macmillan, $d 2010. $n Mode of access:World Wide Web. $n System requirements: Web browser. $n Title from title screen (viewed on Sep. 27, 2010). $n Access may be restricted to users at subscribing institutions.
650 0 $a Death in motion pictures. $3 585205
650 0 $a Motion pictures $z United States $x History $y 20th century. $3 854575
650 0 7 $a Film. $2 swd $3 1246357
650 0 7 $a Tod. $2 swd $3 1045966
655 7 $a Electronic books. $2 lcsh $3 542853
710 2 $a Palgrave Connect (Online service) $3 1081578
776 0 8 $i Print version: $a Hagin, Boaz, 1973- $t Death in classical Hollywood cinema. $d Basingstoke [England] ; New York : Palgrave Macmillan, 2010 $z 9780230236226 $w (DLC) 2010002689 $w (OCoLC)468976228
856 4 0 $3 Palgrave Connect $u http://link.springer.com/10.1057/9780230275072 $z access to fulltext (Palgrave)