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Bluestockings = women of reason from...

Eger, Elizabeth.

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Bluestockings = women of reason from Enlightenment to Romanticism /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Bluestockings/ Elizabeth Eger.
Reminder of title:	women of reason from Enlightenment to Romanticism /
Author:	Eger, Elizabeth.
Published:	Basingstoke, England ;Palgrave Macmillan, : 2010.,
Description:	xiii, 275 p. :ill.
[NT 15003449]:	Introduction : The nine living muses of Great Britain -- Living muses : the female icon -- The bluestocking salon : patronage, correspondence and conversation -- 'Female champions' : women critics of Shakespeare -- The bluestocking legacy in the Romantic era.
Subject:	English literature - Women authors -
Subject:	Gro?britannie$ -
Online resource:	http://link.springer.com/10.1057/9780230250505access to fulltext (Palgrave)
ISBN:	0230250505

Bluestockings = women of reason from Enlightenment to Romanticism /
Eger, Elizabeth.

Bluestockingswomen of reason from Enlightenment to Romanticism /[electronic resource] :Elizabeth Eger. - Basingstoke, England ;Palgrave Macmillan,2010. - xiii, 275 p. :ill. - Palgrave studies in the Enlightenment, romanticism and cultures of print. - Palgrave studies in the Enlightenment, romanticism and cultures of print..

Includes bibliographical references and index.

Introduction : The nine living muses of Great Britain -- Living muses : the female icon -- The bluestocking salon : patronage, correspondence and conversation -- 'Female champions' : women critics of Shakespeare -- The bluestocking legacy in the Romantic era.

Bluestockings: Women of Reason from Enlightenment to Romanticism explores the cultural history of women's literary and intellectual activity in Britain between 1750 and 1812. Richard Samuel's painting, The NineLiving Muses of Great Britain (1779), forms the starting point and guiding motif ofthe book. Samuel depicted Elizabeth Montagu, Elizabeth Griffith, Elizabeth Carter, Charlotte Lennox,Elizabeth Linley, Angelica Kauffman, Catharine Macauley, Anna Barbauld and Hannah More. Together these women formed an important network of artists and intellectuals, who contributed to the central cultural transformations of their time. Women forged a sense of community through their innovative use of patronage, conversation and correspondence. In the bluestocking salon these arts were developedto new levels of moral significance and provided the basis for women's involvement with the formalliterary genres of their time, including Shakespearean criticism and poetry. This book highlights women's role in shaping an evolving national canon of literature. It also considers how the cultural anxiety caused by their very success inthe public sphere of letters caused a new generation of male Romanticsto displace women from their position of power.

Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2010.

Mode of access:World Wide Web.

ISBN: 0230250505Subjects--Topical Terms:

593381
English literature
--Women authorsSubjects--Geographical Terms:

1246063
Gro?britannie$
Index Terms--Genre/Form:

542853
Electronic books.

LC Class. No.: PR113 / .E45 2010

Dewey Class. No.: 820.9/928709033

Bluestockings = women of reason from Enlightenment to Romanticism /
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100 1 $a Eger, Elizabeth. $3 1246212
245 1 0 $a Bluestockings $h [electronic resource] : $b women of reason from Enlightenment to Romanticism / $c Elizabeth Eger.
260 $a Basingstoke, England ; $a New York : $b Palgrave Macmillan, $c 2010.
300 $a xiii, 275 p. : $b ill.
490 1 $a Palgrave studies in the Enlightenment, romanticism and cultures of print
504 $a Includes bibliographical references and index.
505 0 $a Introduction : The nine living muses of Great Britain -- Living muses : the female icon -- The bluestocking salon : patronage, correspondence and conversation -- 'Female champions' : women critics of Shakespeare -- The bluestocking legacy in the Romantic era.
520 $a Bluestockings: Women of Reason from Enlightenment to Romanticism explores the cultural history of women's literary and intellectual activity in Britain between 1750 and 1812. Richard Samuel's painting, The NineLiving Muses of Great Britain (1779), forms the starting point and guiding motif ofthe book. Samuel depicted Elizabeth Montagu, Elizabeth Griffith, Elizabeth Carter, Charlotte Lennox,Elizabeth Linley, Angelica Kauffman, Catharine Macauley, Anna Barbauld and Hannah More. Together these women formed an important network of artists and intellectuals, who contributed to the central cultural transformations of their time. Women forged a sense of community through their innovative use of patronage, conversation and correspondence. In the bluestocking salon these arts were developedto new levels of moral significance and provided the basis for women's involvement with the formalliterary genres of their time, including Shakespearean criticism and poetry. This book highlights women's role in shaping an evolving national canon of literature. It also considers how the cultural anxiety caused by their very success inthe public sphere of letters caused a new generation of male Romanticsto displace women from their position of power.
520 $a "Bluestockings participated in the first wide-scale creation of a national culture. Exploringthe tension between individual and collectivemodels of authorship, Eger draws on visual and printedmaterials and unpublished manuscripts to argue for the enduring relevance of rational argument in thehistory of womens' writing"--Provided by publisher.
533 $a Electronic reproduction. $b Basingstoke, England : $c Palgrave Macmillan, $d 2010. $n Mode of access:World Wide Web. $n System requirements: Web browser. $n Title from title screen (viewed on July 14, 2010). $n Access may be restricted to users at subscribing institutions.
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